14,185 research outputs found
Dramatization Strategies in Ulysses by James Joyce
No full textThe article indicates that James Joyce stylizes his novel Ulysses for a drama, and gives a comprehensive analysis of some narrative techniques used in the work. Referring to the most important, narratologically-oriented studies of Ulysses, the author states that limiting the narrator’s competences turns out to be the basic strategy for dramatizing the novel. This assertion leads to the conclusion which has been so far overlooked in the Polish and Anglophone criticism. Using the comparative method, the author draws attention to the specifically dramatic conventions of dialogue transposed into Ulysses. These are devices known from the works of eminent playwrights of modernity, especially Ibsen, Strindberg, Maeterlinck and [email protected]ł Kozłowski, dr, literaturoznawca, pracuje w Akademii Pomorskiej w Słupsku. Ostatnio opublikował: Dzieło w ruchu. 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An Essay in Method, New York: Cornell University Press.Gibson Andrew (2013), Thinking Forwards, Turning Back: Joyce’s Writings 1898–1903, w: James Joyce in the Nineteenth Century, ed. J. Nash, Cambridge: Cambridge University Press, s. 61–74.Gilbert Stuart (1952), James Joyce’s Ulysses, New York: Vintage.Gillespie Michael (2008), Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett (review), „James Joyce Quarterly”, Vol. 45, No. 1, s. 157–160.Grandt Jürgen (2003), „Might be what you like, till you hear the words”: Joyce in Zurich and the Contrapuntal Language of Ulysses, „Joyce Studies Annual” Vol. 14, s. 74–91.Groden Michael (1997), Ulysses in Progress, Pirnceton: Princeton University Press.Harris Susan (2001), James Joyce after Postcolonialism, „MFS Modern Fiction Studies”, Vol. 47, No. 4, s. 1004–1008.Hart Michael (1995), The Subaltern Ulysses, „Modernism/Modernity”, Vol. 24, No. 3, s. 182–183.Henderson Diana (1989), Joyce’s Modernist Woman: Whose Last Word?, „MFS Modern Fiction Studies”, Vol. 35, No. 3, s. 517–528.Hellweg John, Hellweg Susan (1982), The sea gull: A communicative analysis of Chekhovian drama, „Communication Quarterly”, Vol. No. 2, s. 150–154.Holquist Michael [ed.] (1981), The Dialogical Imagination. Four Essays by M.M. Bakhtin, London: University of Texas Press.Johnson Jeri (2004), Joyce and Feminism, w: The Cambridge Companion to Joyce, ed. D. Attridge, Cambridge: Cambridge University Press, s. 196–212.Joyce James (1975), Ulisses, przeł. M. Słomczyński, Warszawa: Państwowy Instytut Wydawniczy.Kelly Dermot (1988), Narrative Strategies in Joyce’s Ulysses, London: UMI Research Press.Kennedy Andrew (1983), Dramatic Dialogue. The duologue of personal encounter, Cambridge: Cambridge University Press.Kenner Hugh (1978), Joyce’s Voices, Berkeley: University of California Press.Klitgård Ida (2004), ˚Dual Voice and Dual Style: Translating Free Indirect Discourse in Ulysses, „Nordic Journal of English Studies”, Vol. 3, No. 3, s. 319–345.Kosiński Dariusz (2009), Między ciałem a głosem. Głos w dramacie, w: Elementy dramatu: analizy diagnostyczne, red. M. Borowski, M. Sugiera, Kraków: Księgarnia Akademicka, s. 165–185.Krasner Dawid (2012), A History of Modern Drama, Oxford: Wiley–Blackwell.Lawrence Karen (1981), The Odyssey of Style in Ulysses, Princeton: Princeton University Press.Lin Paul (2001), Standing the Empire: Drinking, Masculinity, and Modernity in „Counterparts”, „European Joyce Studies”, No. 10, s. 33–57.Malkin Jeanette (1999), Memory-Theatre and Post-modern Drama, Michigan: University of Michigan Press.Marshall Needleman (2002), Voices and Values in Joyce’s Ulysses (review), „Criticism”, Vol. 44, No. 1, s. 111–114.McHale Bryan (1992), Constructing Postmodernism, London: Routledge.Norris Margot (2007), Possible-World’s Theory and Joyce’s „Wandering Rocks”: The Case of Father Conmee, „Joyce Studies Annual”, Vol. 15, s. 21–43.O’Brien Alyssa (2000), The Molly Bloom’s of Penelope: Reading Joyce Archivally, „Journal of Modern Literature”, Vol. 24, No. 1, s. 7–24.Ochshorn Kathleen (2005), Who’s Modern Now: Shaw, Joyce and Ibsen’s When We Dead Awaken, „Shaw. The Annual of Bernard Shaw Studies”, No. 25, s. 96–104.Paszek Jerzy (1984), Sztuka aluzji literackiej, Katowice: Wydawnictwo Uniwersytetu Śląskiego.Paziński Piotr (2005), Labirynt i drzewo, Kraków: Austeria.Pleśniarowicz Krzysztof (1996), Przestrzenie deziluzji. Współczesne modele dzieła teatralnego, Kraków: Universitas.Russell Susan (2005), Space and Time in Epic Theater: The Brechtian Legacy (review), „Theatre Journal” 2005, Vol. 57, No. 1, s. 131–132.Sailer Susan (1997), James Joyce and the Art of Mediation (review), „MFS Modern Fiction Studies”, Vol. 43, No. 2, s. 513–515.Sajewska Dorota (2004), Zapis na wstędze nieświadomości. O dramacie Jana Augusta Kisielewskiego „W Sieci”, w: Dialog w dramacie, red. W. Baluch, L. Czartoryska-Górska, M. Żółkoś, Kraków: Księgarnia Akademicka, s. 15–28.Schwarz Daniel (1989), Joyce, Bakhtin and Popular Culture: Chronicles of Disorder, and: Missed Understandings: A Study of Stage Adaptations of the Works of James Joyce (review), „MFS Modern Fiction Studies”, Vol. 35, No. 4, s. 798–800.Shea Daniel (2006), James Joyce and Mythology of Modernism, Stuttgart: Verlag.Sławińska Irena (1988), Odczytywanie dramatu, Warszawa: PWN.Sinko Grzegorz (1977), Kryzys języka w dramacie współczesnym. Rzeczywistość czy złudzenie?, Wrocław: Zakład Narodowy im. Ossolińskich.Sofer Andrew (2003), The Stage Life of Props, Michigan: University of Michigan Press.Somer John (1994), The Self-Reflexive Arranger in the Initial Style of Joyce’s Ulysses, „James Joyce Quarterly”, Vol. 31, No. 2, s. 65–79.Spurr David (2002), Joyce and the Scene of Modernity, Florida: University Press of Florida.Strindberg August (1977), Przedmowa do Panny Julii, w: tegoż, Wybór dramatów, przeł. Z. Łanowski, Wrocław: Zakład Narodowy im. 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A Source Book, Amsterdam: Amsterdam University Press.Waligóra Jerzy (2004), Młodopolski „dramat wewnętrzny”: przejawy podmiotowości i subiektywizacji w wybranych utworach dramatycznych, Kraków: Wydawnictwo Naukowe Akademii Pedagogicznej w Krakowie.Walkiewicz Edward (2010), Joyce, Imperialism and Postcolonialism, „English Literature in Transition”, Vol. 53, No. 4, s. 509–513.Wąchocka Ewa (1999), Autor i dramat, Katowice: Wydawnictwo Naukowe Uniwersytetu Śląskiego.White Sian (2009), „O, despise not my youth!”: Senses, Sympathy, and an Intimate Aesthetics in Ulysses, „Texas Studies in Literature and Language”, Vol. 51, No. 4, s. 503–536.Wilkinson Lynn (2001–2002), Maurice Maeterlinck and the Making of Modern Theatre (review), „Nineteenth-Century French Studies”, Vol. 30, No. 1–2, s. 203–205.Udalska Eleonora (2010), Nowe monologi we współczesnym teatrze i dramacie, w: Dramatyczność i dialogowość w kulturze, red. A. Krajewska, D. Ulicka, P. 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John W. Joyce.
No full textJohn W. Joyce, former executive secretary of Family and Child Service of Erie, Pennsylvania, will assume duties here as the new executive secretary of Family Service Association. Joyce succeeds Mrs. Esthyr Harris, who recently resigned.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/22864/thumbnail.jp
Isaac W. Joyce portrait
No full textOil on canvas portrait of the Grant University Chattanooga campus Chancellor Bishop Isaac W. Joyce
Isaac W. Joyce portrait
No full textOil on canvas portrait of the Grant University Chattanooga campus Chancellor Bishop Isaac W. Joyce
Isaac W. Joyce portrait, circa 1891-1896
No full textBlack-and-white photograph of Isaac W. Joyce. The caption on the reverse of the image reads, "Joyce Rev. I.W.
Isaac W. Joyce portrait, circa 1891-1896
No full textBlack-and-white photograph of Isaac W. Joyce. The caption on the reverse of the image reads, "Joyce Rev. I.W.
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In my own fashion : the life history of Joyce Leininger
No full texttextThe social, religious, and political struggles of Joyce Leininger, a
woman who was born without hands and with legs that extended just below
her knees. Joyce led an extremely successful and productive life despite all of
the barriers put in her way by society’s negative view of her physical
difference. Joyce became a teacher, wife, and mother of three children.
Joyce’s youngest child is the author of Joyce’s life history and the experiences
of all Joyce's children, in relationship to how society treated them and their
mother because of her physical condition.Curriculum and Instructio
Joyce, Michael; 1989-10-03
No full textBiography: Michael Joyce (born 1945) is a professor of English at Vassar College, New York, US. He is also an important author and critic of electronic literature.
Joyce\u27s afternoon, a story, 1987, was among the first literary works of hypertext fiction to present itself as undeniably serious literature, and experimented with the short-story form in novel ways. It was created with the then-new Storyspace software, deployed the ambiguity and dubious narrator characteristic of high modernism, along with some suspense and romance elements, in a story whose meaning could change dramatically depending on the path taken through its lexias on each reading. For instance, a hard-to-find series of lexias presented a new set of facts about the narrator\u27s actions which affects the reader\u27s judgment of the narrator. In The New York Times, Robert Coover called afternoon the granddaddy of hypertext fictions , while The Toronto Globe and Mail said that it is to the hypertext interactive novel what the Gutenberg bible is to publishing. His Twilight, A Symphony (1996) was his second hypertext novel.
Joyce\u27s published books include War outside Ireland: a novel (1982), Of two minds: hypertext pedagogy and poetics (1995), Othermindedness: the emergence of network culture (2000), Moral tales and meditations: technological parables and refractions (2001) and Foucault, in Winter, in the Linnaeus Garden (2015). He is a graduate of the Iowa Writers Workshop. He has been a Professor of English and Media Studies at Vassar College in Poughkeepsie.
Joyce has collaborated with Los Angeles-based visual artist Alexandra Grant. The work Grant has made based on his texts ( The Ladder Quartet and the Six Portals ) has been exhibited at the Museum of Contemporary Art, Los Angeles and Honor Fraser Gallery in Los Angeles.
-Wikipedia, Michael Joyce, 2020-09-1
Dreaming, Archibald Joyce, Ed. Bote & G. Bock, Berlin, W.8.
No full textDREAMING, ARCHIBALD JOYCE, ED. BOTE & G. BOCK, BERLIN, W.8.
Dreaming, Archibald Joyce, Ed. Bote & G. Bock, Berlin, W.8. ( -
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