24,585 research outputs found
Wang Meng and contemporary Chinese literature: the vicissitudes of a committed writer
No full textThis thesis examines the way Wang Meng has developed as a writer from the 1950s to the 1990s in the context of New China's political and literary background. It looks at the compromises he was forced to make between his political beliefs in the Communist Party and his chosen role as a professional writer. After his disastrous early foray into what was deemed to be unacceptable political criticism with The Young Newcomer in the Organisation Department in the 1950s, when the opportunity came to start publishing again in the late 1970s he was boldly innovative in style, helping to transform New Period literature, but conservative in content, sticking to politically acceptable topics. It was only with Hard Porridge in 1989 that he ventured again, and very successfully, into political comment. There is no outstanding leading writer in contemporary China, but Wang Meng is a leading contender for the title
Demonstration of arbitrary temporal shaping of picosecond pulses in a radially polarized Yb-fiber MOPA with > 10 W average power
No full textDataset supporting:
Meng Zhang, M. et al. (2017). Demonstration of arbitrary temporal shaping of picosecond pulses in a radially polarized Yb-fiber MOPA with > 10 W average power. Optics Express. </span
Ponowoczesny świat w twórczości Meng Jinghuia
No full textCelem niniejszej pracy jest analiza twórczości reżyserskiej i literackiej Meng Jinghuia (孟京辉)
w świetle czasów ponowoczesnych, w których artysta tworzy. W rozprawie odnajdowane są
ponowoczesne kategorie właściwe dla miejsca oraz czasu powstawania sztuk i tekstów
dramatycznych. Wśród głównych wyróżników postmodernizmu w działalności dramaturgicznej
i teatralnej Menga należy wymienić intertekstualność, korespondencję sztuk scenicznych, zabawy
konwencją, karnawałowe stylizacje językowe i sceniczne, rodzaje podejmowanych tematów, a także
postdramatyczność. Istotną częścią pracy jest rozpoznanie motywów i genezy powstania dzieł
zanurzonych w najnowszej historii Chin
Migrant workers, collaborative research and spatial pressures : an interview with Meng Yue
No full textIn July last year I had the opportunity to interview Meng Yue, literary scholar and author of Shanghai and the Edges of Empire (2006). Meng Yue has been collaborating with Toronto-based architect and artist Adrian Blackwell for a number of years, with their students from literature and architecture undertaking highly interesting research on the peripheral zones of Beijing. Questions of peri-urban food production, land use, resource distribution and the multiplication of labour skills have framed these investigations. The interview below is extracted from a considerably longer discussion we had in Beijing during the late summer of 2007, half of which was lost to the faulty battery of an ipod (the rest remains to be transcribed from video…)
Correction to: Visible lattice points along curves
No full textThe article “Visible lattice points along curves”, written by Kui Liu and Xianchang Meng, was originally published electronically on the publisher’s internet portal on 27 July 2020 without open access. With the author(s)’ decision to opt for Open Choice the copyright of the article changed on 9 July 2021 to © The Author(s) 2020 and the article is forthwith distributed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0
Sequels to honglou meng : how gu taiqing continues the story in honglou meng ying
No full textAfter Honglou meng (1791) was published, a number of sequels appeared that redefined its major characters, rewrote its ending, and continued the story of life within the two Jia households. One of these was Honglou meng ying (1877), by female poet, Gu Taiqing. Despite its status as the earliest extant novel written by a woman, few studies have been devoted to examining it. Building on research that Ellen Widmer has provided on Gu Taiqing and her work, including Honglou meng ying, I will explore the novel further in terms of its relationship to the parent work and to other sequels written by men, and also examine it on its own terms as a literary work. Some of the main questions that I will address include: how does it compare to other sequels to Honglou meng? How does Gu Taiqing’s continuation of Honglou meng depart from the parent novel? I have organized my discussion by providing an introduction to Gu Taiqing, whilst providing contextual information about women’s education, their relationship to fiction, and the impact of Honglou meng. Chapter One will deal with the broad issue of sequels in the Chinese context, the popularity of writing sequels during the Ming and Qing dynasties, and conclude with some observations about Honglou meng sequels in particular. The second chapter will deal exclusively with Gu Taiqing’s Honglou meng ying, evaluating it in terms of how the author continues the parent work, how she refashions its characters and themes, and how her sequel reflects her own unique concerns (which may not have been part of the original parent work). Finally, I will conclude with some remarks about Honglou meng ying in terms of its relation to sequel writing in late imperial China and its contribution to our understanding of women’s reading and writing in the final years of the Qing dynasty.Arts, Faculty ofAsian Studies, Department ofGraduat
The absorption spectrum of oxygen
No full text"November 19, 1948."Bibliography: p. 9.Army Signal Corps Contract No. W-36-039 sc-32037 Project No. 102B. Dept. of the Army Project No. 3-99-10-022.M.W.P. Strandberg, C.Y. Meng, J.G. Ingersoll
The Poetry of Meng Haoran
No full textMeng Haoran (689-740) was one of the most important poets of the "High Tang" period, the greatest age of Chinese poetry. In his own time he was famous for his poetry as well as for his distinctive personality. This is the first complete translation into any language of all his extant poetry. Includes original Chinese texts and English translation on facing pages
The Poetry of Meng Haoran
No full textMeng Haoran (689-740) was one of the most important poets of the "High Tang" period, the greatest age of Chinese poetry. In his own time he was famous for his poetry as well as for his distinctive personality. This is the first complete translation into any language of all his extant poetry. Includes original Chinese texts and English translation on facing pages
Legenda Meng Jiangnü: Pengarang, Perubahan Cerita dan Daya Tariknya
No full textThe story of Meng Jiangnü, is one of the China most popular folklore-legends. Originally, it was the story of Qi Liangqi, but later transformed to Meng Jiangnü stories with many different details appeared in poems, prose romances, storytelling, or dramas. These transformations or evolutions happened due to old literary customs that made a work has possibility to be changed or recreated by many authors. The author’s creativity not only left abundant resources to interpret or analyze by scholars, but also enchanting common readers or listeners because it moral values and romanticism
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