305,348 research outputs found
(2-AMINOETHYL)IMIDAZOLES.SYNTHESIS OF 1,4-DIMETHYL-5-PHENYL-2-[2-(4-PHENYLPIPERAZINYL)ETHYL]IMIDAZOLE
No full textEKSISTENSI TARI TOJA KREASI SANGGAR TRADISIONAL KALERO DI KECAMATAN DONGGO KABUPATEN BIMA
No full textABSTRAK
Fitriani, 2017. Eksistensi tari Toja Sanggar Tradisional Kalero Di Kecamatan Donggo Kabupaten Bima. Skripsi, Fakultas Seni dan Desai, Universitas Negeri Makassar. Penelitian ini bertujuan untuk mengetahui 1). Latar Belakang tari Toja kreasi sanggar tradisional Kalero di Kecamatan Donggo Kabupaten Bima. 2). Bentuk tari Toja kreasi sanggar Tradisional Toja di kecamatan Donggo Kabupaten Bima. 3). Pada Event apa tari Toja kreasi sanggar tradisional Kalero dipentaskan. Hasil penelitian menunjukan. 1). Latar belakang tari Toja kreasi sanggar tradisional Kalero di kecamatan Donggo Kabupaten, Bima Dahulu adalah tradisi lama masyarakat Donggo untuk mengenang atau meratapi keluarga yang telah meninggal, yang dilakukan dengan cara menari dan bernyanyi, serta memohon kepada arwah roh leluhur untuk menerima keluarga yang baru meninggal. Tari Toja mulai dikenal pada abad ke-8 ketika tanah Bima masih dipimpin oleh ncuhi (kerajaan kecil) yang masih mempercayai makamba-makimbi (animisme dan dinamisme). Masyarakat Donggo sebagai suku asli orang bima menolak berbaur dengan masyarakat pendatang dan memilih menempati dataran tinggi pegunungan bima, yang tetap meyakini kepercayaan yang diturunkan oleh leluhur mereka. Penelitian ini dilakukan di Kecamatan Donggo Desa Mbawa Kabupaten Bima, subyek yang dipakai yaitu Pelaku (pemain) Toja, Tokoh Adat, Budayawan Bima, Pihak dari Dinas Pariwisata dan Kebudayaan Kabupaten Bima. Dalam penelitian ini terdapat satu objek penelitian yaitu Tari Toja. Analisis yang digunakan adalah analisis deskriptif dan kualitatif. 2). Bentuk tari Toja kreasi sanggar Tradisional Kalero di kecamatan Donggo Kabupaten Bima terdiri dari Gerak yang terdiri dari 8 ragam yaitu : a. horma (Hormat), b. puta (berputar), c. doho (duduk), d. rombo (posisi lurus), e. doho ke 2 kali (Duduk), f. pepa (gerakan mengibas), g. horma (hormat). Alat musik dan perlengkapan yang digunakan pada tari Toja, alat musik yang digunakan yaitu a). Genda Mbojo (Gendang) b). No (gong). c). sarone (serunai). Penari Toja mengenakan pakaian a). Kababu (Baju Hitam), b). Tembe me’e (Sarung), c). Toge (Anting), d). Jima sisi (Gelang), serta dilengkapi dengan properti d). Tembe Dula (Selendang) yang dilambai-lambaikan saat menari. 3). Event yang telah dicapai oleh sanggar tradisional Toja adalah a). Festival Keraton, b). pesta kesenian bali, c). Festifal Rimpu Bima Di Jakarta. pementasan tari Toja Kreasi Sanggar Tradisional Kalero kecamatan Donggo kabupaten Bima Waktu dan tempat pelaksanaan dilakukan pada kegiatan, salah satunya penyambutan tamu. Kata Kunci :Tradisi, Kalero, Bim
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Crystal structure and conformational analysis of the cognition activator 5-ethoxy-3-hydroxy-1-(phenylsulphonyl)pyrrolidin-2-one
No full textThe preferred crystalline, solution and in vacuo arrangements of the title compound were investigated by means of single crystal X-ray diffraction, H-1 NMR spectroscopy and molecular mechanics calculations, respectively, and the findings were compared with those obtained for two similar compounds. The X-ray powder pattern diffraction was also collected
Eksistensi tari Toja Sanggar Tradisional Kalero Di Kecamatan Donggo Kabupaten Bima. Skripsi, Fakultas Seni dan Desai, Universitas Negeri Makassar.
No full textABSTRAK
Fitriani, 2017. Eksistensi tari Toja Sanggar Tradisional Kalero Di Kecamatan Donggo Kabupaten Bima. Skripsi, Fakultas Seni dan Desai, Universitas Negeri Makassar.
Penelitian ini bertujuan untuk mengetahui 1). Latar Belakang tari Toja kreasi sanggar tradisional Kalero di Kecamatan Donggo Kabupaten Bima. 2). Bentuk tari Toja kreasi sanggar Tradisional Toja di kecamatan Donggo Kabupaten Bima. 3). Pada Event apa tari Toja kreasi sanggar tradisional Kalero dipentaskan. Hasil penelitian menunjukan. 1). Latar belakang tari Toja kreasi sanggar tradisional Kalero di kecamatan Donggo Kabupaten, Bima Dahulu adalah tradisi
lama masyarakat Donggo untuk mengenang atau meratapi keluarga yang telah meninggal, yang dilakukan dengan cara menari dan bernyanyi, serta memohon kepada arwah roh leluhur untuk menerima keluarga yang baru meninggal. Tari Toja mulai dikenal pada abad ke-8 ketika tanah Bima masih dipimpin oleh ncuhi (kerajaan kecil) yang masih mempercayai makamba-makimbi (animisme dan
dinamisme). Masyarakat Donggo sebagai suku asli orang bima menolak berbaur
dengan masyarakat pendatang dan memilih menempati dataran tinggi pegunungan bima, yang tetap meyakini kepercayaan yang diturunkan oleh leluhur mereka. Penelitian ini dilakukan di Kecamatan Donggo Desa Mbawa Kabupaten Bima, subyek yang dipakai yaitu Pelaku (pemain) Toja, Tokoh Adat, Budayawan Bima, Pihak dari Dinas Pariwisata dan Kebudayaan Kabupaten Bima. Dalam penelitian ini terdapat satu objek penelitian yaitu Tari Toja. Analisis yang digunakan adalah analisis deskriptif dan kualitatif. 2). Bentuk tari Toja kreasi sanggar Tradisional Kalero di kecamatan Donggo Kabupaten Bima terdiri dari Gerak yang terdiri dari
8 ragam yaitu : a. horma (Hormat), b. puta (berputar), c. doho (duduk), d. rombo (posisi lurus), e. doho ke 2 kali (Duduk), f. pepa (gerakan mengibas), g. horma (hormat). Alat musik dan perlengkapan yang digunakan pada tari Toja, alat musik yang digunakan yaitu a). Genda Mbojo (Gendang) b). No (gong). c). sarone (serunai). Penari Toja mengenakan pakaian a). Kababu (Baju Hitam), b). Tembe me’e (Sarung), c). Toge (Anting), d). Jima sisi (Gelang), serta dilengkapi dengan properti d). Tembe Dula (Selendang) yang dilambai-lambaikan saat menari. 3). Event yang telah dicapai oleh sanggar tradisional Toja adalah a). Festival Keraton, b). pesta kesenian bali, c). Festifal Rimpu Bima Di Jakarta. pementasan tari Toja Kreasi Sanggar Tradisional Kalero kecamatan Donggo kabupaten Bima Waktu dan tempat pelaksanaan dilakukan pada kegiatan, salah satunya penyambutan tamu.
Kata Kunci :Tradisi, Kalero, Bim
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
BENZODIAZEPINE RECEPTOR BINDING AND ANTICONFLICT ACTIVITY IN A SEIES OF 3,6-DISUBSTITUTED PYRIDAZINO[4,3-C]ISOQUINOLINES DEVOID OF ANTICONVULSANT PROPERTIES
No full textConformation of two 1-benzenesulphonyl-2-oxo-5-alkylthiopyrrolidine cognition activators
No full textThe molecular structures of the cognition activators (+/-)1-benzenesulphonyl-2-oxo-5-ethylthiopyrrolidine (1) and (+/-)1-benzenesulphonyl-2-oxo-5-isopropylthiopyrrolidine (2) were determined by means of X-ray diffraction and semi-empirical quantum mechanical methods. The conformational properties of the compounds, in the solid state and in vacuo (free molecule), were compared with those of the corresponding oxygenated derivatives bearing, in position 5, ethoxy and isopropyloxy substituents, respectively. The molecular arrangements of (1) and (2) in the solid state are similar, with the exception of the side chain on C(5), and they are retained also in vacuo. Both present an "envelope" conformation of the five-membered ring, and the relative positions of the five- and six-membered rings look similar and parallel those of their oxygenated parents. From in vacuo calculations another low-energy arrangement seems to be possible, and a detailed examination of the side-chain freedom in (1) and (2) gives more insight in the conformational properties of the compounds
Delineation of Subsurface Structures in TOJA Field in the Niger Delta Using Well-Logs and Seismic Data
No full textThe subsurface structures delineation of TOJA Field southwest Niger Delta using well-log and seismic data is here presented. The reflectivity seismic amplitude and acoustic impedance, spectra decomposition volume derivatives were used for reservoir delineation. Seismic data and well logs have been integrated through seismic inversion as part of the techniques deployed in the delineation of subsurface structures in the Niger Delta basin. Well logs were tied to seismic data using four wells from four fields in the Niger Delta. Reflectivity seismic data was inverted to generate a 3D distribution of P-impedance in the fields of interest. Fluid and lithology sensitivity analysis including cross-plotting, forward seismic modelling and Gassmann fluid substitution was performed to delineate various subsurface structures. The TOJA prospect is a footwall-closure located behind the main bounding fault, north of the TOJA Field. The Field’s structure is a fault-dependent footwall closure with a dip component in the shallow levels. The structure is bounded by three faults; a large east-west fault forms the boundary between the TOJA Field to the South and the TOJA North Field. This fault is relayed by a minor fault that delimits the south-western end of the accumulation. A northeast-southwest bounding fault separates the TOJA structure from the SATRA accumulations to the east and has a throw of between 200 and 400 ft. The results of this study can lead to a more cost-effective method for defining the Field Development Plan (FDP), through the use of seismically constrained reservoir information that would provide better well placement to achieve improved production
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