89,145 research outputs found
The interaction between topicalization and structural constraints: evidence from Yucatec Maya
Skopeteas S, Verhoeven E. The interaction between topicalization and structural constraints: evidence from Yucatec Maya. The Linguistic Review. 2009;26(2-3):239-259
Distinctness effects on VOS order: Evidence from Yucatec Maya
Skopeteas S, Verhoeven E. Distinctness effects on VOS order: Evidence from Yucatec Maya. MIT Working Papers in Linguistics. 2009;59(New Perspectives in Mayan Linguistics):135-152
Distinctness effects on VOS order: Evidence from Yucatec Maya
Skopeteas S, Verhoeven E. Distinctness effects on VOS order: Evidence from Yucatec Maya. In: Avelino H, ed. New Perspectives in Mayan Linguistics. Newcastle: Cambridge Scholars Publishing; 2011: 275-300
Ultrasonographic fetal head position to predict mode of delivery: a systematic review and bivariate meta-analysis
Article first published online: 29 JUN 2012Abstract not availableC. J. M. Verhoeven, M. E. P. F. Rckert, B. C. Opmeer, E. Pajkrt and B. W. J. Mo
Left peripheral arguments and discourse interface strategies in Yucatec Maya
Skopeteas S, Verhoeven E. Left peripheral arguments and discourse interface strategies in Yucatec Maya. In: Neeleman A, Kucerova I, eds. Contrasts and positions in information structure. Cambridge: Cambridge University Press; 2012: 296-321.Constituents in the left periphery are often assumed to bear information structural functions such as topic and focus. Yucatec Maya provides the empirical basis for a challenging case study in this respect, since it provides a distinction between a sentence-initial position that is characterized by a series of enclitics and is labeled ‘topic position’, and an immediately preverbal position that is labeled ‘focus position’. This paper addresses the issue where do the interpretational properties of the left peripheral constituents come from and considers two alternative hypotheses: (a) the left peripheral constituents occupy the Specifier positions of functional projections that bear information structural features such as ‘topic’ and ‘focus’ and (b) the syntactic positions in the left periphery are underspecified with respect to information structure. The data presented in this paper support the view of hypothesis (b) and show that the interpretational properties of the left peripheral positions can be accounted for through the interaction of discourse principles that are independent from syntax with the properties of prosodic phrasing, that indirectly refer to constituent structure
Flashback. Europa (Lars von Trier). Caídos del cielo (F. Lombardi). Angelo Diablo (Otto Preminger). Jamon, jamon (Bigas Luna). Riff Raff (Ken Loach). Instinto básico (P. Verhoeven)
Nogueira, X.; Arias, D.; Cerdán, J. (1992). Flashback. Europa (Lars von Trier). Caídos del cielo (F. Lombardi). Angelo Diablo (Otto Preminger). Jamon, jamon (Bigas Luna). Riff Raff (Ken Loach). Instinto básico (P. Verhoeven). Vértigo. Revista de cine. (5):3-10. https://riunet.upv.es/handle/10251/42951.Importación Masiva310
GOOD VIBRATIONS? HOW IMAGE STABILISATION INFLUENCES PHOTOGRAMMETRY
Image stabilisation (IS) is a family of approaches whose aim is to reduce motion blur in still images and shaking effect in video frames. A variety of techniques are currently implemented in cameras and camcorders: some involve hardware solutions, other are software approaches. In general, IS for still photography entails hardware in-camera or in-lens solutions. Video stabilisation, on the other hand, can be accomplished with software algorithms, either in real-time within the camera or in post-processing. Whereas IS aids photography and video making, its influence on the photogrammetric 3D modelling process has not been investigated. This article addresses this aspect. To this purpose, several laboratory and real-world tests were carried out, whose results showed that IS must be disabled when accuracy matters in photogrammetric projects. Details are provided in the manuscript
Good vibrations? How image stabilisation influences photogrammetry
Image stabilisation (IS) is a family of approaches whose aim is to reduce motion blur in still images and shaking effect in video frames. A variety of techniques are currently implemented in cameras and camcorders: some involve hardware solutions, other are software approaches. In general, IS for still photography entails hardware in-camera or in-lens solutions. Video stabilisation, on the other hand, can be accomplished with software algorithms, either in real-time within the camera or in post-processing.Whereas IS aids photography and video making, its influence on the photogrammetric 3D modelling process has not been investigated. This article addresses this aspect. To this purpose, several laboratory and real-world tests were carried out, whose results showed that IS must be disabled when accuracy matters in photogrammetric projects. Details are provided in the manuscript
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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