29 research outputs found
Impact of the lower Jurassic Dunlin Group depositional elements on the Aurora CO<sub>2</sub> storage site, EL001, northern North Sea, Norway
No full textNorthern Lights is the CO2 transport and storage component of Longship, the Norwegian full-scale CCS project. Injection is planned into an under-explored sloping saline aquifer in the northern North Sea, the Johansen and Cook formations of the Lower Jurassic Dunlin Group. To bridge the information gap, well 31/5-7 (Eos) was drilled. The comprehensive dataset acquired was fundamental to interpret the depositional environment and determine the scale and spatial distribution of heterogeneities, as input to 3-D models aimed at improving storage resource assessment and understanding the injected CO2 plume behaviour over time. The interpreted gross depositional environments of the storage units are marginal- to shallow-marine, arranged in three successive fining-upwards intervals. The lower interval includes coastal deposits with mixed wave- and river influence, correlatable over a large distance, dominated by meso-scale heterogeneities. The middle interval records paralic deposits with a wave- and tidal- interplay generating higher vertical and lateral variability. The upper interval is interpreted as tidal-dominated, predominantly with cm-scale heterogeneities. The repeated fining-upwards trends are ideal for plume redistribution and efficient CO2 storage, and the reconstructed lateral depositional trends associated with generally good properties indicate a high storage potential. The Eos well data enabled building the properties distribution model, highlighting the importance of well control for storage evaluation.Green Open Access added to TU Delft Institutional Repository ‘You share, we take care!’ – Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Applied Geolog
W drodze do narratologii historycznej
No full textThe paper presents the concept of fundamentally new direction in the field of narratological studies – historical narratology. The author suggests turning to the research experience accumulated in Russian historical poetics by A. Veselovsky, P. Ricoeur’s and W. Schmid works. Narratology is seen as a theory of forming, storing and transmitting the event experience of the presence of the human self in the world. In particular, the work deals with diegetic picture of the world, with the historical dynamics of the most important types of narrative intrigue, and with the ethos of narrative. The most important characteristics of narrative are integrated into the concept of narrative strategy of a particular discourse. The emergence, spread and coexistence of narrative strategies in the diachronic dimension of the culture of storytelling as a form of human communication is at the core of research interest in historical narratology.The paper presents the concept of fundamentally new direction in the field of narratological studies – historical narratology. The author suggests turning to the research experience accumulated in Russian historical poetics by A. Veselovsky, P. Ricoeur’s and W. Schmid works. Narratology is seen as a theory of forming, storing and transmitting the event experience of the presence of the human self in the world. In particular, the work deals with diegetic picture of the world, with the historical dynamics of the most important types of narrative intrigue, and with the ethos of narrative. The most important characteristics of narrative are integrated into the concept of narrative strategy of a particular discourse. The emergence, spread and coexistence of narrative strategies in the diachronic dimension of the culture of storytelling as a form of human communication is at the core of research interest in historical narratology
The Problem of Polytext in the Russian Philology
No full textThe article is dedicated to the problem of conceptions of polytext, of foundation of its notional nature. Polytext is defined as a row of marked by associative and semantic community in the spheres of author (creator, compiler), code, context, addressee of autonomous word texts which in the cultural practice actually or potentionally are represented as integral (whole and unique), dynamic, multumeasured, dissipative conceptual and semantic product, completely sub- mitted to the principle of centration. Polytext is an integral, polystylistic, polygenre, polysubject formation. The inner aspect of integrity of polytext is connected with mechanisms which ensure its ‘internal life’, determine processes making senses. Sources of conceptions of polytext are in the works by A. Potebnya, D. Ovsyaniko-Kulikovsky, A. Veselovsky, V. Ivanov, A. Belyi, M. Bahtin, G. Gukovsky and others. The interest to the theory of polytext was initiated by Y. Lotman,
Z. Mints, V. Toporov and others. The cycle is a subtype of polytext
Historical-Literary Essay on Russian Social Novel
No full textThe author of the article introduces not only the history of Russian social novel of the 19th century, but also the theoretical approach to the genre and its varieties. The article presents the history of the generic form and the very term "social novel". The origins of the social novel are revealed at the turn of the XVIII-XIX centuries. Social novel in 19th century Russian literature became an important and developing genre through the evolution of realism in literature. The history of formation and evolution of the social novel are connected with the works by A. Izmilov, N. Karamzin, M. Lermontov, I. Turgenev, A. Hertsen, L. Tolstoy. The works by V. Belinsky, S. Dudyshkin, M. Bakhtin, N. Kozhinov, A. Veselovsky are cited in the article. From author's point of view, the relatively new term «sociological novel» are much more polemical than «social novel»
Nekaj vidikov češkega sprejema Matije Murka
No full textAvtor pričujoče študije prikazuje vpliv Matije Murka na češko literarno vedo. Ker je bil človek nemškega jezika in kulture, ki je hkrati dobro čutil in razumel zapletenost slovansko-nemških odnosov, je bila njegova recepcija mnogo lažjazanimali so ga ruski vplivi (Aleksandr Veselovskij), v češkem okolju pa je ustvarjal tiho razvojno-metodološko alternativo priljubljenemu funkcionalizmu. Vse to je pustilo pozitivne sledi tudi v obdobju po letih 1945 in 1948.The author of the present study demonstrates the influence of Matija Murko upon Czech literary criticism. His reception was easier because he was a man of German language and culture, but at the same time sensitively understood the complicated nature of SlavonicGerman relationshe was interested in Russian influences (Alexander Veselovsky) and in the Czech environment created a silent developmental methodological alternative to more popular functionalism. This left positive traces even in the periods after 1945 and 1948
History, exoticism and idyll in “Kliatba” by Vansová
No full textTerézia Vansová began to write Spell, a historical novel with elements of horror, in the late 19th century. Its fearsome story was based on real events. The novel was not published until thirty years after the author had finished it. The small town of Zvolen and its society are the setting for the story of a multiple murderer L’udovít Fekete. Fekete, with a relatively bohemian lifestyle and a mysterious past, has married into the noble family of Pavol Veselovsky´. His personality seemingly shows heterogeneous signs of Biedermeier and freneticism. Both of these trends participated in the crystallizing of Slovak realism. Fekete, who had participated in military expeditions in Turkey, embodies the negative barbaric Oriental type, for in Europe the Ottoman Empire is associated with visions of the Oriental enemy. It was a simplified picture of the personification of evil, which fits into the xenophobic sentiments of the late 19th century Slovakia. The exoticism of Vansova´’s novel proved capable of carrying an epic conflict − the author put in contrast exotic animalism and unpredictability with burgher rules and conventions. Although the novel Spell was written during the period of realism, it combines elements of Romanticism, Biedermeier, realistic detail and freneticism
Bronze Coat of Mail Breastpate Representing the Head of Medusa from the Tumulus 6\1914-1915 near Elizavetinskaya in the Kuban Region
No full textIn 1914, during archaeological digs of the tumulus no. 6 near Elizavetinskaya place N.I. Veselovsky found a plunder’s pit with ledges. There were stone slabs of a destroyed crypt, small bronze coat of mail plates and a bronze coat of mail breastplate representing the head of Medusa in relief. The author considers the elements of ceremonial armour of late archaic - early classic period together with the one decorated with gorgoneions of early types, which could be the prototypes for armourers of the end of the 5th - the first quarter of the 4th century BC, were in use right up to the beginning of the 4th century BC. It is not improbable that the coat of mail from Elizavetinskaya, which is made in archaic style, can be related to their production. Unfortunately, the breastplate was found not in situ but in the plunder’s pit. The burial was robbed completely and there are no any data either for dating specification of the context or for the ideas on the subject of attribute of this unique armour
On the issue of the creation of a political alliance of liberal opposition and hired employees of zemstvo institutions of Northern Ukraine (60 – 80th ХІХ сentury)
No full textУ розвідці йдеться про створення політичного альянсу ліберальних
опозиціонерів та найманих службовців земських органів Північного
Лівобережжя. Метою публікації є формування цілісного уявлення про
комплекс перешкод та труднощів на шляху до створення союзу. За допомогою
праць дослідників та публіцистів ХІХ ст.; методів аналізу та синтезу,
типологізації, структурно-функціонального методу показаний комплекс
проблем місцевого самоврядування Російської імперії, який не дозволив швидко
створити ідеологічний союз. На основі архівних джерел проілюстровані
яскраві приклади політичного соратництва земських лібералів та найманих
працівників у контексті їх структурної інтеграції. Автор доходить висновку,
що незважаючи на усі проблеми, ліберальні земці захищали права та свободи
найманих працівників, що зміцнювало їх соратницькі відносини.The paper refers to a political alliance of liberal opposition and hired
employees of zemstvo institutions of North Left Bank. The purpose of the
publication is to formulate a holistic view of the complex of obstacles and
difficulties on the way to a union.
With the help of the works of the researchers and publicists of the
XIX century I. Drozdov, V. Trutovsky, B. Veselovsky; methods of induction and
deduction, analysis and synthesis, typology, content analysis, structural and
functional method the complex of problems of local self-government of the Russian
Empire, which did not allow to quickly create an ideological alliance, is shown.
Based on archival sources, vivid examples of political companionship of rural
liberals and hired employees in the context of their structural integration are
illustrated.
The author concludes that despite all the problems, liberal zemstvo workers
protected the rights and freedoms of employees that strengthened their relationship
Имена московитов: ономастика российских эмигрантов в Речи Посполитой во второй половине XVI — начале XVII в.
No full textThe article describes the ways of transformation of the personal names of the émigrés from the Russian state in the Polish Crown and the Grand Duchy of Lithuania, and during the first decades of the Polish-Lithuanian Commonwealth. The family names could undergo transformations in nine possible ways. The peculiarities of integration of the patronyms and personal names are also studied, along with the rare and unique names, untypical for the Russian cultural context. The author extends the onomastic databases by Nikolai Tupikov and Stepan Veselovsky and elaborates on the means of personal identification based on the forms extant in the sources. DOI: 10.31168/2305-6754.2022.11.2.13В статье выявлены пути трансформации личных имен выходцев из Российского государства в Короне Польской и Великом княжестве Литовском, а также в первые десятилетия существования Речи Посполитой. Выявлено девять типов формирования фамильных прозвищ, общие тенденции в интеграции патронимов и личных имен, изучены причины сохранения ряда имен без изменений, а также рассмотрены имена уникальные и не характерные для российского контекста. Работа позволяет уточнить и дополнить словарные данные Н. М. Тупикова и С. Б. Веселовского и обосновать возможные способы идентификации личности эмигрантов на основе сохранившихся форм. DOI: 10.31168/2305-6754.2022.11.2.1
“Russian Garrick” and his French Shakespeare: “Les Tombeaux de Vérone” by L.-S. Mercier in V. Pomerantsev’s interpretation
No full textThe methodology of the article is based on the ideas of historical poetics by A.N. Veselovsky and M.M. Bakhtin. The author examines the reception of Shakespeare’s heritage in Russia in the last third of the 18th century. This idea is demonstrated in the analyses of the adaptation of the bourgeois drama The Tombs of Verona (L.-S. Mercier) by V.P. Pomerantsev (the first Russian interpreter of the plot of Romeo and Juliet). In this regard, the author focuses on the genre poetics of Mercier’s play and Pomerantsev’s translation in their correlation to the poetological and pragmatic factors of the epoch. Special attention is paid to the sources of the plot of Mercier’s play, thus confirming the idea of the indirect reception of Shakespeare’s heritage in Europe (and Russia) in the 18th century as well as its genre transformation. Despite the similarity of the genre of Mercier’s play and its Russian interpretation, discrepancies are revealed at the level of poetics. Mercier replaces sonnet imagery vital for Shakespeare’s play with the images familiar to his contemporaries, i. e., the elegiac intonations of E. Parny. Russian readers became acquainted with Parny’s poetry long after Pomerantsev’s translation. That’s why the translator replaced Parny’s gallant imagery with the elegiac imagery of the Russian verse of the 18th century (much more ponderous than Parny’s) as well as with the intonations of the Russian Rousseau. Mercier’s play, like most 18th-century adaptations of Romeo and Juliet, ends happily. Pomerantsev agrees with it because he perceives the genre of this plot as a bourgeois drama, not a tragedy
