1,721,002 research outputs found
Fiktion und Glaubwürdigkeit. Boris Chersonskijs Semejnyj archiv. (Dirk Uffelmann)
Prof. Dr. Dirk Uffelmann. Rezension zu: Donska, Mariya. 2020. Fiktion und Glaubwürdigkeit. Boris Chersonskijs Semejnyj archiv (= Grazer Studien zur Slawistik; 11). Hamburg: Kovač. 186 S., 1 Farbabb. ISBN: 978-3-339-11298–9
Schmid, Ulrich, Russische Religionsphilosophen des 20. Jahrhunderts. (Dirk Uffelmann)
Prof. Dr. Dirk Uffelmann. Rezension zu: Schmid, Ulrich: Russische Religionsphilosophen des 20. Jahrhunderts. Freiburg-Basel-Wien: Herder 2003. 310 S
Der erniedrigte Christus (Volume III)
This three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor’kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity
Самоуничижение Христа
Russian-language edition: This three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor’kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity
Der erniedrigte Christus (Volume III)
This three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor’kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity
Der erniedrigte Christus = Самоуничижение Христа
This three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor’kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity
Anzeiger für Slavische Philologie / Welkende Hegemonie. Dovlatovs Männer
Sergei Dovlatov, anecdotist, alcoholic, unemployed, and eventually emigrant writer, is a prime example of self-marginalization in late Soviet society. A considerable part of the fascination for the author and his pseudo-documentary fictional alter egos stems from their contrast to multiple traditional role models of Soviet masculinities, be these martial, criminal or intellectual. While a number of memoirs are devoted to the habitus of the likeable outsider Dovlatov, a proper analysis of his family chronicle Nashi (Ours, 1983) from the point of view of gender and narratology is missing. This article argues that the sequence of 13 portraits, which zoom in on the odd gender patterns in a marginal family, reads as a bizarre panorama of contrary masculinities, as a narrative of increasing divergence from normative male role models, and as a cipher for the narrator’s alternative self-fashioning beyond the binary of hegemonic and subordinate masculinities
Самоуничижение Христа
Russian-language edition: This three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor’kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity
Kozakova, Slata. 2022. Der Mann im Untergrund. Zu einem Männlichkeitstypus in der russischen Literatur der zweiten Hälfte des 19. Jahrhunderts. (Dirk Uffelmann)
Prof. Dr. Dirk Uffelmann: Rezension zu: Kozakova, Slata: 2022. Der Mann im Untergrund. Zu einem Männlichkeitstypus in der russischen Literatur der zweiten Hälfte des 19. Jahrhunderts. (=Schnittstellen. Studien zum östlichen und südöstlichen Europa 23). Göttingen: Vandenhoeck & Ruprecht. 211 S
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