1,790 research outputs found
Lillian L. Lambert, Author, Speaker, and Entrepreneur
No full textLillian L. Lambert, Author, Speaker, and Entrepreneu
Paroles de Bernard Lambert : un paysan révolutionnaire
No full textLe texte publié est la transcription des paroles prononcées par Bernard Lambert le 4 mai 1981 au séminaire « Luttes dans et pour l'espace rural » de Françoise Bourquelot et Nicole Mathieu à l'EHESS. Un récit de trente ans d'histoire du syndicalisme paysan, qui montre une pensée d'avant-garde, une ouverture sur les problèmes internationaux, une capacité de se projeter dans l'avenir. A former union member testimony and commitment The history of French farmers' unions since thirty years is related by Bernard LAMBERT (1931-1984), a long-time trade unionist, founder member of the union « Paysans travailleurs » and author of the book entitled Les paysans dans la lutte des classes (1970). Bernard LAMBERT's talk to a seminar held in Paris on May 4th 1981 at the EHESS, reveals, through debates put back in their context, his avant-garde ideas, his concern for international problems and his will to anticipate the future
The Night has a Thousand Eyes. / Words by / F. W. BOURDILLON. / Music by / FRANK LAMBERT.
No full textBox no. 6Lambert's lifedates according to https://imslp.org/index.php?title=Category:Lambert,_Frank&oldid=2748425;
published in the series "Series of Short Songs"Frank Lambert: The Night Has a Thousand Eyes; Series of Short Songs; Chappell & Co. Ltd.; music printItem type: book | Content type: music | Writing material: black ink | Counting of pages: page numbersVocal-instrumental score | staff notation | voice; piano"The night has a thousand eyes, the day but one [...]
Syringomatous Eccrine Carcinoma of the Vulva
No full textBackground: Skin adnexal neoplasms of the vulva are uncommon, and malignant adnexal neoplasms of the vulva are rare. Case: A case of syringomatous eccrine carcinoma arising in the perineum is presented, and the literature reviewed. Conclusions: Non-squamous malignancy of the vulva should be considered. All suspicious lesions of the vulva should be biopsied.Peer reviewe
Re-envisioning Cyprus
No full textExhibition catalogue / edited volumeArtists and academics join forces in a common effort to “re-envision” Cyprus. The result is anedited volume and a photography & multimedia exhibition.
The authors of “Re-envisioning Cyprus” come from different disciplines – such asanthropology, social sciences, art history, literature, cultural theory and visual arts. They usevarious methods – some excavate past images, and some produce or comment on newones. They exploit all kinds of materials – such as press, studio or vernacular photos, statues,landmarks, urban constructions and religious spaces. What united them is first their wish tosee Cyprus with their own eyes and with their own minds, rather than through officialisinglenses, or narratives. Second, they are rather interested in photography, and how it can helpour conceptual understanding of the island.
The images each author has selected or produced will be included in the accompaniedexhibition. The exhibition will feature the work of visual artists from Cyprus and abroad andwill be opened by the Minister of Education and Culture, Mr. Andreas Demetriou onWednesday, December 8th at 8pm.
Participating Authors and Artists: Loucas Antoniou, Melita Couta, Johanna Diehl, AnandanaKapur, Phanos Kyriacou, Orestis Lambrou, Chrystalleni Loizidou, Peter Loizos, MiriamPaeslack, Haris Pellapaisiotis, Nicos Phillipou, Sondra Sainsbury, Stefanos Stefanides,Theopisti Stylianou-Lambert, Constantinos Taliotis, Demetris Taliotis and Ellene Tsangarides.
The exhibition is organized by the University of Nicosia (organizer) and the Cyprus Universityof Technology (partner) and is part of the celebration of the 50th year anniversary of Cyprus.The book is published by the University of Nicosia Press and will be available at theexhibition opening.
Editors/ Curators:Peter Loizos (London School of Economics)Nicos Philippou (University of Nicosia)Theopisti Stylianou-Lambert (Cyprus University of Technology)Government of Cyprus, University of Nicosi
Youth incarceration: A look behind locked doors
No full textDouglas College and the New Westminster Museum collaborated to host the Tick-Talk: Crime and Consequences Student Conference, which featured criminology students' presentations on a variety of crime, justice, and social issues. Adopting a fast-paced presentation format, students raised key issues and challenges, described personal experiences, and disseminated unique ideas in a public forum. Presentation topics included the right to legal representation, the over-representation of Indigenous peoples in Canada’s criminal justice system, youth justice policy, and connections between mental health and criminal justice. The conference also included several discussion sessions that generated valuable dialogue among students, academics, practitioners, and members of the public. --- Rebecca Lambert presented on youth incarceration and the reality for troubled youth within Canada's youth criminal justice system. Lambert argued that incarcerated youth are not being adequately prepared for reintegration, and called for appropriate disciplinary measures, transition and reintegration programs, and further resources to help incarcerated youth develop personally and professionally.Not peer reviewe
Lambert, Hendricks & Ross: American ventriloquism
No full textIt has been fifty-one years since the last Lambert, Hendricks & Ross studio recording. Since then Dave Lambert was tragically killed on the Connecticut Turnpike, Jon Hendricks has become a University of Toledo professor, and Annie Ross is still performing frequently worldwide. Few jazz vocalists are accepted into the scholastic canon. Fewer are filed in the annals of music history. But, if any vocalists should be regarded important to the story of jazz music it is LHR. Their impact on the art of vocalese has yet to be fully felt. In exploring the motivation behind the group’s dense, meticulous, trailblazing recordings, this study attempts to be a supplement for what was too much for liner notes in the late 50’s and 60’s, while simultaneously giving a brief encompassing historical outline. By examining the social and musical impact of Lambert Hendricks & Ross, this study attempts to further legitimate the art of jazz vocals and vocalese.M.A.Includes bibliographical referencesIncludes vitaby Bilal Salaa
Using quantitative data
No full textThis is an Accepted Manuscript of a book chapter published by Routledge/CRC Press in Practical research methods in education : an early researcher's critical guide on 26 February 2019, available online: https://www.routledge.com/Practical-Research-Methods-in-Education-An-Early-Researchers-Critical/Lambert/p/book/9780815393566The intention of this chapter is to demystify quantitative research and give readers clear, straightforward information about collecting and analysing quantitative data. It does this by clarifying key concepts and terms and illustrating these with examples taken from the author’s own research and other investigations. The chapter first explains the concepts of independent, dependent and other variables and why controlling them is important. Three types of quantitative design are then considered: experiments, quasi-experiments and non-experiments, together with notions of internal and external validity. The purposes and limitations of randomized control trials (RCTs) are examined, again with critical reference to real research. In discussing data analysis, readers are introduced to important concepts, including descriptive statistics, central tendency and standard deviation, as well as inferential statistics, statistical significance, effect size, correlation and factor analysis. To conclude, the author recommends that improving the understanding of quantitative data can help all researchers to assess quantitative investigations more critically and to integrate use into their own research projects
napari/napari: 0.3.4
No full textnapari 0.3.4
We're happy to announce the release of napari 0.3.4!
napari is a fast, interactive, multi-dimensional image viewer for Python.
It's designed for browsing, annotating, and analyzing large multi-dimensional
images. It's built on top of Qt (for the GUI), vispy (for performant GPU-based
rendering), and the scientific Python stack (numpy, scipy).
This is a short release that refactors our installation process to allow more
flexibility around which Qt python bindings users install (PySide2, PyQt5).
Starting with this release, running pip install napari will no longer
install a GUI backend by default. For a complete installation with a GUI
backend, users are now encouraged to use pip install napari[all], which
will install the default backend (currently PyQt5). To explicitly select
a backend, users may run either pip install napari[pyqt5] or
pip install napari[pyside2].
For more information, examples, and documentation, please visit our website:
https://github.com/napari/napari
Build Tools
Add check-manifest to CI and release workflow (#1318)
Packaging and setup.py refactor (#1324)
1 author added to this release (alphabetical)
Talley Lambert - @tlambert03
5 reviewers added to this release (alphabetical)
Juan Nunez-Iglesias - @jni
Kevin Yamauchi - @kevinyamauchi
Kira Evans - @kne42
Nicholas Sofroniew - @sofroniewn
Talley Lambert - @tlambert0
La galerie de l’hôtel Lambert : la part du peintre et celle de l’architecte
No full textDie Galerie des Hôtel Lambert, dessen Gewölbe in den 1650er Jahren von Charles Le Brun ausgemalt wurde, präsentiert sich als eine prunkvolle Dekoration, ein „ schönes Gesamtkunstwerk“, bei dem die Harmonie der gemalten, skulptierten und vergoldeten Elemente einen zugrundeliegenden Plan, ein Gesamtkonzept annehmen lässt. Wer ist dessen Urheber ? Ist es Le Brun, der hier vor Vaux, dem Louvre und Versailles seine Fähigkeiten als Meister mehrerer Fächer unter Beweis gestellt hätte ? Was wäre dann der Anteil des Architekten, Louis Le Vau, des Erbauers des Hôtels ? In Ermangelung jeglicher Quellen zur Errichtung der Galerie, stützen sich die in diesem Beitrag als Antwort vorgeschlagenen Hypothesen im Wesentlichen auf die Analyse des Bestehenden : Die Struktur der Galerie und der architektonische Dekor, bei dem besondere, dem Architekten zuschreibbare Züge zu erkennen sind, und die Ausmalung des Gewölbes, dessen illusionistische Anlage – insbesondere die Quadratura – von dem Bemühen zeugt, den Architekturentwurf einzubeziehen und die Gesamtheit der Dekoration zu vereinheitlichen.The gallery of the Hôtel Lambert, which has a vaulted ceiling painted by Charles Le Brun in the 1650s, is a sumptuous affair, a beautiful conception with harmoniously painted, sculpted and gilt elements that suggest an overall design. Who was the author ? Was it Le Brun, who would have demonstrated here, before Vaux, the Louvre, and Versailles, his multi-faceted talent as master of the works ? What then is the contribution of the architect, Louis Le Vau, who built the hôtel ? In the absence of any documents relating to the gallery, the hypotheses proposed in this article are based essentially on stylistic analysis. The traits that one can attribute to the architect are noted in the structure of the gallery and the architectural decoration, as are those characteristic of the artist in the painting of the illusionistic vault, especially the quadratura, where care is taken to integrate the architectural design and unify the decorative programme.La galerie de l’hôtel Lambert, dont la voûte fut peinte par Charles Le Brun dans les années 1650, se présente comme un décor somptueux, un «bel ensemble » , dont l’harmonie des éléments peints, sculptés, dorés, suggèrent un «dessein » , une ordonnance générale. Qui en est l’auteur ? Est-ce Le Brun, qui aurait fait ici la démonstration, avant Vaux, le Louvre et Versailles, de son talent pluridisciplinaire de maître d’oeuvre ? Quelle est alors la part de l’architecte, Louis Le Vau, le bâtisseur de l’hôtel ? En l’absence de tout document relatif au chantier de la galerie, les hypothèses de réponse proposées dans cet article se fondent essentiellement sur l’analyse de l’existant : la structure de la galerie et le décor architectural, où des traits attribuables à l’architecte peuvent être relevés, et la peinture de la voûte, dont le dispositif illusionniste – notamment la quadratura -manifeste le souci d’intégrer le dessin architectural et d’unifier l’ensemble du décor.Penaud-Lambert Blanche. La galerie de l’hôtel Lambert : la part du peintre et celle de l’architecte. In: Bulletin Monumental, tome 166, n°1, année 2008. La galerie à Paris (XIVe-XVIIe siècle) sous la direction de Monique Chatenet. pp. 53-62
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