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    Raciolinguistic Ideologies in Multiracial Heritage Speakers and the Denial of Racial Authenticity

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    M.A.This study examines the role raciolinguistic ideologies play in the racial exclusion and denial ofracial authenticity of one-white parent mixed-race individuals through the qualitative sociolinguistic and discourse analysis of three interviews. The findings show how monoglossic, essentialist, and monoracist ideologies deny multiracial heritage speakers’ claims to racial authenticity through constant racial invalidation and contestation. First, results demonstrate how monoglossic notions of a ‘perfect speaker’, ‘language purity’, and ‘proper’ education for proficiency deny them access to their racial identities. Second, findings demonstrate how the porosity of MHRSs’ ‘ambiguous’ racial ascriptions result in failed racial reductivity. Lastly, they show how the reinforcement of monoracial identities grounded in monoracist principles result in mixed-race guilt, exclusion, and the need to prove racial legitimacy. The importance of this study lies in the clear implications and consequences that connections of race and language ideologies have for multiracial individuals and their sociolinguistic identities

    From Aha Moments to Ethnomethodology: A Conversation with Hugh Mehan

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    On April 1, 2015, Professor Hansun Waring’s doctoral seminar had the great pleasure and honor of being joined over Skype by Dr. Hugh (Bud) Mehan, Professor Emeritus at the University of California, San Diego and author of the 1979 classic Learning Lesson: Social Organization in the Classroom. Dr. Mehan has done extensive research on classroom organization and interaction, educational testing, tracking and untracking, construction of student identities in the classroom, and so on. He has managed to achieve the delicate and yet crucial balance that so many educators and education researchers aspire to—the balance between doing research and improving the world. He has not only shaped the academic discourse on education issues but has been directly working with the most vulnerable members of our society in overcoming and amending those issues. His work has been an inspiration to so many of us whose research passions and real-life concerns lie in education, classroom interaction, and social inequity

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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