52 research outputs found
Actor, character, role: Work on the play "It's hard to say goodbye"
No full textDiplomska predstava „Teško je reći zbogom“ poznatog hrvatskog književnika Mire Gavrana izvedena je 15. srpnja 2022. na Akademiji za umjetnost i kulturu u Osijeku kao diplomski ispit Andrije Krištofa na drugoj godini diplomskog studija Glume i Lutkarske animacije. U predstavi uz Krištofa u ulozi Davora sudjeluju i Vanja Čiča u ulozi Tee i Lucija Subotić u ulozi Ene. Mentor je red. prof. dr. art. Robert Raponja, a sumentorica doc. art. Katica Šubarić. U ovom pisanom radu Krištof govori o autoru drame, Miri Gavranu, prvom susretu s tekstom i važnosti tema o kojima drama progovara. U radu je obrađen put od prvog čitanja teksta, njegova analiza i iskustvo rada na predstavi. Prikazan je put nastanka lika iz pozicije glumca koji ga treba oživjet. Uloga Davora razlučena je i ogoljena, sa svim njegovim vanjskim i unutrašnjim svjetovima. Dan je detaljan opis i razlozi izabrane scenografije, kostimografije, svjetla i glazbe te njihova uloga u ovoj diplomskoj predstavi. Dodatno, radom je obuhvaćena i tema etike rada u kazalištu, unutarnja i vanjska izražajna sredstva te odnos glumca i publike.The Graduation play: „it's Hard to Say Goodbye“ which has been written by the famous Croatian writer Miro Gavran, was performed on the 15th of July, 2022 at the Academy of Arts and Culture in Osijek, as Andrija Krištofs graduation exam in the second year of the: “Acting and Puppetry Animation” graduate study. Along with Krištof, who plays the role of: “Davor”; we can see the following two actresses: Vanja Čiča as “Tea” and Lucija Subotić as “Ena”. Mentors are as following: Full Professor Robert Raponja as the main mentor and co-mentor Assistant Professor Katica Šubarić. The written work, Krištof is further expanding on the original author of the play, Miro Gavran, his first impressions of the play together with the importance of the topics the given play is centred around. Krištof takes a deep analysis of the play, his experiences working on the play, actor’s obligations and work ethic in the theatre, as well as the internal and external means of expressions that were used in order to interpret the role of “Davor”. Furthermore, he expands on the relationship between the actors and the audience; he is describing the scenography, the costume designs and the importance of the lighting and the music that was used in the play
The Inheriting of Land and the Break-up of Family Properties in Vinodol in the 19th Century
No full textČlanak govori o načinu života velikih obitelji s više bračnih parova koje su živjele u mjestu Grižane-Belgrad u Vinodolu (Hrvatsko primorje) do konca 19. stoljeća, a neke, s manjim brojem članova i do Drugoga svjetskog rata. Suautorica, Katica Barbarić, zabilježila je svoja sjećanja o pričama koje je slušala u djetinjstvu. Velika zadružna gospodarstva, na kojima je zajedno živjelo i radilo nekoliko generacija jedne obitelji, u njenom djetinjstvu već su bila stvar prošlosti. Sjećanje na takav način života još postoji u usmenoj tradiciji stanovništva mjesta Gižane-Belgrad. U nazivima mjesta i zaselaka sačuvana su prezimena i obiteljski nadimci koji nose trag nekadašnjih velikih obiteljskih zajednica. U 19. stoljeću u Vinodolu je već prevadavalo privatno vlasništvo, a pravo nasljeđivanja imali su podjednako i muški i ženski članovi obitelji. Sa svakom novom generacijom zemljišne parcele su se sve više smanjivale. Time su se pogoršavali uvjeti života obitelji i raslo je siromaštvo. Stanovnici Vinodola nastojali su smanjiti i usporiti usitnjavanje zemljišnih posjeda prilikom nasljeđivanja. Jedan od načina bila je novčana isplata barem jednoga člana obitelji. U članku su prikazana dva pravna dokumenta o nasljeđivanju u obiteljima Stipaničić (iz 1855.) i Šarar (iz 1891.) iz mjesta Grižane u Vinodolu. Na primjeru ta dva dokumenta vidimo slično nastojanje da se smanji broj nasljednika, odnosno provede samo nužna dioba zemlje. Pa ipak, koliko god nastojali smanjiti ili usporiti usitnjavanje zemljišnih posjeda taj se proces i dalje neminovno razvijao. Njegova posljedica bile su ekonomske migracije uslijed čega se koncem 19. i početkom 20. stoljeća smanjio broj stanovnika u cijelome Vinodolu.The article speaks about the way of life of large families with several married couples who lived at the site of Grižane-Belgrad in Vinodol (the Croatian Littoral) until the end of the 19th century, and some, with fewer members until the Second World War. Co-author, Katica Barbarić, noted her memories of stories, which she had heard in her childhood. The large collective estates, where several generations of one family lived and worked together, were already a thing of the past in her childhood. The memory of such a way of life still exists in the oral tradition of the population of the site of Grižane-Belgrad. In the names of the places and hamlets are preserved the surnames and family nicknames that hold a trace of the former large family communities. As early as the 19th century private ownership already prevailed, and the rights of inheritance were equal for both male and female members of a family. With every new generation the parcels of land were reduced more and more. With this a family’s living conditions worsened and poverty increased. The inhabitants of Vinodol tried to reduce and slow down the break-up of properties during inheritance. One method was the cash payment to at least one member of a family. In the article are presented two legal documents about the inheritance of two families, the Stipaničićs (from 1855) and the Šarars (from 1891) from the settlement of Grižane in Vinodol. From the example of these two documents we can see the similar attempt at the reduction of the number of heirs, in other words to carry out only the necessary division of the land. However, no matter how they tried to reduce and slow down the break-up of the properties this process inevitably developed further. Its consequences were economic migration meaning that at the end of the 19th century and beginning of the 20th the number of inhabitants over the whole of Vinodol dropped
Wedding Customs of the Grižane-Belgrad Region at the end of the 19th and Beginning of 20th century
No full textČlanak donosi opis tradicijskih svadbenih običaja stanovnika sela i zaselaka na području Grižana, mjesta u Vinodolskoj općini. Obuhvaćeno je razdoblje unutar zadnjih desetljeća 19. i prvih desetljeća 20. stoljeća u kojem se život na selu postupno mijenja i modernizira pa se polako gase i tradicijski običaji. Pritom koautorica članka Katica Barbarić poseže za vlasitim sjećanjima iz djetinjstva, neposredno prije i za vrijeme Drugog svjetskog rata, i pričanjima starijih stanovnika koje je slušala kao mlada osoba. Korišteni su i zapisi učiteljice Zorke Löschner Zastavniković koja je umirovljena 1945. i učitelja Dragutina Šepića koji je službovao do 1910. Brakove su u prošlosti dogovarali roditelji, a posredovala je neka starija rođakinja koja je roditeljima djevojke prenosila poručak, poruku. Tek nakon toga dolazili su prosci kad su bili sigurni da bračna ponuda neće biti odbijena. Po dolasku mladoženjinih svatova pred mladenkunom kućom odvijalo se pregovaranje, a znali bi naići i na zaključana vrata pa su morali glasno dozvati ukućane. Svadbenu povorku predvodio je korovenja noseći u rukama okićenu korenicu (struk crnog zelja) i mali baril s vinom. U kući mladenke pjevala se iz davnina naslijeđena pjesma Kad se je kćerčica od majke dilila. Mladenkin miraz nosile su djevojke i mlade snahe u njen budući dom. Život mladog para odvijao se u obiteljskoj zajednici u kojoj su svekar i svekrva o svemu odlučivali. Usporedo s nestajanjem velikih zadružnih porodica u prvim desetljećima 20. stoljeća, nestajao je i običaj da roditelji svojoj djeci biraju bračnog partnera i ugovaraju brak. U članku su opisani različiti svadbeni običaji koji su se u svojim glavnim sadržajnim odrednicama očuvali do sredine 20. stoljeća. Tragove pojedinih običaja u današnje vrijeme može se prepoznati u šalama i negdotama kojima se zabav
ljaju svatovi.The article provides a description of the traditional wedding customs of the inhabitants of villages and hamlets in the area of Grižane, a place located on the territory of the current Municipality of Vinodol. The period within the last decades of the 19th and the first decades of the 20th century is covered, in which life in the countryside is gradually being changed and modernized, so the traditional customs are slowly fading. At the same time, the co-author of the article, Katica Barbarić (born 1935), refers to her own childhood memories and the stories of elderly inhabitants that she listened to as a young person, and she also uses the writings of the teachers Zorka Löschner Zastavniković and Dragutin Šepić. In the past, marriages were arranged by parents, with the mediation of an elderly female relative who passed the message to the girl’s parents. Only then, the suitors would arrive when they were certain that the marriage proposal would not be rejected. Upon the arrival of the bridegrooms wedding party in front of the bride’s house, negotiations took place, and sometimes they would come across locked doors, so they had to loudly call the household members. The wedding procession was led by a korovenj (the leader of the wedding party, waiving a flag accompanied by a virgin or two) carrying an ornate korenica (a bundle of black cabbage) and a small barrel with wine in his hands. In the house of the bride, a song inherited from antiquity called Kad se je kćerčica od majke dilila /When the daughter was separated from her mother was sung. The bride’s dowry was carried by girls and young daughters-in-law. The life of the young couple took place in a family unit, where everything was decided by the father-in-law and mother-in-law. Alongside with the disappearance of large cooperative families in the first decades of the 20th century, the custom of parents selecting a spouse for their children and arranging the marriage disappeared as well. The article contains descriptions of various wedding customs that have been preserved in their main content guidelines until the middle of the 20th century. Traces of individual customs and rules can be found nowadays in jokes and anecdotes that are used to entertain the wedding party
Former Social Activities in Grižane and Vinodol
No full textAutorica daje pregled nekadašnjih društava, podupirajućih radničkih zadruga, čitaonica i drugih organiziranih oblika društvenih aktivnosti, koji su djelovali do Drugoga svjetskog rata u nekadašnjim općinama kotareva Crikvenica i Novi Vinodolski. Posebno daje širi prikaz društava koja su djelovala u Općini Grižane-Belgrad. U članku donosi prijepise pravila slijedećih društva: „Družtva čitaonice u Grižanih" (1894.), „Čitaoničkog društva u Grižanih" (1907.), „Društva za gojenje i promicanje tjelovježbe Hrvatski sokol u Grižane-Belgradu" (1908.), „Čitaonice hrvatske starčevićeve stranke prava" (1907.) i Uzajamno-podupirajuće radničke zadruge Sv. Roka u Grižanima (1905.). U drugom dijelu članka autorica donosi popis društava koja su do Drugoga svjetskog rata djelovala na području kotareva Crikvenica i Novi Vinodolski. Popis društava s godinom osnutka donosi se za općine: Novi Vinodolski, Crikvenica, Bribir, Drivenik, Selce, Sveta Jelena (Dramalj), Sveti Jakov Šiljevica (Jadranovo), Grižane-Belgrad i Ledenice. Pravila svih društava čuvaju se u izvornom obliku u Hrvatskom državnom arhivu (HDA) u Zagrebu. Članak je pisan čakavicom kojom se govori u mjestu Grižane, u kojem autorica živi.The author provides an overview of the former societies, the supporting workers’coope ratives, reading room and other organised forms of social activities, which operated until the Second World War in the former municipal districts of Crikvenica and Novi Vinodolski. In particular she provides a wider overview of the societies which operated in the Municipality of Grižane‑Belgrad. In the article are transcripts of the regulations of the following societies: Družtva čitaonice u Grižanih (Society of Reading Room in Grižane) (1894), Čitaoničk og društva u Grižanih (Reading Room Society in Grižane) (1907), Društva za gojenje i promicanje tjelovježbe Hrvatski sokol u Grižane‑Belgradu (The Society for the Cultivation and Promotion of Physical Exercise Croatian Falcon in Grižane‑Belgrad) (1908), Čitaonice hrvatske starčevićeve stranke prava (Reading Room of Croatian Starčević Party Rights) (1907) and Uzajamno‑podupirajuće radničke zadruge Sv. Roka u Grižanima (The mutually‑supporting workers’ cooperative of St. Rocco in Grižane) (1905). In the second part of the article the author provides a list of the societies which operated until the Second World War in the region of the districts of Crikvenica and Novi Vinodolski. The list of societies with the years of their establishment is given for all the municipalities: Novi Vinodolski, Crikvenica, Bribir, Drivenik, Selce, Sveta Jelena (Dramalj), Sveti Jakov Šiljevica (Jadranovo), Grižane‑Belgrad and Ledenice. The regulations of all the societies are preserved in their original form in the Croatian State Archive (HAD) in Zagreb. The article is written in the Chakavian dialect which is spoken in the town of Grižane, where the author lives
“The Jehovah God called unto the man, and said unto him: Where art thou?” (Genesis 3.9)
No full textKada govorimo o povijesnim zbivanjima gotovo uvijek razmišljamo o narodima, državama, velikim brojevima. Često, polazeći upravo od veličine, zaključujemo da se nešto jednostavno, zbog tijeka stvari, moralo dogoditi i da nikakvo ponašanje pojedinaca ne bi to moglo promijeniti.
Naravno, prošlost danas više ne možemo promijeniti, ali kada su se ta događanja dešavala, za osobe tih vremena to je bila sadašnjost. I te osobe, ili barem u većini, morale su birati.
Članak opisuje projekte koji uče o pojedincima koji su odgovorili na izazov izbora.The author of this article presents projects which were carried out in order to show holocaust through the stories of individuals who had chosen to act against it, in this way putting their own lives in danger
Project: “I would like to be a tree”
No full textAutorica u članku predstavlja projekt Želim biti stablo u kojem predstavlja jedan od načina da se odgovori na pitanja o razlozima odlaska većeg broja Talijana iz Rijeke i Istre nakon Drugog svjetskog rata što je osjetljiva tema o kojoj se informacije nisu mogle naći u udžbenicima, ali i o kojoj se malo i nerado govorilo u javnosti.The author of the paper presents her project “I would like to be a tree” in which she writes about one of the ways to explain why a growing number of Italians have left Rijeka and Istria after the Second World War. This is a very sensitive topic about which you could not find a lot of information in the textbooks, and which was rarely and unwillingly discussed in public
Approach to literary and film characters of the Harry Potter series
No full textOvaj rad usmjeren je na analizu književnih i filmskih likova serijala Harryja Pottera autorice J. K. Rowling. Cilj je rada komparativnom analizom provesti istraživanje nekoliko glavnih likova, utvrditi ima li razlika između likova opisanih u knjizi i ekraniziranih, opisati likove i njihov razvoj tijekom serijala. U uvodnom dijelu rada definiraju se dječja književnost i fantastična priča. U nastavku se obrađuje kratka biografija J. K. Rowling, glavne značajke književnog serijala Harryja Pottera. U glavnom dijelu rada opisuju se likovi, njihovi odnosi, uloge, razvoj kroz sedam nastavaka knjige i filma, upućuje se na razlike između opisa izgleda i ponašanja likova u knjizi i ekranizaciji. U završnom dijelu donosi se zaključak na odabranu temu.This paper is based on an analysis of literary and film characters of the Harry Potter series by the author J.K. Rowling. The aim of the paper is, by using comparative analysis, to research several main characters, explore the differences between portrayals in the books and the films, and describe the characters and their development through the series. The first part of the paper defines children’s literature and fantasy story. It moves on to a short biography of J.K. Rowling and the main aspects of the Harry Potter literary series. The crucial part of the paper describes the characters, their relationship, roles, and development through the seven books, differences between physical descriptions and behaviours of the characters in the books and the film adaptation. The final part focuses on the conclusion of the thesis
Strikingly possible fictional worlds. Can Lubomír Doležel’s theory pass the test of Kundera‘s literary texts?
No full textProblem kojim se članak bavi ishodišno se nameće iz stanovite podudarnosti stava književnika Milana Kundere i teoretičara Lubomíra Doležela o tumačenju Kunderinih proza kao povijesno-političkih dokumenata. I književnik i teoretičar negativno vrednuju takva tumačenja braneći književno djelo kao fikciju. Svaki od njih ima svoje razloge i argumente, ali članak je krenuo slijedom teoretičarevih argumenata koji se temelje na njegovoj teoriji fikcionalnih svjetova. U propitivanju razgraničenja fikcije i zbilje unutar Doleželove teorije te tretiranja dokumentarnosti u književnosti, članak slijedi određujuća mjesta geneze i strukture Doleželove teorije kako bi zaključno pokušao detektirati i njezinu implicitnu komponentu, koja je na djelu i u njegovoj analizi proza Milana Kundere.This paper explores the problem that arises from certain correspondence between the viewpoints of the writer Milan Kundera and literary theoretician Lubomír Doležel regarding the interpretation of Kundera’s prose works as historico-political documents. Both the writer and the theoretician dismiss such interpretations and argue that literary text is a pure fiction. Both offer different reasons and arguments to prove it. In this paper, the author concentrates on Doležel’s arguments that are largely based on his theory of fictional worlds. She uses determining features of his theory’s genesis and structure as starting points for the analysis of demarcation between fiction and reality in his theory and his understanding of documentarism in literature. Finally, the author also tries to detect the implicit component of Doležel’s theory that appears in his analysis of the works of Milan Kundera
DEUTSCHLAND ALS EINWANDERUNGSLAND
No full textU radu su, u kontekstu socijalne povijesti, sintetizirana
migracijska iskustva koja su se događala u Njemačkoj. Iz
iseljeničke zemlje 19. stoljeća nastala je useljenička zemlja
novoga tipa. Razdoblje primanja radne snage, 1960-ih
godina, retrospektivno je pokazalo da je Njemačka postala
useljenička zemlja protiv svoje volje. Naime, iako su svi
sudionici – i iz Njemačke i među useljenicima – dugo
zadržavali "gastarbajterski" mit brzoga povratka u zemlje
podrijetla, nastale su – zbog dugih boravaka, lančanih
useljenja i pojačanih doseljenja članova obitelji – prve
konture useljeničkoga društva. Težište rada je – osim na
radnim migrantima – i na prikazu doseljeničkih grupa
(doseljavanje članova obitelji radnih migranata, obiteljska
doseljavanja Nijemaca iz drugih zemalja, doseljavanje
Židova, doseljavanja političkih prognanika iz bivših
socijalističkih zemalja te potencijalnih azilanata i ostalih
izbjeglica) te na činjenicama i pravnom okviru pojedinih
useljeničkih modela.In the paper the author synthesises, within the context of
social history, migration experiences that took part in
Germany. From a 19th century emigration country it has
become a new type of immigration country. The period of
accepting foreign workers in the 1960s proved
retrospectively that Germany had become an immigrant
country against its own will. Namely, although all the
participants – on the part of Germany and on the part of the
immigrants as well – had long nourished the 'Gastarbeiter'
myth of a rapid return to their country of origin, because of their extended stay, chain immigration and immigration of
family members, the first contours of an immigration society
began to emerge. In addition to migrant workers, the paper
also focuses on the presentation of various immigrant groups
(immigration of family members of migrant workers,
immigration of German families from other countries,
immigration of Jews, immigration of political refugees from
former socialist countries and potential asylum seekers as
well as other refugees) and on facts and the legal framework
of certain immigration models.Die vorliegende Arbeit versucht einen kurzen sozialhistorischen
Überblick über das Migrationsgeschehen in Deutschland zu
geben. Aus dem Auswanderungsland des 19. Jahrhunderts
wurde ein Einwanderungsland neuen Typs. Die Anwerbephase
der 60er-Jahre erweist sich retrospektiv als zeitliches
Bindeglied zum „Einwanderungsland wider Willen“. Obgleich
alle Beteiligten auf deutscher wie ausländischer Seite noch
lange am Gastarbeitermythos der baldigen Rückkehr in die
jeweiligen Herkunftsländer festhielten, traten mit verlängerten
Aufenthaltszeiten, Kettenwanderungen und verstärktem
Familiennachzug bereits die Konturen der zukünftigen
Einwanderungsgesellschaft Bundesrepublik immer deutlicher
zutage. Schwerpunkt dieser Arbeit ist die Darstellung von
Arbeitsmigranten und anderen einzelnen Zuwanderergruppen
(Familennachzug, Spätaussiedler, jüdische Zuwanderung,
politische Flüchtlinge aus ehemaligen sozialistischen Ländern,
Asylzuwanderung, sonstige Flüchtlinge) sowie Fakten und
rechtliche Grundlagen der jeweiligen Zuwanderungsform
Approach to literary and film characters of the Harry Potter series
No full textOvaj rad usmjeren je na analizu književnih i filmskih likova serijala Harryja Pottera autorice J. K. Rowling. Cilj je rada komparativnom analizom provesti istraživanje nekoliko glavnih likova, utvrditi ima li razlika između likova opisanih u knjizi i ekraniziranih, opisati likove i njihov razvoj tijekom serijala. U uvodnom dijelu rada definiraju se dječja književnost i fantastična priča. U nastavku se obrađuje kratka biografija J. K. Rowling, glavne značajke književnog serijala Harryja Pottera. U glavnom dijelu rada opisuju se likovi, njihovi odnosi, uloge, razvoj kroz sedam nastavaka knjige i filma, upućuje se na razlike između opisa izgleda i ponašanja likova u knjizi i ekranizaciji. U završnom dijelu donosi se zaključak na odabranu temu.This paper is based on an analysis of literary and film characters of the Harry Potter series by the author J.K. Rowling. The aim of the paper is, by using comparative analysis, to research several main characters, explore the differences between portrayals in the books and the films, and describe the characters and their development through the series. The first part of the paper defines children’s literature and fantasy story. It moves on to a short biography of J.K. Rowling and the main aspects of the Harry Potter literary series. The crucial part of the paper describes the characters, their relationship, roles, and development through the seven books, differences between physical descriptions and behaviours of the characters in the books and the film adaptation. The final part focuses on the conclusion of the thesis
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