1,727,877 research outputs found
The Way of “Wei Yu” — An Orientation of Education for the Chinese in the Globalizing World, by ZHANG Shiya
Full text linkThe author discusses the characteristics of contemporary Chinese education in the context of globalization and internalization. Professor Zhang points out that the concept of Chinese includes not only the 56 ethnic groups inhabiting in China, but also Chinese descendants overseas. The author argued that all Chinese people have a common basis of identification%253A four words, Zhong He Wei Yu(center, harmony, position, birth), By analyzing and expatiating on Chinese characters the author argues that Wei Yu does not mean a simple adaptation, but means to interact and communicate with others culture by utilizing the characteristics and specialties of the main body of Chineseculture, by which we can reach a situation of enjoying where we are and what we have%253B knowing where we go and making a better life for us in whatever environment
Notes on Early Land Plants Today. 39. Microlejeunea indica (Marchantiophyta, Lejeuneaceae)
No full textWei, Yu-Mei, Zhu, Rui-Liang (2013): Notes on Early Land Plants Today. 39. Microlejeunea indica (Marchantiophyta, Lejeuneaceae). Phytotaxa 97 (2): 63-64, DOI: 10.11646/phytotaxa.97.2.6, URL: https://www.mendeley.com/catalogue/423d425c-e245-3d5a-8941-a110ecb139a4
Supplementary Material 1 - Supplemental material for ADHD Symptoms, Entrepreneurial Orientation (EO), and Firm Performance
No full textSupplemental material, Supplementary Material 1, for ADHD Symptoms, Entrepreneurial Orientation (EO), and Firm Performance by Wei Yu, Johan Wiklund and Ana Prez-Luo in Entrepreneurship Theory and Practice</p
The reappraisal of Capillolejeunea S.W.Arnell (Marchantiophyta, Lejeuneaceae)
No full textHe, Qiong, Wei, Yu-Mei, Pócs, Tamás, Zhu, Rui-Liang (2014): The reappraisal of Capillolejeunea S.W.Arnell (Marchantiophyta, Lejeuneaceae). Phytotaxa 175 (3): 166-170, DOI: 10.11646/phytotaxa.175.3.7, URL: http://dx.doi.org/10.11646/phytotaxa.175.3.
Supplemental Material - Spatial Analysis of Home and Community-Based Services and Number of Deaths Among Older Adults in Taiwan
No full textSupplemental Material for Spatial Analysis of Home and Community-Based Services and Number of Deaths Among Older Adults in Taiwan by Tzu-Yu Lin and Hsiao-Wei Yu in Journal of Applied Gerontology</p
CO2 emission inventories for Chinese cities in highly urbanized areas compared with European cities
No full textThe international literature has paid significant attention to presenting China as the largest emitter of greenhouse gases (GHGs) in the world, despite having much lower per-capita emissions than the global average. In fact, the imbalance of economic development leads to diversity in GHG emissions profiles in different areas of China. This paper employs a common methodology, consistent with the Sustainable Energy Action Plan (SEAP) approved by the Covenant of Mayors (CoM), to estimate CO2 emissions of four Chinese cities in highly urbanized areas from 2004 to 2010. The results show that the CO2 emissions of all four cities are still rising and that secondary industries emit the most CO2 in these cities. By comparing these data with the inventory results of two European cities, this paper further reveals that Chinese cities in highly urbanized areas contribute much higher per-capita emissions than their European competitors. Furthermore, the per-capita CO2 emissions of the residential sector and private transport in these Chinese cities are growing rapidly, some of them approaching the levels of European cities. According to these findings, several policy suggestions considering regional disparities are provided that aim to reduce the CO2 emissions of highly urbanized areas in Chin
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
[[alternative]]A Zen Life--YU, WEI-YU Sculpture Discussion
No full text[[abstract]] 筆者之藝術創作乃有感於漢寶德提及到生命之真理以及充滿宗教意味的講話,他提到東方的藝術希望擺脫生與死的影響，而邁向超越生命的途徑，就無可避免的帶有宗教的意味。中國的詩與畫以融入自然與忘我的心境為主調，實以老莊與禪宗的生命觀為基礎。然而最終仍不能脫離對生命的依戀。然筆者創作之主觀動機乃因為面對至親生命的凋零，對生命的實際感受，筆者藉由佛教中的禪學，透過藝術的創作，試圖平復哀傷逾恆的心情。如上述漢寶德之言，筆者的禪意人生系列創作其實是對生命強烈的依戀不捨與面對世代更替的自然法則的尊重取得一個平衡，冀望能達忘我的心境。因為筆者之創作帶有宗教的意味，因此筆者採用歷史研究法，對中國佛像雕塑歷史先有一番的了解；而後採用行動研究法進行實際的創作，從創作中不斷的發現問題，再反省自身的創作，從創作中觀照自身的行為，最後確立未來創作的方向並提昇雕塑創作的品質。本篇創作論述作品共分「問佛」、「開悟」、「想飛」、「逸興遄飛」四個系列，系列一以「問佛」系列作品表達筆者面對至親生命凋零的無奈，只能無語祈佛慈悲，讓至親少些苦痛。系列二以「開悟」系列作品來表達筆者冀望母親能早日放下世俗一切瞋癡，遠離世間一切顛倒，早日得證菩提。系列三以「想飛」系列作品來詮釋筆者冀求能得世間兩全法，能夠不負如來又不負眾生。系列四以「逸興遄飛」系列作品來詮釋筆者最終願想，一切回歸到最簡單的快樂。[[abstract]] The reason I create the artworks can be traced from the words of Bao-da Han which imply the truth of life and the content of religion, he holds the understanding that artworks of east is independent on the influence of life and dead and leads us over such influence, and therefore artworks for him is something religious. I can agree with also his standpoint of Daoism (道家) that the poetry and picture are based on human mood in which I forget myself and go to the integration into the nature. According to such understanding I make the creation of my artworks and my paper is nothing but the purpose to reveal such ideas. The subjective motive for my creation is the history of the death of my closed relatives through which I have an existential feeling of life. Because of the feeling I try to get a comfort from the creation of artworks involving Buddhism. Like the words of Han my creation of Zen involves the life strongly and the nature laws decide the life and death, and my artworks reveal a standpoint of respect for such law and the balance between life and death. Because of religious feelings of my works I try a method of history to understand the pass of the sculptures and then a method of action to make creation really, to find out the problems, to make reflection on my artworks from which I have an intuition of my behavior in order to make sure of the future direction of my creation and to promote its quality. The discourse on my creation can be divided in four series: 1. To question to Buddha in which the feeling of speechless in front of the death of my closed relatives can be revealed in order to make the pain feeling less. 2. Enlightenment. Through the artworks I hold that my mother can give up the secular pain feeling and get the wise of Buddha. 3. Hope to fly. In the series I hope that I can get the wise through which I can realize the hope of both people and Buddha. 4. Happiness without limit. In this artworks I show my hope that I will come back to the way of life to live simple
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