969 research outputs found
Das Modell der literarischen Übersetzung
No full textTurk Horst. Das Modell der literarischen Übersetzung. In: Équivalences, 18e année-n°2-3, 1990. pp. 79-88
Reconstruction of Konrad Zuse’s Z3
No full textPart 9: Reconstruction StoriesInternational audienceThis paper describes the reconstruction of Konrad Zuse’s Machine Z3 by the author Horst Zuse from 2008. Konrad Zuse built the Z3 machine between 1939 and 1941 with some friends and a small amount of support by the government. The main idea for reconstructing the Z3 was to learn how this machine works and how much effort is necessary to build such a machine. Another main topic was to show this machine to the public
Author Correction: The dengue-specific immune response and antibody identification with machine learning
No full textCorrection to: npj Vaccineshttps://doi.org/10.1038/s41541-023-00788-7, published online 20 January 2024 In this article, the affiliation details for author Alexander Horst were incorrectly given as Alexander Horst1,2 but should have been Alexander Horst1 and other affiliations are renumbered. The original article has been corrected
Konflikt - Grenze - Dialog kulturkontrastive und interdisziplinäre Textzugänge ; Festschrift für Horst Turk zum 60. Geburtstag
No full textHorst Wessel Dachau Street Sign
No full textBlack metal sign reading, 24 Horst Wessel-Strasse.
Information Provided by Michael D. Bulmash: A small metal street sign from the concentration camp of Dachau. The streets in Dachau were named after so-called Nazi heroes, and this particular example identifies the address 24 Horst Wessel Strasse. Horst Ludwig Wessel (1907-1930) was a German Nazi activist who was made a posthumous hero of the Nazi movement following his violent death in 1940. He was the author of the lyrics to the Nazi Party anthem Die Fahnehoch ( The Flag on High ), usually known as the Horst Wessel Song.https://digital.kenyon.edu/bulmash/2251/thumbnail.jp
Horst Turk
No full textDer Sammelband ist die erste Publikation, die im Rahmen des Göttinger Sonderforschungsbereichs 529 Internationalität nationaler Literaturen innerhalb der Projekteinheit B: Europäische Literaturen im Netzwerk internationaler Diskurse entstanden ist. Er enthält fünfzehn Beiträge eines Workshops von 1997, worin es einesteils um die Präsentation von Ansätzen der "Internationalitätsforschung" ging, anderenteils darum, Perspektiven für die weitere Forschungsarbeit im Sonderforschungsbereich 529 und für dessen Folgepublikationen zu eröffnen. Dafür erschien den Projektverantwortlichen die Frage nach "Kulturellen Grenzziehungen" geeignet, "um die Perspektiven der beteiligten Philologien, einschließlich der Komparatistik, im Kontext aktueller kulturwissenschaftlicher Debatten zusammenzuführen" (S. 7). Der Band wird durch einen umfangreichen Einführungsessay von Roberto Simanowski "Zum Problem kultureller Grenzziehung" eingeleitet. Dem Kontext und Anlaß entsprechend haben die Beiträge explorativen Charakter und sind sowohl inhaltlich wie kulturgeographisch weit ausgreifend. Von den beteiligten Disziplinen her reicht das Spektrum in den jeweiligen Varianten von Fremdsprachen- oder Muttersprachenphilologien von der Germanistik, Romanistik und Slavistik über die Komparatistik bis hin zur Sinologie mit Fachvertretern aus Deutschland, Frankreich, Polen, Indien, den USA und Marokk
Art History and Prehistoric Art: Rethinking their Relationship in the Light of New Observations: The Twentieth Horst Gerson Lecture held on October 4, 2019
No full textThe Twentieth Horst Gerson Lecture held in memory of Horst Gerson (1907-1978) in the aula of the University of Groningen on the 4th of October 2019
The point, from which we are defining the human ability to design artefacts and use symbolic signs is currently shifting to a more distant past. The insights responsible for this pushing back, are based, for example, on findings of very early human-shaped sculpture in Swabia, on the realization that human sign-making started literally hundred thousand years earlier than previously thought, as well as the realization that even hand-axes could carry symbolic meaning. Taken together, these phenomena call for a redefinition of the anthropos, in which the ability to design plays an eminent role. The lecture aims to show how the capacity to discriminate and creatively employ visual and material difference in the environment was a pre-condition for the development of human kind. Against this background, the question rises, if the fruitful collaboration between the fields of aesthetics, art history, and anthropology, that drove nineteenth century research into the origins of human creativity, can be revived.
Author Horst BredekampTranslated by Mitch CohenGraphic design by Tariq JakobsenStichting Gerson LezingenOude Boteringestraat 349712 GK Groningenwww.rug.nl/let/gersonlectures www.facebook.com/gersonlecture
Upper Silesia as a Myth and Utopia in the Works of Horst Bienek
No full textDaniel Juliusz PietrekInstitute of German Language and LettersFaculty of PhilologyThe University of OpolePoland
Upper Silesia as a Myth and Utopia in the Works of Horst Bienek
Abstract: Horst Bienek was a very well known and influential personality in the literary circles in Germany. His works are also important for the history of Silesian literature because of his role in the intraGerman and German-Polish discourse about the homeland, history and identity. In the article the author presents poetical strategies and methodology which Bienek used while creating his mythic representations of Silesia and (at the same time) of himself.Keywords: literary history, German literature, Silesian literature, Horst Bienek, utopiaFor an abstract in English, scroll down.Daniel Juliusz PietrekUniwersytet OpolskiWydział FilologicznyInstytut Filologii Germańskiej
„Wtedy przyjdzie ktoś i przerzuci przez Kłodnicę most z papieru”. Górny Śląsk jako mit i utopia w twórczości Horsta BienkaAbstrakt: Horst Bienek był osobą bardzo znaną, wpływową i niezwykle cenioną w środowisku literackim RFN. Jest też autorem szczególnie ważnym dla literatury śląskiej ze względu na jego rolę w wewnątrzniemieckim i niemiecko-polskim dyskursie o ojczyźnie, pamięci i tożsamości. W moim tekście pokazuję strategie poetologiczne i „metodykę”, którą posługiwał się gliwicki pisarz, tworząc swoje mityczne wyobrażenia o Śląsku i (co jest nierozerwalne w przypadku jego twórczości) równocześnie o sobie samym.Słowa kluczowe: historia literatury, literatura niemiecka, literatura śląska, Horst Bienek, utopia
Upper Silesia as a Myth and Utopia in the works of Horst Bienek
Abstract: Horst Bienek was a very well known and influential personality in the literary circles in Germany. His works are also important for the history of Silesian literature because of his role in the intraGerman and German-Polish discourse about the homeland, history and identity. In the article the author presents poetical strategies and methodology which Bienek used while creating his mythic representations of Silesia and (at the same time) of himself.Keywords: literary history, German literature, Silesian literature, Horst Bienek, utopi
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