126,625 research outputs found

    Stress-causing effects of working with computer terminals 1983

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    Measuring stress-causing effects of working with computer terminals. Questionnaire organizational stress ( VOS ) / work role ambiguity, responsibility, work-load, participation, inadequate use of knowledge and skill, role conflict, future perspectives, relation with colleagues and boss, tension between departments, helpfulness of others, dissatisfaction, self appreciation, anxiety about functioning, psychic psychosomatic, physical complaints, smoking, drinking, absenteeism, rigidity, a/b typology, personality, rigidity, dogmatism. Background variables: basic characteristics/ educatio

    Covid Conversations 3: Elizabeth LeCompte and Kate Valk

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    Elizabeth LeCompte co-founded The Wooster Group with like-minded pioneers in New York in 1975, leading and directing its collaborators as deaths, departures, and new arrivals have changed its composition and emphases over the decades, segueing into a world-wide uncertain present. Kate Valk joined in 1978, the last representative of The Wooster Group’s foundational period, apart from LeCompte herself, who is still a key member of the company. References in this conversation are primarily to works after 2016. LeCompte briefly remarks on the importance of Since I Can Remember – one of the Group’s ongoing works in progress in 2021 – as an archival project that draws on Valk’s memory of how Nayatt School was made during her formative years. Having become, since then, a quintessential Wooster Group performer, Valk extended her artistic skills to stage direction, undertaking, most recently, The B-Side (2017). Both the initiative and idea for the piece came from performer Eric Berryman, who had brought Valk the collection of blues, songs, spirituals, and preachings on the 1965 LP made from the research of scholar folklorist Bruce Chapman. Berryman had been inspired to approach Valk because of her exclusive use of unadulterated historical recordings in Early Shaker Spirituals (2014), her directorial debut. The main work in rehearsal during 2020 and which was still locked down by the Covid-19 pandemic at the time of this conversation is The Mother, a Wooster Group variant of Brecht’s dramatized version of Gorky’s novel, directed by LeCompte. LeCompte discusses the current situation, emphasizing the increased vulnerability of independent artists and small-scale theatre, while giving a glimpse of the disadvantages for such groupings built into the North American system of project funding. The Wooster Group is a salient example of small-scale theatre that, despite continually precarious conditions, which the pandemic has highlighted and exacerbated, has achieved its creative goals and has defined its place in the exploratory avant-garde flourishing vigorously in the 1960s and 1970s. This particular avant-garde, LeCompte believes, has seen various important developments over the years but might well now be counting its last days. The conversation here presented was recorded on 31 October 2020, transcribed by Kunsang Kelden, and edited by Maria Shevtsova, Editor of New Theatre Quarterly

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    A propos de Ménandre fr. 416 A et B (Koerte) et de l'Hypobolimaios

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    L'auteur cherche à démontrer (contre MM. Zuntz, Sidgwick, etc.) que Ménandre fr. 416 b Koerte doit être attribué à Ménandre lui-même et que Ménandre fr. 416 a et b forment un tout intimement lié. Enfin, il ajoute quelques remarques sur l'Hypobolimaios et sur le rôle de la τύχη dans cette pièce.Van der Valk Marchinus H. A. L. H. A propos de Ménandre fr. 416 A et B (Koerte) et de l'Hypobolimaios. In: L'antiquité classique, Tome 37, fasc. 2, 1968. pp. 477-490

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Marvel Rea, Edith Valk, and Vera Steadman in a scene from THOSE ATHLETIC GIRLS, 1918

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    Edith Valk, center (with hands on knees), Vera Steadman, left, and Marvel Rea in a scene from THOSE ATHLETIC GIRLS, 1918. Others unidentified. 7.25x9.5 b&w photographic print

    Edith Valk, Bobby Vernon, and Gloria Swanson in a scene from WHOSE BABY?, 1917

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    Edith Valk, Bobby Vernon, and Gloria Swanson in a scene from WHOSE BABY?, 1917. 8x10 b&w photographic print
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