373 research outputs found
Supplemental Material - <i>Coalescing</i> Cross-Pollinating, Crystalising Developing and Evaluating an Art Installation About Health Knowledge
No full textSupplemental Material for Coalescing Cross-Pollinating, Crystalising Developing and Evaluating an Art Installation About Health Knowledge by Chloe Watfern, Zoi Triandafilidis, Priya Vaughan, Barbara Doran, Ann Dadich, Kate Disher-Quill, Peter Maple, Louise Hickman, Michele Elliot, and Katherine M. Boydell in Qualitative Health Research.</p
Get a Life, Chloe Brown
No full textGet a Life, Chloe Brown follows Chloe Brown, who spent most of her time at home due to her fibromyalgia, an illness that causes wide-body pain and fatigue. After a near-death experience, she decided to make a list to become more independent and rebellious. To help her do this, she seeks the help of her landlord.
The author of this book was a diverse romance writer who got started from self-publishing and social media. This book in particular follows a Black woman with a chronic illness, making it unique in the romance world.https://ecommons.udayton.edu/ul_popularromance/1011/thumbnail.jp
Review of Chloe Aridjis's Magic Lantern Show STILLED SHADOWS
No full textReview of the live magic lantern shows at Swedenborg House by the author Chloe Aridji
Thom Roberts Reads Crowns : Musing on Art and Neurodiversity through the Lens of One Artist’s Practice
No full textAt Studio A, a supported studio for neurodiverse artists, the prolific painter, performer, photocopier, and installation artist Thom Roberts frequently reaches out to connect with friends and fellow artists by running his hands across the backs of their heads; “reading” their crowns. It’s a blessing I have been lucky enough to receive countless times over the course of my ethnographic engagement with Studio A, and as my relationship with Thom has developed. During my research, I have witnessed Thom read crowns in all kinds of contexts, from pubs to art galleries, in a performance artwork that could also be understood as an experimental artist talk. Here, I trace the narrative of this facet of Thom’s practice. I consider how such embodied encounters have the potential to open avenues of communication and connection between people who might experience the world in very different ways
Modern Painters, Vol. 1, No. 1: introduction
No full textA multi-author 'One Object' feature convened and introduced by Chloe Julius that responds to the first issue of the British art magazine 'Modern Painters' (1988
Obraz „Dafnis i Chloe” Parisa Bordona. Mitologia i erotyka
No full textThe paper discusses a Daphnis and Chloe painting from the collection of John Paul II Museum in Warsaw, attributed to the Venetian artist Paris Bordon. Starting with identification of the literary source – an ancient novel by Longus, recounting a love story of young shepherd Daphnis and his fiancée, Chloe – the author strives to determine the degree of its congruity with the depicted scene by conducting a detailed iconographic analysis of the latter. Furthermore, a comparative effort is made to place the picture in its supposed creator’s artistic oeuvre with regard both to its form and contents.The paper discusses a Daphnis and Chloe painting from the collection of John Paul II Museum in Warsaw, attributed to the Venetian artist Paris Bordon. Starting with identification of the literary source – an ancient novel by Longus, recounting a love story of young shepherd Daphnis and his fiancée, Chloe – the author strives to determine the degree of its congruity with the depicted scene by conducting a detailed iconographic analysis of the latter. Furthermore, a comparative effort is made to place the picture in its supposed creator’s artistic oeuvre with regard both to its form and contents
Daphnis and Chloe /
No full textIn 1831 Goethe called Daphnis and Chloe 'a masterpiece ... in which Understanding, Art, and Taste appear at their highest point, and beside which the good Virgil retreats somewhat into the background ... One would do well to read it every year, to be instructed by it again and again, and to receive anew the impression of its great beauty. 'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'.Marc Chagall's illustrations to the pastoral tale, which is set on the island of Lesbos, were inspired by his first-hand experience of Greece. His lithographs combine the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales, and celebrate the lovers in a setting whose marvels of colour evoke Eden with a sumptuousness that is inimitably Chagall. Art of the highest order united with poetry of timeless appeal - the result is an irresistibly delightful book.This sole surviving bucolic novel of ancient Greek origin was written by Longus, a poet about whom nothing else is known, and dates to about the mid third century A.D. The lyrical beauty and sensual frankness of the story have found admirers from Shakespeare to Jacob Burckhardt, and have exerted lasting influence on European literature. It was not until 1810 that the first complete manuscript of Daphnis and Chloe was discovered, in Florence. This provided the basis for the present, superb translation, done in 1956 by Paul Turner.In 1831 Goethe called Daphnis and Chloe 'a masterpiece ... in which Understanding, Art, and Taste appear at their highest point, and beside which the good Virgil retreats somewhat into the background ... One would do well to read it every year, to be instructed by it again and again, and to receive anew the impression of its great beauty. 'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'.Marc Chagall's illustrations to the pastoral tale, which is set on the island of Lesbos, were inspired by his first-hand experience of Greece. His lithographs combine the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales, and celebrate the lovers in a setting whose marvels of colour evoke Eden with a sumptuousness that is inimitably Chagall. Art of the highest order united with poetry of timeless appeal - the result is an irresistibly delightful book.This sole surviving bucolic novel of ancient Greek origin was written by Longus, a poet about whom nothing else is known, and dates to about the mid third century A.D. The lyrical beauty and sensual frankness of the story have found admirers from Shakespeare to Jacob Burckhardt, and have exerted lasting influence on European literature. It was not until 1810 that the first complete manuscript of Daphnis and Chloe was discovered, in Florence. This provided the basis for the present, superb translation, done in 1956 by Paul Turner
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Interview with Chloe Taft, author of From Steel to Slots
No full textIn this August 3, 2016 phone conversation, Taft discusses her book From Steel to Slots: Casino Capitalism in the Postindustrial City, an examination of the transition from Bethlehem Steel to Sands Bethlehem in the northeast Pennsylvania manufacturing city
Interview with Chloe Taft, author of From Steel to Slots
No full textIn this August 3, 2016 phone conversation, Taft discusses her book From Steel to Slots: Casino Capitalism in the Postindustrial City, an examination of the transition from Bethlehem Steel to Sands Bethlehem in the northeast Pennsylvania manufacturing city
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