14,722 research outputs found
Tony Lynn Jones in a Senior Baritone Recital
No full textThis is the program for the senior baritone recital of Tony Lynn Jones. Mr. Jones was accompanied on the piano by Susan Atkinson. This recital took place on April 29, 2002, in the McBeth Recital Hall in the Mabee Fine Arts Center
Tony Perkins, Utah Uranium Oral History Project
No full textTranscript (61 pages) of an interview by Kathy Biel, Milan Paulovich, and Jeff Jones with Tony Perkins, on July 27, 1970. From the Uranium History ProjectPerkins, a Navajo prospector and miner, was interviewed by Kathy Biel, Milan Pavlovich, and Jeff Jones. Subjects: personal background, mining experience, dynamite, pulling pillars, superstitions, mining on the reservation, cheating of Indians, tribal council, Navajos and money, gold mining, assays, stocks during boom, affirmative action, prospecting for gold ore, prospecting for uranium (61 pages)
Tony Jones; Or, the Expanded Autobiography
No full textOne of the first works of flux persona can be traced to cave painting. Settled within the cavernous shafts of Lascaux, Panel of the Wounded Man provides an early example of the human need to reproduce, duplicate, and create an alternative to physical flesh. Undoubtedly, artists have been employing the persona as a medium of artistic expression for millennia.
With the introduction of digital technology, this medium extends with greater efficacy. Writing an email, sending a text message or maintaining an online profile develops numerous incarnations of the self. Ultimately, these digital forms are not an actual person, rather, they are communicating on behalf of the author. Whether intentional or unintentional, our digital culture automatically produces multiple surrogates to the self. These objects of virtuality produce circumstances that condition the manner in which humans project, receive, and maintain complex versions of persona.
Tony Jones, or The Expanded Autobiography investigates persona and identity through the lens of the art making process. The project establishes a historical trajectory for the flux persona medium. Subsequently, it introduces the concept of expansion and positions flux persona within a conceptual framework. Finally, the Tony Jones exhibition provides a technical outline for the research. This model exempli fies versions of a praxis-based approach and provides a structure for the expanded autobiography. Overall, the work addresses the contradictory nature of the human persona. Ambiguously, it is one, and many, all at once.</p
Tony Jones; Or, the Expanded Autobiography
No full textOne of the first works of flux persona can be traced to cave painting. Settled within the cavernous shafts of Lascaux, Panel of the Wounded Man provides an early example of the human need to reproduce, duplicate, and create an alternative to physical flesh. Undoubtedly, artists have been employing the persona as a medium of artistic expression for millennia.
With the introduction of digital technology, this medium extends with greater efficacy. Writing an email, sending a text message or maintaining an online profile develops numerous incarnations of the self. Ultimately, these digital forms are not an actual person, rather, they are communicating on behalf of the author. Whether intentional or unintentional, our digital culture automatically produces multiple surrogates to the self. These objects of virtuality produce circumstances that condition the manner in which humans project, receive, and maintain complex versions of persona.
Tony Jones, or The Expanded Autobiography investigates persona and identity through the lens of the art making process. The project establishes a historical trajectory for the flux persona medium. Subsequently, it introduces the concept of expansion and positions flux persona within a conceptual framework. Finally, the Tony Jones exhibition provides a technical outline for the research. This model exempli fies versions of a praxis-based approach and provides a structure for the expanded autobiography. Overall, the work addresses the contradictory nature of the human persona. Ambiguously, it is one, and many, all at once.</p
Tony Ashburn Traux, Toledo, Ohio, 1949
No full textTerms associated with the photograph are: Jones Junior High School (Toledo, Ohio) | Junior high schools | Students | Class portraits | 1949-1950 | Boys | Sixth grade | Truax, Tony Ashbur
Army privates
No full textL to R: Nighthawks Pvt. Verlon Smith, Coordinator Pvt. Carter Jones, and Pvt. Tony Vasquez
Army privates
No full textL to R: Nighthawks Pvt. Verlon Smith, Coordinator Pvt. Carter Jones, and Pvt. Tony Vasquez
Army privates
No full textL to R: Nighthawks Pvt. Verlon Smith, Coordinator Pvt. Carter Jones, and Pvt. Tony Vasquez
[Toni's Baptism Day]
No full textPhotograph of Toni Marie Jones posing with Tony LaRue Jones in front of a sunken baptismal font surrounded by tiles. Toni Marie is standing at left, barefoot and wearing a white dress with a white ribbon on the right side of her head. Tony LaRue is kneeling on his left knee and has his right arm around Toni Marie. Tony is wearing a white button down shirt with a geometric design tie and grey pants
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