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Ethos melancólico: Resistencias y desaceleraciones temporales en cierto cine chileno contemporáneo
Get PDFThis article sets out to propose, in an essayistic manner, a point of rupture within the matrix of performance of Real Capitalism through the cinematographic, which can be seen as the configuration of a time other than productive time, invested in the figure of the melancholic, as the one who tensions the psychoanalytic triad of the contemporary neurotic: object, desire and loss. Through the latency or waiting (the art of patience or slothful) that is represented in certain Chilean cinema of the last decade, and which will make of the cinematographic image the portrait of non-desire, where things and objects are the basis of the episteme that constructs the narrative and culture. A horizontal cinema that does not travel to meet a conflict, and remains in the radical exposure of the founding elements of the culture in question, arranged in a mise-en-scène, which, like a baroque base, will function from the surfaces, distancing meaning from its conventional enunciative act and arranging objects as the only depositaries of an episteme capable of reordering the fictionality of meaning itself. We will also review, within this conceptual framework, elements that define concrete cinematographic operations, allowing us to clarify, in an introductory way, the sources of nomination that will serve us to deal with specific phenomena of cinematographic events, within the framework of current Chilean cinema.El presente artículo se propone plantear, de manera ensayística, un punto de quiebre dentro de la matriz de rendimiento del Capitalismo Real (Fisher, 2016), a través de lo cinematográfico, que puede ser visto como la configuración de un tiempo otro al tiempo productivo, investido en la figura del melancólico, como aquel que tensiona la triada psicoanalítica del neurótico contemporáneo: objeto, deseo y pérdida. A través de la latencia o espera (El arte de la paciencia o la acidia) que se representa en cierto cine chileno de la última década, y que hará de la imagen cinematográfica el retrato del no-deseo, ahí donde las cosas y objetos son la base de la episteme que construye el relato y la cultura. Un cine horizontal que no viaja al encuentro de un conflicto, y se mantiene en la exposición radical de los elementos fundantes de la cultura en cuestión, dispuestos en una puesta en escena, que, cual base barroca, funcionará desde las superficies, alejando el sentido de su acto enunciativo convencional y disponiendo los objetos como únicos depositarios de una episteme capaz de reordenar la ficcionalidad del sentido en sí. Revisaremos también, dentro de este marco conceptual, elementos que definan operaciones cinematográficas concretas, permitiendo aclarar, de manera introductoria, las fuentes de nominación que nos servirán para tratar fenómenos puntuales del acontecer cinematográfico, dentro del marco del cine chileno actual
Ethos melancólico: Resistencias y desaceleraciones temporales en cierto cine chileno contemporáneo
No full textThis article sets out to propose, in an essayistic manner, a point of rupture within the matrix of performance of Real Capitalism through the cinematographic, which can be seen as the configuration of a time other than productive time, invested in the figure of the melancholic, as the one who tensions the psychoanalytic triad of the contemporary neurotic: object, desire and loss. Through the latency or waiting (the art of patience or slothful) that is represented in certain Chilean cinema of the last decade, and which will make of the cinematographic image the portrait of non-desire, where things and objects are the basis of the episteme that constructs the narrative and culture. A horizontal cinema that does not travel to meet a conflict, and remains in the radical exposure of the founding elements of the culture in question, arranged in a mise-en-scène, which, like a baroque base, will function from the surfaces, distancing meaning from its conventional enunciative act and arranging objects as the only depositaries of an episteme capable of reordering the fictionality of meaning itself. We will also review, within this conceptual framework, elements that define concrete cinematographic operations, allowing us to clarify, in an introductory way, the sources of nomination that will serve us to deal with specific phenomena of cinematographic events, within the framework of current Chilean cinema.El presente artículo se propone plantear, de manera ensayística, un punto de quiebre dentro de la matriz de rendimiento del Capitalismo Real (Fisher, 2016), a través de lo cinematográfico, que puede ser visto como la configuración de un tiempo otro al tiempo productivo, investido en la figura del melancólico, como aquel que tensiona la triada psicoanalítica del neurótico contemporáneo: objeto, deseo y pérdida. A través de la latencia o espera (El arte de la paciencia o la acidia) que se representa en cierto cine chileno de la última década, y que hará de la imagen cinematográfica el retrato del no-deseo, ahí donde las cosas y objetos son la base de la episteme que construye el relato y la cultura. Un cine horizontal que no viaja al encuentro de un conflicto, y se mantiene en la exposición radical de los elementos fundantes de la cultura en cuestión, dispuestos en una puesta en escena, que, cual base barroca, funcionará desde las superficies, alejando el sentido de su acto enunciativo convencional y disponiendo los objetos como únicos depositarios de una episteme capaz de reordenar la ficcionalidad del sentido en sí. Revisaremos también, dentro de este marco conceptual, elementos que definan operaciones cinematográficas concretas, permitiendo aclarar, de manera introductoria, las fuentes de nominación que nos servirán para tratar fenómenos puntuales del acontecer cinematográfico, dentro del marco del cine chileno actual
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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