16 research outputs found
Navigating the methodology of an interdisciplinary art and design practice with conscious bridging
No full textThe growing emergent field of Interdisciplinary research, is providing opportunity for discussion and considerations to understand interdisciplinarity at a deeper pedagogical level. The author, having completed their PhD in the field of an interdisciplinary art and design practice, will discuss in reflection an analysis of their methodology to contribute to the discussion. Through incidentally applying the method of Bourdieu’s notion of reflexivity onto the practice, a clearer understanding of the approaches undertaken in the practice were experienced. This supported navigating between spectrums of approaches and identifying dichotomic knowledges applied in the practice, which the author terms conscious bridging. In support of the proposed notion of conscious bridging, the author will add further evidential observations of teams participating in interdisciplinary projects and taking into analysis the processes of varied approaches specific to their discipline. This article presents strategies to consider, adopt and apply in an interdisciplinary art and design practice to assist a quality and efficiency of research outcomes
Not so not-for-profit
No full textTo address the sub-theme of the journal: Artistic Practices in a Time of Crisis, the author discusses the context of economic cuts and recent international crises on his PhD interactive and visual design research project undertaken in Australia. Identifying an apparent root-cause of current global crises, the author in reply, has structured a research plan and created a suite of new media, interactive, technology artworks, and installation art. Notions of Zen Buddhism, and stillness through meditation, are applied in the research and context of the artworks to support awareness of wellbeing, in response to the root-cause condition. The discussion will focus on the overarching question: how can one obtain value through the arts during current times of economic reduction conditioning
Is the contemporary era behind us?
No full textThe advent of new technologies, like personal computers and networking platforms, represents a series of events that have impacted on society as a whole as well as challenging the artworld to reconsider what is 'contemporary'
Stillness: A meditation in new media art
No full textWhile technology is often seen as a noisy, impatient and pervasive aspect of our lives, this practice-led research project investigated the counter proposition–that we might be able to evoke sensations of stillness through technology-mediated artworks. Investigations into stillness were informed by Buddhism, phenomenology, and experiences of meditation and the practice of archery. By combining visual art, performance, installation, video and interaction design, a series of experimental, interdisciplinary artworks were produced and exhibited to evoke a sense of stillness and to impel audiences to consider the form and nature of stillness in relation to time, space and motion
M. Kellom Tomlinson
No full textRd. V.Bleeck Pinxit ; F.Morellon la Cave Sculpsit ; W.Chinnery ScriptBildunterschrift: "M. Kellom Tomlinson AUTHOR of the Original A∙R∙T∙ of Dancing, Composer, Writer of DANCES, and their Music, for the Use & Entertainment of the Public."Herstellungsangaben: „Rd. V. Bleeck Pinxit. 1716", "F. Morellon la Cave Sculpsit. 1754.", "W. Chinnery scrip.
M. Kellom Tomlinson
No full textRd. V.Bleeck Pinxit ; F.Morellon la Cave Sculpsit ; W.Chinnery ScriptBildunterschrift: "M. Kellom Tomlinson AUTHOR of the Original A∙R∙T∙ of Dancing, Composer, Writer of DANCES, and their Music, for the Use & Entertainment of the Public."Herstellungsangaben: „Rd. V. Bleeck Pinxit. 1716", "F. Morellon la Cave Sculpsit. 1754.", "W. Chinnery scrip.
Francisci Junii Francisci filii Etymologicum anglicanum /
No full textWith a frontispiece portrait of the author: Antonius Vandyck Eques pinxit, G. Vertue sculp.With a list of subscribers at the end.Europeana-GoogleBook
Voyage pittoresque de Scandinavie. Cahier de vingt-quatre vues, avec descriptions ... : [C. É. Bourgevin Vialart, Count de Saint-Morys].
No full textAuthor from BnF. - Year of printing from the preface.Plates are signed: "L. Bélanger pinxit" ; "J. Mérigot sculpt.".Digital reproduction, The National Library of Finland, Centre for Preservation and Digitisation, MikkeliA book with illustrations of a journey to Scandinavia and Lapland.TravelEuropeanaSaint-Morys, Étienne Bourgevin Vialart de (1772-1817), Count de Saint-MorysBélanger, Louis (1736-1816
Amphitheatrvm sapientiae aeternae : solius verae, christiano-kabalisticvm, divino-magicvm, nec non physico-chymicvm, tertrivnvm, catholicon /
No full textFirst leaf of plates is port. of author, signed: Johan Diricks, Van Campē, scalpsit: Magdeburgi. The remaining 22 leaves constitute 11 double plates, hinged at center folds. Plates [2]-[10] are allegorical ill. Plate [7] signed: HF Vries pinxit. Plates [7]-[10] signed: Paullus van der Doort Antwerp. scalpsit. Plate [11] is a table entitled: Summa Amphitheatri sapientiae aeternae. Plate [12] is a table entitled: Tria sunt, quae primordialiter constituunt Mvndvm.T.p. incorporates the date 1602, as do legends of plates [4], [5], [6], and [7]. Imperial privilege (p. [2], 1st sequence) dated 1598. Page 8 (1st sequence) has date 1604.Pref. signed: Erasmus Wolfart.Hogart, R. Alchemy,Mode of access: Internet
Thesaurus numismatum e musaeo Caroli Patini.
No full textIll. are chiefly engravings of coins. Most show both obverse and reverse. Also head and tail pieces, woodcut initials. Headpieces on p. [3] and 95, signed in the plate: F. Chauueau d., I. Am̄an sc.Frontispiece port. of author signed: Roos pinxit 1671.Place of publication from NUC.Mode of access: Internet.Library's c. 1 bound with 3 other items: Theon krisis ... epistola Caroli Patini. Patavii : Typis Ioannis Baptistae Pasquati, 1679 -- Dios genethlia ... epistola Caroli Patini. Patavii : Typis Ioannis Baptistae Pasquati, 1681 -- De phoenice ... epistola Gabrielidis Carolae Patinae. Venetiis : Apud Io. Franciscum Valuasensem, 1683.Library's c. 1 lacks frontispiece.T.p. of Library's c. 2 has 2 stamps: Pontificia biblioteca leontina antikariense (twice) and José Benavides (twice). T.p. of c. 2 also has inscription in black ink at foot: Yo compré el dia 19 di Sbre di 1882 in la via Canes neri(?) costo 3 liras
