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Välisriigi kohtu- ja vahekohtu lahendi sisu kontrollimise keelu ulatus
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The changes in abundance and distribution of barnacle goose (Branta leucopsis) staging in Estonia during spring migration
Get PDFBakalaureusetöö
Keskkonnakaitse õppekavalValgepõsk-lagle on Eestis kevadrändel peatuv haneline, kelle populatsiooni arvukus on
alates 1950. aastast 120 korda suurenenud. Lääne-Eesti on olnud traditsiooniline valgepõsk laglede peatusala läbi aegade. Riikliku seire raames toimunud valgepõsk-laglede
lennuloenduse andmete kohaselt on Lääne-Eestis peatuvate laglede arvukus stabiliseerunud
vaatamata liigi populatsiooni jätkuvale kasvule. Käesoleva töö eesmärgiks on teada saada,
kuidas on muutunud peatuvate valgepõsk-laglede levikumustrid kevadrändel aastate lõikes,
ning kas peatuvate laglede arvukus Eestis on kevadrändel jäänud stabiilseks või suurenenud.
Töös kasutatud andmed pärinevad eElurikkuse andmebaasist ja Lääne-Eestis läbiviidud
lennuloendustest. Enne andmetega töötamist tuli neid korrigeerida, näiteks välistada
ülelennul või rändel olevad isendid, saartel loendatud linnud. Peale andmete korrigeerimist
moodustati alates rannajoonest sisemaa poole tsoonid kuni 2 km, 2–7,5 km ning lisaks 7,5–
15 km ja 15–30 km. Eesti rannik jagati omakorda kolmeks lõiguks: Põhja-, Lääne- ja Edela Eesti. Töös saadi teada, et Eestis kevadrändel peatuvate valgepõsk-laglede arvukus on
jätkuvalt kasvav. Viimastel kümnenditel on oluliselt kasvanud ka sisemaal peatuvate lagled hulk. Saadi teada, et Lääne- ja Edela-Eestis peatuvad lagled eelistavad rannast kuni 7,5 km
kaugusel asuvaid toitumisalasid ning Põhja-Eestis peatuvad lagled 15 km kaugusel asuvaid
toitumisalasid. Kuna kevadrändel peatuvad linnud on suureks murekohaks põllumeestele,
tuleks põllumajanduskülvikutel kahjude vähendamiseks taastada ja hooldada rannaniite.The Barnacle goose is a goose that stops during spring migration in Estonia, and its
population has increased 120-fold since 1950. West Estonia has always been a traditional
staging place for Barnacle goose. According to the census data of Barnacle goose conducted
within the framework of geese monitoring, the number of geese stopping in West Estonia has
stabilized despite the continuing growth of the species population. This study aims to
determine how the distribution patterns of Barnacle goose in spring migration have changed
over the years and whether the number of staging geese in Estonia has remained stable or
increased during spring migration. The data used in work comes from the eElurikkus
database and aerial censuses conducted in West Estonia. Before data analysis, it was
corrected and reviewed. After fixing the data, the zones up to 2 km, 2–7.5 km, 7.5–15 km and
15–30 km from the coastline were created to study the spatial distribution of birds from the
coastline. The Estonian coast was divided into three sections: Northern, Western and
Southwestern Estonia. It was found that the number of Barnacle geese staging in Estonia during spring migration continues to grow. The number of Barnacle goose staging inland
has also increased significantly in the recent decade. It was found that geese staging in
Western and Southwestern Estonia prefer feeding areas up to 7.5 km from the coastline but
up to 15 km away from the shoreline in northern Estonia. As birds staging during spring
migration is a major concern for farmers, coastal meadows should be restored and
maintained to reduce crop damage
Äriühingu maksejõuetuse ilmnemisest tulenev maksete tegemise piirang
Get PDFhttp://www.ester.ee/record=b4409868~S1*es
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Creating Stage Costumes for the Rock Band Terminaator
No full textLõputöö eesmärk oli valmistada koostöös ansambliga Terminaator kaheksa erinevat
lavakostüümi, mis moodustavad viis komplekti- laulja Jaagup Kreem (särk “Beth” & jakk
“Rip”), kitarrist Taavi Langi (meeste poolkombinesoon “Lloyd”), basskitarrist Henno Kelp
(särk “Lee” & ratsapüksid “Jimmy”), klaverimängija Rene Puura (särk “John” & vest “Tate”)
ja trummarist Roland Puusepp (särk “Kayce”). Töös kirjeldatakse suvel toimuva Urissaare
kantrifestivali jaoks valminud kollektsiooni loomise protsessi.
Kollektsiooni kavandamise märksõnadeks on kantri-stiil ja efektsus, nii disain kui ka
kangad peavad andma edasi visuaalse terviku. Värvideks valiti maalähedased toonid nagu
teksasinine, hele pruun, tumepruun, beez, roheline ja must. Moejoonises toodi välja
kantristiilile omapärased jooned näiteks: nahk, narmad, tikandid, ratsapüksid,
poolkombinesoon, erinevad passed ja traditsiooniline kantri ruudlise mustriga kangas.
Moe- ja tehnilised joonised on valmistatud programmis Adobe Illustrator.
Tooted on konstrueeritud M. Müller & Sohn konstrueerimismeetodi järgi- konstrueeriti
põhilõiked särgile, pükstele, jakile ja vestile ning modelleeritud vastavalt disainile, et saada
moekohased lõiked. Pärast näidiste valmistamist tehtid vajalikud muudatused arvestades
bändliliikmete kehade eripärasusi. Lõiked ja lekaalid valmistati programmis Lectra Modaris.
Tehnoloogilises osas on tehtud kõikidele mudelitele läbilõikejoonised ning lisana töö lõpus
on tootete tehnoloogilise töötlemise järjekord (lisa 9).
Kunstnahast kangad, mööblikangas, must kangas ja dubleerid korduvad eri mudelitel, selle
jaoks tehti kombineeritud paigutused programmis Lectra Marker Manager ja Marker
Making, et saada efektiivsem paigutus. Nii leiti ligikaudne kangakulu mudelile. Niidikulu
arvutus tehti samuti, mõõdeti mudeli mudeli õmblused ning korrutati läbi vastava
koefitsiendi ja lisati 15% täiendavat tarbimist. Nende arvutuskäikude põhjal on arvutatud
ligikaudne toodete omahind kui ka müügihind- Särk “Beth” 254,4 €, ratsapüksid “Jimmy”
125,7 €, Särk “John” 287,2 €, särk “Kayce” 99,6 € , särk “Lee” 242,3 € , poolkombinesoon
“Lloyd” 170,4 € , jakk “Rip” 153,9 € ja vest “Tate” 95,8 €The aim for the thesis “Creating Stage Costumes for the Rock Band Terminaator” was to
make, in collaboration with the band Terminaator, eight different stage costumes which
form five sets- singer Jaagup Kreem (shirt "Beth" & jacket "Rip"), guitarist Taavi Langi
(overalls "Lloyd"), bass guitarist Henno Kelp (shirt "Lee" & chaps "Jimmy"), pianist Rene
Puura (shirt "John" & vest "Tate"), and drummer Roland Puusepp (shirt "Kayce"). The
thesis describes the process of creating the collection for the Urissaare country music
festival held in the summer.
The keywords for designing the collection were country style and effectiveness with both
design and fabrics to compose a visual coherence. Earthy tones such as denim blue, light
brown, dark brown, beige, green, and black were chosen as colors. The design included
typical country style elements like leather, fringes, embroideries, chaps, overalls, various
yokes, and traditional country checkered fabrics. Fashion and technical drawings were
created by using Adobe Illustrator.
The pieces were constructed using the M. Müller & Sohn construction method—basic block
patterns for shirt, pants, jacket, and vest were constructed and then modeled according to
the design. After making samples, necessary adjustments were made considering the
specific body characteristics of the band members. Patterns were created using Lectra
Modaris software.
In the technological aspect, unit schemes were made for all models, and as an addition at
the end of the thesis, the description of sewing process flow of the products is provided
(annex 9).
Artificial leather fabrics, upholstery fabric, black fabric, and interlinings recurred in different
models, for which combined markers were made using Lectra Marker Manager and Marker
Making programs to achieve more efficient placement. An approximate fabric consumption
for each model was calculated. Thread consumption calculation was also done, seams of
each model were measured and multiplied by the corresponding coefficient and 15%
wastage of thread was added. Based on these calculations, an approximate cost price and
selling price of the products were calculated- shirt “Beth” 254,4 €, chaps “Jimmy” 125,7 €,
shirt “John” 287,2 €, shirt “Kayce” 99,6 €, shirt “Lee” 242,3 €, overalls “Lloyd” 170,4 €,
jacket “Rip” €153,9 €, and vest “Tate” 95,8 €
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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