1,720,959 research outputs found
Arabic oration: art and function
In Arabic Oration: Art and Function, Tahera Qutbuddin presents a comprehensive theory of this foundational prose genre, analysing its oral aesthetics and its political, military, and religious functions in early Islamic civilization, tracing its echoes in Muslim public address today
ʿAlī’s Contemplations on this World and the Hereafter in the Context of His Life and Times
Los sermones de ‘Alī ibn Abī Ṭālib en la confluencia entre las enseñanzas islámicas del Corán y la ética cultural basada en las tradiciones orales sobre la naturaleza de la Arabia del siglo VII
Sermons attributed to ‘Alī ibn Abī Ṭālib (c. 600-661, first Shi‘a imam and fourth Sunni caliph) promoted core Qur’anic doctrine and ethics through an aesthetic steeped in the oral, nature-based, poetic culture of seventh-century Arabia. Using traditional Arabian metaphors of camels, watering holes, and pithy, rhythmic, orality-grounded cadences, ‘Ali urged his audience to worship the One God, follow the guidance of His prophet Muhammad, shun worldliness, perform good deeds, and prepare for the imminent hereafter. Through a close reading of his most celebrated discourses, this paper explores these teachings and their religious and cultural underpinnings.Los sermones atribuidos a ‘Alī ibn Abī Ṭālib (c. 600-661, primer imam chií y cuarto califa suní) fomentaron las doctrinas y la ética coránicas fundacionales mediante una estética oratoria, imbuida de la cultura poética oral basada en metáforas de la naturaleza, característica de la Arabia del siglo VII. ‘Ali utilizaba metáforas tradicionales de camellos y abrevaderos, junto con expresiones rítmicas y lacónicas llenas de cadencias de la oralidad, para instar a los oyentes a adorar al Dios único, seguir la dirección de su profeta Muhammad, rehuir las cosas mundanas, practicar las buenas obras y prepararse para la inminente vida en el más allá. A través de un análisis pormenorizado de sus discursos más célebres, este artículo explora dichas enseñanzas y sus bases religiosas y culturales
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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