1,721,222 research outputs found
Le programme Ricercar : bilan et perspectives
No full textVendrix Philippe. Le programme Ricercar : bilan et perspectives. In: Le médiéviste et l'ordinateur, N°39, hiver 2000. La musicologie médiévale et l'ordinateur. pp. 41-54
Musique et nature : Les voies d'un ordre nouveau
No full textVendrix Philippe. Musique et Nature : les voies d'un ordre nouveau. In: Littératures classiques, n°17, automne 1992. L’idée de nature au XVIIe siècle. pp. 263-271
La curiosité et le droit à la connaissance: Hans Blumenberg et Giordano Bruno
No full textBy discussing the Blumenberg interpretation of the thought of Bruno, this article emphasizes the novelty of Bruno’s conception of knowledge and curiosity at the dawn of the modern age
La musicologia europea oggi: quale identità?
No full textRelazione di base e interventi alla Tavola rotonda, Bologna, 20 novembre 2004, VIII colloquio di musicologia de "Il saggiatore musicale. Relazione di base di Fabrizio Della Seta, coordinatore della tavola rotonda, alle pp. 317-32
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Institution harmonique (ca. 1640-1647) of Charles Guillet
No full textCette thèse porte sur l’Institution harmonique, un traité manuscrit composé par Charles Guillet entre 1640 et 1647, dédié à l’archiduc Léopold-Guillaume. Une étude introductoire précède la transcription de la dédicace, de la préface et du premier livre (le seul qui subsiste). Elle met en lumière l’auteur Charles Guillet (ca. 1575-1654), une figure originale mais peu connue dans le paysage musical et apporte des éclairages sur la source manuscrite (notamment organisation, contenu et dessein théorique). La construction de son discours est enfin analysée à travers l’usage des sources (choix des autorités et compilation de deux « phares harmoniques » qu’étaient Zarlino et Salinas). Par la mise en scène de controverses, Guillet démontre la supériorité de la division syntone sur la diatone et justifie la théorie modale de Zarlino. Dans le premier livre sur « la Theorie, ou Speculative Musicale », la théorie arithmétique des rapports et des proportions est appliquée aux intervalles puis aux questions pratiques du tempéramentThis dissertation deals with the Institution Harmonique, a hand written treatise, composed by Charles Guillet between 1640 and 1647, dedicated to Archduke Leopold Wilhelm. An introductory study precedes the transcription of the dedication, preface and Part 1 (the only one remaining to this day). It introduces author Charles Guillet (ca. 1575-1654), an original yet poorly known figure of the musical scene. You will find some specifications regarding the hand-written source (organisation, content and theoretic purpose). I will analyse the construction of discourse through the use of the various sources (choice of authorities and compilation of Zarlino and Salinas, two « harmonic lighthouses ». By staging of controversies, Guillet demonstrates the superiority of syntonic tuning on Pythagorean tuning and justifies the zarlinian modal theory. In the Part 1 on « The Theory, or musical speculative », the arithmetic theory of ratios and proportions is applied to the intervals then to the practical questions regarding temperamen
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Palestrina and 'Palestrinian' Music in Nineteenth-Century France:Performance and Reception Questions
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