1,720,970 research outputs found
Capability Lifecycle and its motivating force on strategy: the case of Green IT/S Dynamic Capability
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Profiting from big data analytics: The moderating roles of industry concentration and firm size
No full textBig data has gained momentum as an Information Technology that is capable of supporting organizational efforts to generate new and better business value. We here contribute to the emerging literature on big data analytic (BDA) solutions by investigating the moderating roles of firm size and industry concentration in the relationship between BDA solutions and firm profitability. Using a unique panel data set that covers 13 years, from 2004 to 2016, which contains information on 176 firms, we provide robust econometric empirical evidence of the negative moderating effects of industry concentration and the positive moderating effects of firm size on the relationship between the use of BDA solutions and firm profitability. Our findings provide strong empirical evidence on the business value of BDA as well as the essential role played by contextual conditions that managers should consider
Gaining competitive advantage from digital data genesis dynamic capability: the moderating role of the environmental turbulence.
Full text linkANTECEDENTS OF IT DYNAMIC CAPABILITIES IN THE CONTEXT OF THE DIGITAL DATA GENESIS
No full textDynamic capabilities represent an important determinant of competitive advantage in turbulent environments. However, despite intense work in the area, the issue of the antecedents of dynamic capabilities remains poorly researched. Understanding the sources of dynamic capabilities would give organizations instruments to rationally improve their chance of gaining and sustaining competitive advantage. We contribute to the literature on information technology dynamic capabilities by focusing
on three sources of dynamic capabilities: organizational processes, firm history and firm’s assets.
We lay the theoretical and methodological groundwork for our explanation and empirically test our model by focusing on an emerging capability we term Digital Data Genesis (DDG). We define DDG as the dynamic capability of (1) choosing information technology to generate and capture data in digital form unobtrusively, (2) integrating the IT in the appropriate business processes, and (3) managing the digital data so captured .Our results show that the organizational processes of sensing and learning, the historical information dynamic capability, and the historical IT dynamic capability influence the DDG dynamic capability
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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