1,720,976 research outputs found
Le masque du titre. À propos du Peregrin (1527)
No full textThorel Mathilde. Le masque du titre. À propos du Peregrin (1527). In: Cahiers du GADGES n°2, 2005. La parole masquée. pp. 45-64
La Pénitence d’amour ([Denis de Harsy, 1537]), roman lyonnais ?
No full textThorel Mathilde. La Pénitence d’amour ([Denis de Harsy, 1537]), roman lyonnais ?. In: Réforme, Humanisme, Renaissance, n°71, 2011. pp. 91-105
La première réception du Peregrin en France : lecture éditoriale et recontextualisation culturelle
No full textThorel Mathilde. La première réception du Peregrin en France : lecture éditoriale et recontextualisation culturelle. In: Réforme, Humanisme, Renaissance, n°75, 2012. pp. 87-105
Présentation du projet collectif
No full textMounier Pascale, Thorel Mathilde. Présentation du projet collectif. In: Réforme, Humanisme, Renaissance, n°71, 2011. pp. 11-17
Introduction
No full textMounier Pascale, Thorel Mathilde. Introduction. In: Réforme, Humanisme, Renaissance, n°71, 2011. pp. 7-9
De la parole étrangère à la parole exemplaire : Maurice Scève traducteur de La Deplourable fin de Flamete (1535)
No full textThorel Mathilde. De la parole étrangère à la parole exemplaire : Maurice Scève traducteur de La Deplourable fin de Flamete (1535). In: Cahiers du GADGES n°5, 2007. Parole de l’Autre et genres littéraires XVIe-XVIIe siècles. Illustrations, interactions, subversions. pp. 11-28
Steuckardt Agnès & Thorel Mathilde, Le jugement de l’oreille (XVIe-XVIe siècles), Paris : Champion, coll. Linguistique historique, 2017
No full textPagani-Naudet Cendrine. Steuckardt Agnès & Thorel Mathilde, Le jugement de l’oreille (XVIe-XVIe siècles), Paris : Champion, coll. Linguistique historique, 2017. In: Histoire Épistémologie Langage, tome 40, fascicule 2, 2018. La tradition linguistique arabe et l'apport des grammairiens arabo-andalous. pp. 159-162
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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