1,722,631 research outputs found
Portrait of the Antonio and Dortea Varisco family
No full textPhotograph shows portrait of the Antonio and Dortea Varisco family, residents of Brazos County. Brazos Varisco is shown 4th from left, second row
Improving knowledge through design / Incrementare il sapere con il design
No full textOggigiorno progettare soluzioni interattive significa avere a che
fare con la diffusione di sistemi che integrano sensori a creare
un mondo iperconnesso (Mitchell, 2010). Questi sensori rilevano,
raccolgono, accumulano, conservano e usano dati sulle persone
e sui loro comportamenti. L’uso di dati personali e delle informazioni
che ne derivano è diventato un punto critico nella creazione
di soluzioni che li utilizzano per creare conoscenza aggiuntiva e
valore all’interno del servizio offerto (Greengard, 2015). Considerando
l’artefatto di design come un elemento politico (Winner,
1980) che agisce e reagisce nella società in cui è inserito, i designer
hanno la responsabilità di considerare ed essere consci di possibili
conseguenze delle loro scelte di design (Pillan et al., 2017). Mentre
nel processo creativo, i designer tendono verso obiettivi utopici,
i risultati formalizzati integrano non solo soluzioni funzionali a
problemi, ma anche possibili conseguenze individuali e sociali in
termini sia di possibilità, sia di problemi (Varisco et al., 2019a;
Varisco, 2020). Allo scopo di favorire la presa di consapevolezza
dei designer rispetto alle conseguenze delle loro scelte progettuali
e di favorire una discussione etica sulle questioni legate all’uso
delle informazioni personali nelle soluzioni digitali interattive,
questo articolo discute la possibilità di utilizzo di un metodo originale
durante la fase di valutazione del processo di design così da
formalizzare nuova conoscenza relativa a temi critici per individui
e società. Dall’analisi di artefatti narrativi fantascientifici che immaginano
il futuro unita all’identificazione di elementi contemporanei
da notizie online, il metodo estrae una rappresentazione delle
attuali speranze e paure riguardo l’uso delle informazioni personali
nelle soluzioni digitali interattive. L’articolo riporta e descrive
dodici temi critici formalizzati durante l’applicazione del metodo
su diversi proof of concept di soluzioni che implicano l’uso di informazioni
personali.Designing interactive solutions, nowadays, means facing the
diffusion of systems that integrated sensors that create a hyperconnected
world (Mitchell, 2010). These sensors detect, gather
collect, store and use data about people and their behaviors.
The use of personal data and information that derives has
become a critical point in the creation of solutions that use
them to create additional knowledge and value within the
provided service (Greengard, 2015). Considering design artefacts
and political elements (Winner, 1980) that act and react in
the society in which they are embedded in, designers have the
responsibility of considering and be aware of possible consequences
of their design choices (Pillan et al., 2017).
While in the design process designers tends toward utopian
objectives, the formalized results integrate non only functional
solutions to problems, but also possible individual and
social consequences in terms of both possibilities and problems
(Varisco et al., 2019a; Varisco, 2020). Aiming at fostering
awareness of designers in the consequences of their design
choices and at promoting ethical discussions on the ethical
issues connected to the use of personal information in interactive
solutions, this paper discusses the possibilities of using
an original method within the assessment phase of the design
process so to formalize new knowledge related to critical
themes for individuals and society. From the analysis of sci-fi
storytelling artefacts that imagine the future together with the
identification of contemporary elements from online news, the
method extracts a representation of current hopes and fears
regarding the use of personal information in digital interactive
solutions. The article reports and describes twelve critical
themes that have been formalized during the application of the
method on different proof of concepts of solution that imply
the use of personal information
Zu Den Dynamischen Konstruktionen von Grazia Varisco
No full textIl testo si concentra sull'opera di Grazia Varisco, artista attiva dagli anni Sessanta nell'ambito delle ricerche cinetico-programmate di prospettiva internazionale. In particolare analizza l'aspetto dinamico delle sue opere a partire dalla forma-figura della diagonale come elemento determinante
Giulia Veronica Varisco
No full textThe headword explains the biography and the contribution of the author Giulia Varisco to the children's literatur
Psychological, pedagogical and sociological models for learning and assessment in virtual communities
Full text linkThe keywords in this collective work include community of learning, inquiry or work, virtual environments and identity. This book presents the results of a biennial Italian research project (PRIN 2005-2007) which was coordinated nationally by the University of Padova, which Bianca M. Varisco as principal investigator. The research involved five units with local coordinators (Padova, Bari, Roma La Sapienza, Milano Cattolica Sacro Cuore, Macerata) and also the Universities of Trieste, Milano Bicocca, Valle d’Aosta, Bologna, Udine e Cassino.
The interdisciplinary nature of the research meant close collaboration between pedagogists, educational, communicational and social psychologists, and ICT technologists and scientists. The aim was to analyse, develop and verify online environments. The study was focussed on virtual communities and their internal actions and interactions. These communities vary greatly in nature, and were formal and informal, academic and professional, and comprised graduate students, post graduate students, teachers, patients and psychotherapists. The research developed, and the models studied also surveyed, deepened and reported on, the educative, cognitive, social, affective-conative and evaluative aspects of virtual communities. Indeed, from a theoretical point of view, an attempt was made to combine the psychological, pedagogic and social perspectives, identifying useful inter-connection point and deepening the cognitive, meta-cognitive, inter-subjective, identity creating and cultural aspects which take shape in the online community. Working tools and environments were studied, developed and field tested for supporting and promoting virtual communities. The modalities of personalization, co, self assessment and skills improvement were also invented or planned for these communities
Discorsi politici
No full textDiscorsi politici / Bernardino Varisco. - Roma : De Alberti, 1926
Dedica manoscritta dell\u27autore: A Sua Eccellenza E. Bodrero / devotamente offre B. Varisco
https://galileodiscovery.unipd.it/discovery/fulldisplay?context=L&vid=39UPD_INST:VU1&search_scope=MyInst_and_CI&tab=Everything&docid=alma99000996172020604
Varisco Bernardino
No full textDopo aver pubblicato in gioventù studi fisico-matematici, Bernardino Varisco si spostò verso la filosofia. Spunti positivistici declinati in un’analisi dei fatti di coscienza si trovano in Scienza e opinioni del 1900. In I massimi problemi (1910) e Conosci te stesso (1912), egli supera il positivismo in posizioni idealistiche (un idealismo critico o “ideal-realismo”, lontano dal neo-hegelismo) ed elabora un’originale concezione metafisica monadologica del soggetto e dell’“essere”. Con Conosci te stesso e ancor più con il postumo Dall’uomo a Dio l’unicità dell’“essere” assume caratteri teistico-personalistici, in una prospettiva in cui Dio è sia immanente - perché resta nell’umano in quanto l’umano non è pensabile senza l’unicum divino - sia trascendente - perché il divino mantiene un piano di essere e di attività suo proprio e l’auto-limitazione divina – con riaffermazione dell’indeterminismo verso ogni predestinazione – ne è la piena manifestazione.
Parole chiave: Bernardino Varisco, fatti di coscienza, idealismo critico, metafisica monadologica, teismo
After publishing physical-mathematical studies in his youth, Bernardino Varisco shifted towards philosophy. A positivistic approach expressed in an analysis of the facts of consciousness can be found in Scienza e opinioni from 1900. In I massimi problemi (1910) and Conosci te stesso (1912), he transcends positivism towards idealistic positions (a critical idealism or ‘ideal-realism’, distinct from neo-Hegelianism) and develops an original monadological metaphysical conception of the subject and ‘being’. In Conosci te stesso and even more so in the posthumous Dall’uomo a Dio, the uniqueness of ‘being’ takes on theistic-personalistic characteristics, in a perspective where God is both immanent—because He remains within the human, as the human cannot be conceived without the divine unique—and transcendent—because the divine maintains its own plane of being and activity, and divine self-limitation—with a reaffirmation of indeterminism against any predestination—is its full manifestation.
Keywords: Bernardino Varisco, facts of consciousness, critical idealism, monadological metaphysics, theism
Dall'interno all'esterno (e viceversa). Il concetto di spazio "percorribile" nell'opera di Grazia Varisco
No full textThe text constitutes in a reflection on the use of space in Varisco's installations at the end of the Sixites. Varisco was a component of "Gruppo T", working during that decade. As for the others artists of the group, also for her the projects of public interventions and of environment has been of great importance. Particularly in 1969, when she realized a work for an exhibition in Schwarz gallery in Milan, while she participated at "Campo Urbano" exhibition in Como, her intention to create an interior and exterior place to go through has been a challenge projection of her ideas
Bernardino Varisco, I Massimi Problemi
No full textNardi B. Bernardino Varisco, I Massimi Problemi. In: Revue néo-scolastique de philosophie. 17ᵉ année, n°68, 1910. pp. 582-584
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