1,721,361 research outputs found
Mixing the Immiscible: Improvisation within Fixed-Media Composition
This paper will explore ways in which mastered improvisation practice, with the studio as an instrument, is a proposed avenue to bridge the historical dichotomy between what Ted Gioia describe as ‘the aesthetics of perfection’ and ‘the aesthetics of imperfection’. It is proposed as a way to re-embody fixed music, as experimented by the author through the composition of his last fixed-media work. This will be put in the context of a wider trend observed amongst the current emerging generation of composers interested in the aesthesics of the work, by opposition to the previous generations that placed the value of the work in its poietics. The vital and primal importance of practice outcome as practice-based research’s main document will also be advocated for, as these trends are happening in the laboratory of live music
Considérations pragmatiques en musique mixtes: une approche systémique de l’inter-influence entre la composition, l'interprétation et la technique
Les conditions de pratique de la musique mixte sont aujourd’hui très différentes de celles d’il y a 20 ans:
a) la génération des Digital Natives (Marc Prensky) est maintenant bien active et sa relation avec la technologie est radicalement différente;
b) les ordinateurs sont de plus en plus portables, accessibles et rapides: le laptop est maintenant un instrument de musique présent dans plusieurs contextes différents;
c) plusieurs compositeurs semblent vouloir changer l’expérience du concert de musique électronique, en partageant directement la scène et en rappelant l’importance du geste musical.
Praticien tant comme compositeur que comme interprète de cette musique, l’auteur tentera de montrer comment les pratiques d’une génération techno-fluide permettent une inter-influence des disciplines traditionnellement pratiquées par différents intervenants, et comment cette approche systémique permet de repousser les limites du langage de la musique mixte, non sans apporter de nouveaux défis et problèmes
La distance croissante entre le mouvement des femmes et l’économie sociale : réflexion sur le cas du Québec vu depuis le Saguenay-Lac-Saint-Jean
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Efficient simulation of gamma and variance-gamma processes
We study algorithms for sampling discrete-time paths of a gamma process and a variance gamma process, defined as a Brownian process with random time change obeying a gamma process. The attractive feature of the algorithms is that increments of the processes over longer time scales are assigned to the first sampling coordinates. The algorithms are based on having in explicit form the process' conditional distributions, are similar in spirit to the Brownian bridge sampling algorithms proposed for financial Monte Carlo, and synergize with quasi-Monte Carlo techniques for efficiency improvement. We compare the variance and efficiency of ordinary Monte Carlo and quasi-Monte Carlo for an example of financial option pricing with the variance-gamma model, taken from fMAD98a
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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