1,724,001 research outputs found
In Loving Memory of Victor P. Rosasco, November 5, 1928 - March 1, 2025
No full textVictor P. Rosasco passed away peacefully in Palo Alto, CA on March 1, 2025 at the age of 96. Victor was an active member of the Palo Alto Club and the Rotary Club of Palo Alto
V-Mail Written by Victor P. Sedgwick to the Bryant College Service Club Dated December 1943
Get PDF[Transcription begins] 31128051 Cpl. Victor P. Sedgwick Sq. 16 A. P. O. 12490 c/o Postmaster N.Y. N.Y.
Bryant Service Club Bryant College Providence, 6 R. I. U. S. A.
[Engraved V-Mail]: 4000 POUNDS OF Christmas Greetings MIXED WITH BEST WISHES for 1944 FIXED TO EXPLODE UPON REACHING YOU!
from Victor Sedgwick
Somewhere in England [Transcription ends
V-Mail Written by Victor P. Sedgwick to the Bryant College Service Club Dated November 23, 1944
Get PDF[Transcription begins]Cpl. VICTOR P. SEDGWICKA.S.N. 31168051554th FIGHTER TNG. Sq.496th FIGHTER TNG. Gp.A.P.O. 637c/o POSTMASTER. N.Y. N.Y.NOVEMBER 23, 1944
BRYANT SERVICE CLUBBRYANT COLLEGEPROVIDENCE, R. I.U. S. A.
Dear Bryant Service Club:
I received your swell Christmas package the other [day?], and I\u27m writing you to express my honest to goodness thanks.
I really enjoyed it very much and the other lads in this tin hut appreciated it also.
Many thanks once more to you all.
Very Sincerely YoursVictor Sedgwick[Transcription ends
Rhind, Victor P, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/413005Surname: RHIND. Given Name(s) or Initials: VICTOR P. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 47271.231715
Item: [2016.0049.45266] "Rhind, Victor P, [No Service Number]
Interview with Victor P. Hauanio
Get PDFA displaced sugar worker recalls his childhood in Waipio Valley--swimming, netting fish, and growing taro--and move to Kukuihaele. He continues with his Honolulu experiences: marriage and children, construction and stevedore jobs, and motorcycle activities. He talks about his return to the Big Island where he worked as a truck driver and harvesting supervisor until the sugar company closure. He also reflects on the closure, its effects on his family, and his future plans.construction worker, boom operator, stevedore, truck driver, harvesting supervisor; Hawaiian; maleInterview conducted in English.State, Federa
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
