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    Structural Techniques in Mardin and Qatar Folk Tales -A Comparative Study-

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    إنّ قالب الحكاية في منتهى الأهمية بالنسبة للمتلقي؛ لذا نرى أن القاص يقسم الحكاية إلى ثلاثة: الاستهلال، والحدث، والخاتمة، ولكل منها قوالب معينة شائعة بين الناس، وهذه القوالب تختلف من راو إلى راو، ومن بلد إلى بلد. إن مدينة ماردين وما حولها منطقة خصبة غنية في اللغة والأدب، وكذلك قطر التي تتمركز في قلب الخليج العربي لها أدب شعبي ثري بجميع أنواعه، فالمقارنة بين نماذج الحكايات الشعبية لكلا المنطقتين مهمة من حيث إظهار ما بينهما من أوجه الاختلاف والاتفاق في الأجزاء الثلاثة للقصة: الاستهلال، والعرض والخاتمة. إن الاستهلال من أهم العتبات في القصة الشعبية، وله تأثير شديد في نفوس المستمعين وخاصة الأطفال منهم، وكثيرا ما يكون لهذه العتبة قوالب خاصة يتوارثها القاص من الرواة السابقين، وقد رأينا اختلافا ظاهرا بين الاستهلال في القصة الشعبية الماردينية والقصة الشعبية القطرية، والحدث هو صلب الحكاية ولا تنتظم إلا به، فالحدث هو محل غرض القصة، كما أن خاتمة القصص لا تقل شأنا من استهلالها من حيث الروعة والجمال والتأثير في نفس المتلقي، فهي تعد آخر عهد بالراوي مع المستمعين.The structure of the story is of great importance for the audience. Therefore, the narrator divides it in the form of introduction, development and conclusion. Every section has its own prevailing techniques. These techniques vary from region to region. In terms of folk literature, Mardin is a rich and fertile region. At the same time, located in the middle of the Arabian Gulf, Qatar is a rich region with all kinds of folk literature. It is important to make comparison between introduction, development and conclusion parts of the two region’s folk tales in terms of similarity and difference. The introduction part of the folk tale has a great importance in terms of the audience and has a great role in impressing the listeners. The introduction generally is made up of some words that traditionally became prevalent. In the development part the event is the backbone of the tale and the theme of the tale is treated in this part. The conclusion part is not less important than the introduction part in terms of beauty an aesthetics

    Structural Techniques in Mardin and Qatar Folk Tales -A Comparative Study-

    No full text
    إنّ قالب الحكاية في منتهى الأهمية بالنسبة للمتلقي؛ لذا نرى أن القاص يقسم الحكاية إلى ثلاثة: الاستهلال، والحدث، والخاتمة، ولكل منها قوالب معينة شائعة بين الناس، وهذه القوالب تختلف من راو إلى راو، ومن بلد إلى بلد. إن مدينة ماردين وما حولها منطقة خصبة غنية في اللغة والأدب، وكذلك قطر التي تتمركز في قلب الخليج العربي لها أدب شعبي ثري بجميع أنواعه، فالمقارنة بين نماذج الحكايات الشعبية لكلا المنطقتين مهمة من حيث إظهار ما بينهما من أوجه الاختلاف والاتفاق في الأجزاء الثلاثة للقصة: الاستهلال، والعرض والخاتمة. إن الاستهلال من أهم العتبات في القصة الشعبية، وله تأثير شديد في نفوس المستمعين وخاصة الأطفال منهم، وكثيرا ما يكون لهذه العتبة قوالب خاصة يتوارثها القاص من الرواة السابقين، وقد رأينا اختلافا ظاهرا بين الاستهلال في القصة الشعبية الماردينية والقصة الشعبية القطرية، والحدث هو صلب الحكاية ولا تنتظم إلا به، فالحدث هو محل غرض القصة، كما أن خاتمة القصص لا تقل شأنا من استهلالها من حيث الروعة والجمال والتأثير في نفس المتلقي، فهي تعد آخر عهد بالراوي مع المستمعين.The structure of the story is of great importance for the audience. Therefore, the narrator divides it in the form of introduction, development and conclusion. Every section has its own prevailing techniques. These techniques vary from region to region. In terms of folk literature, Mardin is a rich and fertile region. At the same time, located in the middle of the Arabian Gulf, Qatar is a rich region with all kinds of folk literature. It is important to make comparison between introduction, development and conclusion parts of the two region’s folk tales in terms of similarity and difference. The introduction part of the folk tale has a great importance in terms of the audience and has a great role in impressing the listeners. The introduction generally is made up of some words that traditionally became prevalent. In the development part the event is the backbone of the tale and the theme of the tale is treated in this part. The conclusion part is not less important than the introduction part in terms of beauty an aesthetics

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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