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Ugo Gastaldi, Storia dell' anabdttismo dalle origini a Münster (1525-1535), Claudiana, Torino, 1972
No full textMolnár Amedeo. Ugo Gastaldi, Storia dell' anabdttismo dalle origini a Münster (1525-1535), Claudiana, Torino, 1972. In: Revue d'histoire et de philosophie religieuses, 53e année n°1,1973. pp. 95-96
Ugo Gastaldi, I movimenti di risveglio nel mondo protestante. Dal « Great Awakening » (1720) ai «revivais» del nostro secolo, Torino, Claudiana, 1989
No full textChevallier Marjolaine. Ugo Gastaldi, I movimenti di risveglio nel mondo protestante. Dal « Great Awakening » (1720) ai «revivais» del nostro secolo, Torino, Claudiana, 1989. In: Revue d'histoire et de philosophie religieuses, 70e année n°3, Juillet-septembre 1990. p. 395
Gastaldi Ugo
No full textUgo Gastaldi ha dedicato la sua ricerca alla storia dell’anabattismo e dei movimenti di risveglio all’interno del protestantesimo, con un’attenzione particolare all’ecclesiologia e alla libertà religiosa. Nei suoi studi ha tracciato un quadro dettagliato della Riforma radicale, distinguendo l’anabattismo dalle sue manifestazioni estremiste e valorizzando la sua concezione di chiesa come comunità volontaria e libera di credenti. Ha inoltre approfondito i movimenti di risveglio tra il XVIII e il XIX secolo, mettendo in luce la loro critica alle chiese istituzionali e la ricerca di un rinnovamento spirituale. Il suo lavoro ha contribuito a diffondere in Italia una conoscenza più ampia delle correnti minoritarie del protestantesimo.
Parole chiave: Ugo Gastaldi, anabattismo, Riforma radicale, ecclesiologia, libertà religiosa
Ugo Gastaldi devoted his research to the history of Anabaptism and revival movements within Protestantism, with a particular focus on ecclesiology and religious freedom. His studies provided a detailed analysis of the Radical Reformation, distinguishing Anabaptism from its extremist expressions and emphasizing its vision of the church as a voluntary and free community of believers. He also explored the revival movements of the 18th and 19th centuries, highlighting their critique of institutional churches and their pursuit of spiritual renewal. His work significantly contributed to expanding the understanding of minority currents in Protestantism in Italy.
Keywords: Ugo Gastaldi, Anabaptism, Radical Reformation, ecclesiology, religious freedo
Measuring the magnetic field of ASTERIX
No full textASTERIX (PS171) is being assembled in the PS South Hall. It is one of the 17 experiments approved for running with LEAR. Ugo Gastaldi is on the lef
Magnetic measurements on the magnet for the ASTERIX experiment
No full textThe nagnet is a solenoid that was previously in use at the Orsay electron collider. Ugo Gastaldi, Claude Amsler, Dietrich Lehm ..
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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