2,795 research outputs found

    Providence College Faculty Author Series 2012-2013: Dr. Adrian Weimer

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    Dr. Adrian Weimer (History, Providence College) discusses her new book Martyrs\u27 Mirror: Persecution and Holiness in Early New England and the cultural importance of martyrdom within Colonial America

    Providence College Faculty Author Series 2012-2013: Dr. Adrian Weimer

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    Dr. Adrian Weimer (History, Providence College) discusses her new book Martyrs\u27 Mirror: Persecution and Holiness in Early New England and the cultural importance of martyrdom within Colonial America

    Adrian Matejka, 34th Annual ODU Literary Festival

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    Adrian Matejka is the author of The Devil’s Garden and Mixology, which was a winner of the 2008 National Poetry Series. He is the recipient of two Illinois Arts Council Literary Awards and fellowships from Cave Canem and the Lannan Foundation. His work has been featured in American Poetry Review, The Best American Poetry 2010, and Ploughshares, among other journals and anthologies. He teaches at Southern Illinois University Edwardsville

    Performing the archive: following in the footsteps

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    Using documentation of Mike Pearson's performance 'Bubbling Tom', Deirdre Heddon attempts to step into his shoes and re-perform it

    Electrochemical-control of abrasive polishing and machining rates, U.S. Patent 6,171,467

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    An apparatus and method is disclosed; both of which use electrochemistry to selectively grow and remove hard oxide coatings on metals, and capacitive double layers on non-metals and semiconductors in order to predict and control the rate of surface abrasion during planarization of the surface of such materials

    ADRIAN POP - IN SEARCH OF A LONG LOST SMILE

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    An anniversary, especially in the case of a generation colleague, the renowned composer Adrian Pop, generates the remembrance of a long series of musical events that have become notorious, with works included in the national and international concert repertoire. The avoidance of nostalgic memories made that a stage miniature be chosen for the present paper, an incursion of the author into the naive world of childhood reading. The result was a modern, glamorous musical transposition of a sequence with Max and Moritz, the playful heroes created by the famous humorist and cartoonist Wilhelm Busch in the middle of the 19th century. The musical act Onkel Fritz by Adrian Pop was first performed in Cluj in 2016, on October 22, on the occasion of his previous anniversary, within the Cluj Musical Autumn Festival. The graceful performers of the act, presented under the title “Anniversaries at the Festival, Adrian Pop compositional portrait”, were soprano Mihaela Maxim, in the role of Max and pianist Eva Butean, in the role of Moritz. How did composer Adrian Pop manage to musically enliven a 150 years old humorous story? The author of the following text will try to answer this question. Rezumat. ADRIAN POP - ÎN CĂUTAREA SURÂSULUI PIERDUT. O aniversare, mai ales în cazul unui coleg de generație, reputatul compozitor Adrian Pop, generează rememorarea unui lung șir de evenimente muzicale devenite notorii, cu lucrări intrate în repertoriul intern și internațional de concerte. Evitarea unor memorii nostalgice au făcut ca sorții acestei comunicări să cadă asupra unei miniaturi scenice, o incursiune a autorului în lumea ingenuă a lecturilor din copilărie. A rezultat o transpunere muzicală modernă, plină de farmec, a unei secvențe cu Max și Moritz, eroii poznași creați de celebrul umorist și caricaturist Wilhelm Busch la mijlocul secolului XIX. Prima audiție clujeană a scenetei muzicale Onkel Fritz de Adrian Pop a avut loc în 2016, la 22 octombrie, cu ocazia precedentei sale aniversări, în cadrul Toamnei Muzicale Clujene. Interpreții plini de har ai scenetei prezentate sub genericul „Aniversări în Festival, portret componistic Adrian Pop” au fost soprana Mihaela Maxim, în rolul lui Max și pianista Eva Butean, în rolul lui Moritz. Oare cum a reușit compozitorul Adrian Pop să însuflețească muzical o poveste umoristică de 150 de ani? La această întrebare va încerca să răspundă autoarea acestor rânduri.  Cuvinte cheie: Adrian Pop, Wilhelm Busch, Max și Moritz, Unchiul Fritz, act muzica

    Integrarea MIMO în tehnologia informației în comunicații electronice cu scopul prestării serviciilor de bandă largă

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    Fișierul atașat conține: Rezumat, Cuprins, Lista abrevierilor, Introducere.Scopul prezentei lucrări este propunerea unei soluții alternative de prestare a serviciilor Bandă Largă prin utilizarea rețelelor Wireless și integrarea tehnologiei MIMO pentru obținearea unui nivel maxim al calității serviciilor care va înlocui tehnologia DSL precum și analiza beneficiilor integrării MIMO în rețelele wireless.Цель этой статьи - предложить альтернативное решение для предоставления широкополосных услуг с использованием беспроводных сетей и интеграции технологии MIMO для достижения максимального уровня качества обслуживания, который заменит технологию DSL, а также проанализирует преимущества интеграции MIMO в беспроводных сетях

    Book design: Adrian Bradshaw – The Door Opened: 1980s China

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    Adrian Bradshaw: Book author Phil Cleaver: Book design, branding, exhibition design and poster design Art editor on content and sequencing of photography. Designed in two languages Chinese and English in a way which combines them both together. Design reflects Chinese culture in a modern way with a western whist. Embossed slip case with metal badge on cover of book

    Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism

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    This dissertation engages historical accounts of the art of the Moscow conceptualist circle and proposes a different understanding of its purpose and significance for Russian and international art history. It challenges the current critical narratives of Moscow Conceptualism as a Soviet variant of a globalizing conceptual art and argues that the movement cannot be assimilated by the taxonomical categories of Western art history. Rather, I contend that Moscow Conceptualism must be historically and locally situated within the discursive framework of the late Soviet era. Through extended analyses of major Moscow conceptualist works, I demonstrate that the movement is distinguished by its purposive investigation of the organizational structures of Soviet history. These investigations occur at a juncture in which the teleological frameworks of official Soviet discourse had become self-evidently obsolete and incapable of orientating the present within a broader historical manifold. It is the uncanny space that exists between the modernist and Utopian foundations of Soviet socialism and the stagnation and alienation of contemporary Soviet life which this dissertation frames as a primary subject of Moscow conceptualist enquiry.Ph.D.Includes bibliographical referencesby Adrian Bar
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