1,720,997 research outputs found
Richard Graham (éd.), Brazil and the World System
Topik Steven. Richard Graham (éd.), Brazil and the World System. In: Annales. Histoire, Sciences Sociales. 50ᵉ année, N. 6, 1995. pp. 1374-1375
Jean Batou, Cent ans de résistance au sous-développement. L'industrialisation de l'Amérique latine et du Moyen-Orient face au défi européen
Topik Steven. Jean Batou, Cent ans de résistance au sous-développement. L'industrialisation de l'Amérique latine et du Moyen-Orient face au défi européen. In: Annales. Économies, Sociétés, Civilisations. 46ᵉ année, N. 4, 1991. pp. 874-875
Jean Batou, Entre développement et sous-développement ,1800-1870 : les tentatives précoces d'industrialisation de la périphérie
Topik Steven. Jean Batou, Entre développement et sous-développement ,1800-1870 : les tentatives précoces d'industrialisation de la périphérie. In: Annales. Économies, Sociétés, Civilisations. 47ᵉ année, N. 3, 1992. pp. 737-740
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Crisis y transformaciones del mundo del café : dinámicas locales y estrategias nacionales en un periodo de adversidad e incertidumbre
Este texto reúne varios ensayos de investigadores que exploran las dimensiones sociales, políticas, económicas y culturales de la producción agrícola del café en Colombia, Venezuela, Brasil y varios países de América Central. Más que una observación histórica, es un análisis de los procesos contemporáneos.Bogot
The global coffee economy in Africa, Asia and Latin America, 1500-1989
Coffee beans grown in Brazil, Colombia, Vietnam, or one of the other hundred producing lands on five continents remain a palpable and long-standing manifestation of globalization. For five hundred years coffee has been grown in tropical countries for consumption in temperate regions. This 2003 volume brings together scholars from nine countries who study coffee markets and societies over the last five centuries in fourteen countries on four continents and across the Indian and Pacific Oceans, with a special emphasis on the nineteenth and early twentieth centuries. The chapters analyse the creation and function of commodity, labour, and financial markets; the role of race, ethnicity, gender, and class in the formation of coffee societies; the interaction between technology and ecology; and the impact of colonial powers, nationalist regimes, and the forces of the world economy in the forging of economic development and political democracy
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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