1,720,957 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
ANALISIS KEWENANGAN KOMISI PENGAWAS PERSAINGAN USAHA DALAM MELAKUKAN SITA PERDATA BERDASARKAN PASAL 67 PERATURAN KPPU NOMOR 1 TAHUN 2019 TENTANG TATA CARA PENANGANAN PERKARA PRAKTIK MONOPOLI DAN PERSAINGAN USAHA TIDAK SEHAT
Hendrikus Andy Leon Theovanus, M. Zairul Alam Fakultas Hukum Universitas Brawijaya Jalan MT.Haryono No.169 Malang e-mail : [email protected] ABSTRAK Sita Perdata menjadi salah satu langkah hukum yang dapat dilakukan oleh KPPU dalam rangka menjamin efektifitas pelaksanaan putusan yang telah memiliki kekuatan hukum tetap berdasarkan Pasal 67 Peraturan KPPU Nomor 1 Tahun 2019. Tujuan dari penelitian ini adalah untuk menganalisa kewenangan KPPU dalam melakukan sita perdata tersebut ditinjau dari mekanisme sita yang terdapat dalam hukum acara perdata. Adapun penelitian yuridis-normatif ini menggunakan pendekatan perundang-undangan, dengan teknik penelusuran bahan hukum melalui studi kepustakaan dan Teknik analisis bahan hukum dengan metode interpretasi sistematis. Berdasarkan hasil pembahasan dalam penelitian ini, terdapat beberapa perbedaan konsep dasar antara hukum acara perdata dengan hukum acara persaingan usaha terkait penyitaan, antara lain terkait perbedaan sumber perkara, tujuan sita, permohonan sita, objek sita, ketersediaan upaya perlawanan terhadap sita, dan pihak yang berwenang memerintahkan sita.Perbedaan konsep dalam kedua hukum acara tersebut berdampak pada adanya potensi kerugian terhadap kepentingan pelaku usaha sebagai terlapor dalam hukum acara persaingan usaha apabila dalam hukum acara persaingan usaha memakai mekanisme sita sebagaimana terdapat dalam hukum acara perdata. Selain itu, Peraturan Komisi hanya bersifat sebagai pedoman dan/atau publikasi yang berkaitan dengan Undang-Undang Nomor 5 Tahun 1999, maka kewenangan sita perdata oleh KPPU tersebut tidak dapat diterapkan kepada pelaku usaha secara imperatif. Â Apabila terhadap KPPU hendak diberikan kewenangan sita, harus diperhatikan pengaturan mengenai mekanisme sita yang sesuai dengan hukum acara persaingan usaha, upaya perlawanan terhadap sita tersebut, serta bentuk produk hukum yang tepat. Kata kunci : sita perdata, KPPU Â ABSTRACT Civil seizure is one of legal measures that can be taken by Business Competition Supervisory Commission (hereinafter KPPU) to assure the effectiveness of implementation of decision with permanent legal force according to Article 67 of Regulation of KPPU Number 1 of 2019, in which the legal measures have to be taken based on the law that applies. Civil seizure refers to the provisions enacted in HIR, RBG, and RV. This research is aimed to analyse the authority of KPPU to civilly seize assets from the perspective of seizing mechanism provided in civil law. This normative juridical research employed statute approach, and the materials needed are taken from library research. The data obtained was analysed based on systematic interpretation. The research learns that there are several differences in basic concepts between civil law procedure and business competition law procedure regarding seizure, especially in terms of the difference in the source of case, the objective of seizure, seizure proposal, objects seized, possible defending efforts towards seizure, and parties authorised to order seizure. The different concepts between the two laws lead to potential of loss that harms the interests among business actors in business competition law procedure when it refers to civil law procedure for the seizing mechanism. Moreover, the regulation set by the commission is only restricted to providing a guideline and/or publication related with the Law Number 5 of 1999. As a result, the civil authority to seize cannot be implemented for business actors imperatively. To give authority to KPPU to seize, regulations concerning seizing mechanism that complies with the law concerning business competition, effort to defend from seizure, and appropriate legal product have to be taken into account. Keywords: civil seizure, KPP
- …
