242,530 research outputs found
O que as penas das aves nos contam sobre a história de São Paulo? Globalização e trabalho das mulheres tupis no século XVI
No full textThis article discuses about the historical agency of Tupi-Guarani women through the interpretation of chronicles, maps, and paintings. Studying these representations, I reflect about the material culture regarding the use of feathers of birds of the South American fauna, specially by Tupi women. In this sense, both local birds and animal goods were items highly used in exchanges between European and native peoples during the sixteenth century. It is stablished at San Vicente, in Portuguese America, as the focal point of the commerce of animals and feathers goods in the southern portion of the continent. On the other hand, based on recent researches, I point out the participation of indigenous women in exchanges relations, in the production of goods and the dismantling of the birds.Cet article défend l’agence historique des femmes tupis-guarani à travers l’interprétation de chroniques, de cartes et de peintures. En étudiant ces représentations, je réfléchis sur la culture matérielle concernant l’utilisation des plumes des oiseaux sud-américains, en particulier par les femmes tupis. En ce sens, les oiseaux et les biens d’origine animale étaient des objets largement utilisés dans les échanges entre les Européens et les populations autochtones au XVIe siècle. D’autre part, sur la base de recherches récentes, je souligne la participation des femmes autochtones dans les relations d’échange, dans la production de biens et dans l’abreuvement des oiseaux.Este artigo defende a agência histórica das mulheres tupis-guaranis através da interpretação de crônicas, mapas e pinturas. Estudando essas representações, reflito sobre a cultura material no que tange ao aproveitamento das penas das aves sul-americanas, especialmente pelas mulheres tupis. Nesse sentido, tanto as aves quanto as mercadorias de origem animal eram itens muito utilizados nas trocas entre europeus e populações nativas durante o século XVI. Localiza-se a capitania de São Vicente, na América portuguesa, como ponto focal do comércio de animais e mercadorias de penas na porção meridional. Por outro lado, baseando-me em pesquisas recentes, destaco a participação das mulheres indígenas nas relações de trocas, na produção das mercadorias e no amansamento das aves.Este artículo defiende la agencia histórica de las mujeres tupís-guaraníes a través de la interpretación de crónicas, mapas y pinturas. Estudiando estas representaciones, reflexiono sobre la cultura material con respecto al uso de plumas de aves sudamericanas, especialmente por las mujeres tupis. En este sentido, tanto las aves como los bienes de origen animal eran artículos muy utilizados en los intercambios entre europeos y poblaciones nativas durante el siglo XVI. Por otro lado, basándome en investigaciones recientes, señalo la participación de las mujeres indígenas en las relaciones de intercambio, en la producción de bienes y en el riego de las aves
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
O que as penas das aves nos contam sobre a história de São Paulo? Globalização e trabalho das mulheres tupis no século XVI
Get PDFThis article discuses about the historical agency of Tupi-Guarani women through the interpretation of chronicles, maps, and paintings. Studying these representations, I reflect about the material culture regarding the use of feathers of birds of the South American fauna, specially by Tupi women. In this sense, both local birds and animal goods were items highly used in exchanges between European and native peoples during the sixteenth century. It is stablished at San Vicente, in Portuguese America, as the focal point of the commerce of animals and feathers goods in the southern portion of the continent. On the other hand, based on recent researches, I point out the participation of indigenous women in exchanges relations, in the production of goods and the dismantling of the birds.Este artículo defiende la agencia histórica de las mujeres tupís-guaraníes a través de la interpretación de crónicas, mapas y pinturas. Estudiando estas representaciones, reflexiono sobre la cultura material con respecto al uso de plumas de aves sudamericanas, especialmente por las mujeres tupis. En este sentido, tanto las aves como los bienes de origen animal eran artículos muy utilizados en los intercambios entre europeos y poblaciones nativas durante el siglo XVI. Por otro lado, basándome en investigaciones recientes, señalo la participación de las mujeres indígenas en las relaciones de intercambio, en la producción de bienes y en el riego de las aves.Cet article défend l’agence historique des femmes tupis-guarani à travers l’interprétation de chroniques, de cartes et de peintures. En étudiant ces représentations, je réfléchis sur la culture matérielle concernant l’utilisation des plumes des oiseaux sud-américains, en particulier par les femmes tupis. En ce sens, les oiseaux et les biens d’origine animale étaient des objets largement utilisés dans les échanges entre les Européens et les populations autochtones au XVIe siècle. D’autre part, sur la base de recherches récentes, je souligne la participation des femmes autochtones dans les relations d’échange, dans la production de biens et dans l’abreuvement des oiseaux.Este artigo defende a agência histórica das mulheres tupis-guaranis através da interpretação de crônicas, mapas e pinturas. Estudando essas representações, reflito sobre a cultura material no que tange ao aproveitamento das penas das aves sul-americanas, especialmente pelas mulheres tupis. Nesse sentido, tanto as aves quanto as mercadorias de origem animal eram itens muito utilizados nas trocas entre europeus e populações nativas durante o século XVI. Localiza-se a capitania de São Vicente, na América portuguesa, como ponto focal do comércio de animais e mercadorias de penas na porção meridional. Por outro lado, baseando-me em pesquisas recentes, destaco a participação das mulheres indígenas nas relações de trocas, na produção das mercadorias e no amansamento das aves
Les biblioteques universitàries i el suport a la recerca
Get PDFThe European Higher Education Area and the European Research Area are currently two key objectives for university learning, teaching and research in all European universities. University libraries must meet the challenges by offering the best library services to the academic community. In drafting the second strategic plan, Rebiun (Network of University Libraries) gathered comments and suggestions from professionals in Spanish university libraries. This article presents the reflections and suggestions contributed by the author regarding the support services that university libraries could offer for university research.L'espai europeu d'educació superior i l'espai europeu d'investigació són actualment dos objectius clau per a l'aprenentatge, la docència i la recerca de totes les universitats europees. Les biblioteques universitàries han de contribuir a aquests reptes, oferint els millors serveis bibliotecaris a la comunitat acadèmica. En la fase d'elaboració del seu segon Pla estratègic, la REBIUN (Red de Bibliotecas Universtarias) va recollir reflexions i suggeriments de diferents professionals de les biblioteques universitàries de l'Estat espanyol. En l¿article següent es presenten les reflexions i els suggeriments aportats per l'autora sobre el suport que les biblioteques universitàries poden oferir a la recerca universitària
Author in Essay by I. A. Goncharov “Pepiniere”
Get PDFFeatures of the embodiment of the author’s position in the essay by I. A. Goncharov “Pepiniere” are considered. The relevance of the study is due to the poorly studied poetics of this work. A review of the scientific literature on relevant topics is performed. Methodological and theoretical definitions are given. The scientific novelty of the article is in the fact that for the first time attention is paid to artistic techniques that allow to identify the author's position in the specified literary text. The author of the article grounds her opinion from the fact that, despite the dominance of the subjective point of view, other characters’ views stand out in the work. It is concluded in the study that the text of the work represents a biographical author and author-creator. It was established that the position of the author-creator is expressed through the title, epigraphs, which are quotes, as well as through different points of view, including the author-character, the author-narrator, the characters of the work. The author of the article dwells in detail on different ways of expressing the points of view of the author-character and the author-narrator. It is proved that the point of view of the author-character and the author-narrator can intersect, they are interchanged. The author's development of the term comic “point of view” is presented in the article
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
Get PDFThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Els llibres d'il·lustració infantil i juvenil en l'Educació Artística. Un cas concret a partir de l’autora Olga de Dios
Get PDFTreball Final de Grau en Mestre o Mestra d'Educació Primària (Pla de 2018). Codi: MP1840. Curs acadèmic: 2021/2022El treball de fi de grau que aneu a veure a continuació, és un projecte que consisteix en com es poden
treballar a les aules de primària els llibres de l’autora i il·lustradora Olga de Dios. Tractant de treballar
el llibre com a objecte artístic a nivell elemental. A més, de presentar a l’autora i il·lustradora, donarla a conèixer i veure els valors que transmet, també llegiríem quatre de les seues obres a l’aula com
són: “Leotolda”, “En familia”, “Rana de Tres Ojos”, i “Pájaro Amarillo”. Tot açò sumat a la
realització d’un quadern de classe on es colorejaria alguns dels seus personatges de les obres seguint
pautes a nivell curricular. Realitzaríem també una eixida a la biblioteca municipal, on a banda de
rebre una educació no formal, ens facilitaria una mica el fet d’endinsar-nos al món de la il·lustració
infantil, on allí dins, el professional encarregat ens guiarà pels llibres que hi haurà a la biblioteca. I,
per a concloure, elaboraríem un llibre creat per l’alumnat on seguint unes pautes establertes per Olga
de Dios al seu llibre “Leotolda” buscaríem fer una retroalimentació intentant contactar amb ella.
D’aquesta manera tancaríem el cicle que vam començar donant-la a conèixer com a escriptora i
il·lustradora, i exploraríem on està el límit de la creativitat del propi alumnat.The final degree project you are going to see below is a project that looks at how books by author and
illustrator Olga de Dios can be worked on in primary school classrooms. Considering the book as an
artistic object at an elementary level. Besides presenting the author and illustrator, introducing her,
and seeing the values she transmits, we would also read four of her works in the classroom, such as:
"Leotolda”, "In the family", "Three-Eyed Frog", and "Yellow Bird.". All this, in addition to the
creation of a class notebook in which some of his characters from her work would be colored
following guidelines at the curricular level. We would also go out to the local library, where in
addition to receiving a non-formal education, it would make it a little easier for us to enter the world
of children's illustration, where inside, the professional in charge will guide us through the books
which will be in the library. And, to conclude, we would make a book created by the students, where
following some guidelines established by Olga de Dios in her book "Leotolda" we would look for
feedback by trying to contact her. In this way, we would close the cycle that we started by presenting
her as an author and illustrator, and we would explore where the limit of creativity of the students
themselves is
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
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