1,720,955 research outputs found
Primjena SVG animacija u web dizajnu
No full textVelika raznolikost uređaja putem kojih korisnici danas konzumiraju sadržaj navela je dizajnere i developere da stranice razvijaju uporabom fleksibilnih elemenata
koji su sposobni mijenjati poziciju, veličinu, boju, i ostale vizualne atribute. Vektorska grafika ovdje pruža jasne prednosti nad rasterskom. Osim neograničene
rezolucije i male veličine datoteka, vektori omogućuju razlamanje slike na njene dijelove, kojima se može pojedinačno manipulirati. Takvu je izmjenu atributa
i oblika vektora moguće provesti postepeno, čime nastaje animacija. Standard
koji omogućuje interakciju web-jezika s vektorskom grafikom je jezik SVG. Cilj je
ovoga rada pružiti pregled mogućnosti koje SVG tehnologija pruža u kontekstu
web-dizajna, s fokusom na uporabu animacije, te opisati načine na koje se kori-
štenjem popratnih jezika SVG elementi mogu pretvoriti u pokretne grafike.The diversity of devices with which today’s users consume content requires designers and developers to create websites using flexible elements able to change
position, size, colour, and other visual attributes. Vector graphics offer clear advantages over raster ones in this area. Besides their limitless resolution and small
file size, vectors allow for manipulation of specific objects within the image. This
manipulation can be done gradually, creating animation. The standard which allows for the interactivity of web-languages and vector graphics is the language
SVG. The aim of this paper is to give insight into the possibilities that SVG technology offers in the context of web-design, with a focus on use of animation, and
to summarize the methods of using other languages to turn SVG elements into
motion graphics
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Vizualni identiteti u glazbenoj umjetnosti
Get PDFNaslovnice albuma godinama su bile glavni vizual koji predstavlja glazbena djela,
no popularizacijom video spotova i digitalizacijom glazbe njihova se uloga smanjila. Ipak, dizajneri i danas izrađuju kvalitetne i ikonične naslovnice, čija popularnost konkurira dizajnima iz doba gramofonskih ploča. Glavni je zadatak tih dizajnera vizualnim jezikom predočiti karakter glazbe sadržane u albumu. To rade
odabirom boje, tipografije, motiva, te likovnih i fotografskih tehnika. Svaki žanr
glazbe ima za sebe karakterističan vizualni stil, pomoću kojeg se može razlikovati od ostalih žanrova, te koji je komplementaran glazbi toga žanra. Cilj je ovoga
rada analizirati načine na koje su dizajneri od 1940-ih do danas uspjeli predstaviti
određene žanrove glazbe, te, nakon analize, izraditi nekoliko radova koji svojom
formom vjerno predstavljaju određeni žanr
Primjena SVG animacija u web dizajnu
No full textVelika raznolikost uređaja putem kojih korisnici danas konzumiraju sadržaj navela je dizajnere i developere da stranice razvijaju uporabom fleksibilnih elemenata
koji su sposobni mijenjati poziciju, veličinu, boju, i ostale vizualne atribute. Vektorska grafika ovdje pruža jasne prednosti nad rasterskom. Osim neograničene
rezolucije i male veličine datoteka, vektori omogućuju razlamanje slike na njene dijelove, kojima se može pojedinačno manipulirati. Takvu je izmjenu atributa
i oblika vektora moguće provesti postepeno, čime nastaje animacija. Standard
koji omogućuje interakciju web-jezika s vektorskom grafikom je jezik SVG. Cilj je
ovoga rada pružiti pregled mogućnosti koje SVG tehnologija pruža u kontekstu
web-dizajna, s fokusom na uporabu animacije, te opisati načine na koje se kori-
štenjem popratnih jezika SVG elementi mogu pretvoriti u pokretne grafike.The diversity of devices with which today’s users consume content requires designers and developers to create websites using flexible elements able to change
position, size, colour, and other visual attributes. Vector graphics offer clear advantages over raster ones in this area. Besides their limitless resolution and small
file size, vectors allow for manipulation of specific objects within the image. This
manipulation can be done gradually, creating animation. The standard which allows for the interactivity of web-languages and vector graphics is the language
SVG. The aim of this paper is to give insight into the possibilities that SVG technology offers in the context of web-design, with a focus on use of animation, and
to summarize the methods of using other languages to turn SVG elements into
motion graphics
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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