235 research outputs found
The liminal narrative in temporal reality of sequential art forms: SAFA THARIB
pg. 23 a 3
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Fast- and Stop- frame, and Real- time: Video's comment on matters of observation of perception considered through drawing
The greater research to which this presentation relates, titled 'The Observation of Perception; considered through drawing', is hosted by i2ADS Research Unit of the Fine Art Faculty of Porto University, Porto, Portugal. While such research is conducted by several investigators, the current presentation involves a section of a larger on-going project by the digital visual artist Safa Tharib, and a drawing work as yet unfinished by the fine artist Michael Croft (myself). The following is an exposition of details of work in progress by each of us, due to a degree of comparison that can be drawn in terms of the research presentations' title, which concerns video that variously conveys interests in matters of perception either implicit in, or articulated through drawing. For purposes of the perception research, drawing as the tool of the investigation is interpreted in an expanded sense, to include traditional, experimental, time-based, 2D and 3D analogue and digital modes of practice, and writing. Drawing may also be transferred from an initiating purpose to the visual-material support of theoretical inquiry and explanation, rather in the terms by which the current presentation of research is formatted
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An Investigation into the uncanny: character design, behaviour and context
Whilst there has been a substantial amount of research into the uncanny valley, defining research that contextualises a character as they would normally be viewed remains an unexplored area. Often previous research focused solely on realistic render styles giving characters an unfair basis that tended towards the realistic, thus facilitating only one mode of animation style: realism. Furthermore, characters were not contextualized because researchers often used footage from previous productions. These characters also differed in quality as various artists worked on different productions. This research considers characterisation as three key components, the aesthetic, the behaviour and the contextualisation. Attempts were made to develop a greater understanding of how these components contribute to the appeal of a character within the field of 3D computer animation. Research consisted of two experiments. Both experiments were conducted using an online survey method. The first experiment used five different characters ranging from realistic to abstract. Each character displayed three different behaviours and the characters were contextualized within a six panel narrative. Data obtained from the first experiment was used to refine the second experiment. A further experiment was conducted to further define how combinations of different behaviours and the context containing a character affected the subject’s perception. The second experiment used three different character types and the characters were contextualized within a video stimulus. Findings from the first experiment indicated a strong relationship between character type and context. Interest with the various characters changed depending on adaptions to either the behaviour of the said character or the contextualisation. Certain character types based on appearance where better suited to different contexts than others. An abstract character was more likely to be perceived positively by the subject in a surprising context stipulated by the behaviour of the character and form of the narrative sequence. Other characters such as one based around an inanimate object found a greater positive reception with the subjects under sad contextual constraints rather than happy or surprise. The first experiment took into account various independent variables obtained from the subject and aimed to draw parallels if found between these variables and the subjects perception of a given character be it positive or negative. However, these variables namely gender, nationality and age had no effect on the subject’s perception. In the second experiment, it was found that in order for the realistic human character to be perceived more positively, the behaviour needed to match the context. When a mismatch occurred the subjects began to perceive the character more negatively. The cartoon character was however not affected by the mismatch of behaviour and context. The experiment was further expanded when two different character types were compared committing negative actions and having negative actions inflicted upon them and what effect it had on the subjects perception. It was found that a cartoon character committing a negative action was perceived positively whilst a human character committing the same act was perceived negatively. However, when a negative action was inflicted on these same characters, subjects were more concerned for the human character than the cartoon character. Results from both experiments confirm the idea that various characters are perceived very differently by the viewers and come with predefined notions within the viewer of how they should behave. What is expected of one character type is not acceptable for another character type. Cartoon characters can get away with bizarre behaviour. A real human character may have some sort of novel unusual behaviour, whilst a realistic CG human character is assessed on how realistically (normally) it behaves. This research expands upon previous research into this area by offering a greater understanding of character types and emphasising the importance of contextualisation
Ethics and decision making in publishing journal: Issues to be taken into account
One of the most prioritized questions of publishing a new journal in the almost similar fields covered by many other journals warrants certainly some clarification which needs to be addressed in the inaugural issue. A very straight response to this query is promoting business and management science in the country as well as in the region. The unique aim of IJBMR is to focus on quantitative aspects of business and management research. IJBMR has envisioned a future for IJBMR to surrogate the research works that centre around business and management problems of this century with a quantitative view. In this editorial ethical issues in publishing journal articles has been discussed from the perspective of editor, author and reviewer. For decision making in journal publication a new method has been proposed which is known as the SAFA system. the SAFA stands for the "Standardized Acceptance Factor Average". The SAFA of the articles included in this issue are also analyzed.Standardized Acceptance Factor Average, the SAFA system, IJBMR, ethics, PR-PR dilemma, Texoplagiarism
Peyami Safa Wıth Hıs Journalıst Sıde
Bu çalışma Türk basın ve edebiyat tarihinin önemli yazarlarından olan Peyami
Safa'nın gazeteciliğini ele almaktadır. Genellikle edebiyatçı yönüyle bilinen
Peyami Safa, uzun yıllar faal gazeteciliğin içinde olmuş, fıkra, makale, tefrika,
röportaj gibi pek çok gazete yazı türünde eserler vermiştir. Bu çalışmanın
amacı Peyami Safa'nın gazetecilik faaliyetlerini ve düşünce dünyasını ortaya
çıkarmaktır. Peyami Safa, zarurî sebeplerle çocuk yaşta çalışmaya başlamış,
okumaya olan istidadından dolayı kendi kendini inşa etmiştir. Yazar, 20. asrın
ilk yarısına şahitlik etmiş, Türkiye'nin pek çok meselesi üzerine kafa yormuş
bir münevverdir. Bu çalışma da bu dönemin siyasî ve içtimaî hadiselerinin bir
gazeteci gözüyle nasıl incelendiği sorusuna cevap arayacağı için önemlidir.
Peyami Safa, gazete yazılarında sanat, edebiyat, dil ve eğitim gibi kültürü
yakından ilgilendiren konular hakkında görüş, düşünce ve kanaatlerini
bildirmiş, tespit ettiği meselelere çözümler teklif etmiştir. Bu çalışma yazarın
kültürle ilgili düşüncelerini, dolayısıyla bir dönemin kültür meselelerini de
inceleyecektir. Peyami Safa'nın gazeteciliği, kültür ve fikir hayatında önemli
yeri olan meseleleri gazete sütunlarına taşıdığı ve bunları ilmî bir şekilde ele
aldığından dolayı fikir gazeteciliği çerçevesinde incelenmelidir. Tarihî ve
kronolojik bir yöntem uygulanan bu çalışmada Safa'nın sıklıkla üzerinde
durduğu konular tespit edilmiş ve tahlil edilmiştir.This study discusses the journalism of Peyami Safa, one of the important authors of
Turkish press and literature history. Known generally as a man of letters, Peyami
Safa has had included in active journalism for many years and produced many
works of art in newspaper article genre such as jokes, article, discursion, and
interview. The purpose of this study is to reveal the journalism activities and world
of thought of Peyami Safa. Peyami Safa started to work due to compulsory reasons
and developed himself by virtue of his aptitude in studying. The author is an
intellectual who witnessed the first half of 20th century and worked through many
problems of Turkey. This study is essential as it seeks an answer to the question of
how political and social issues of this period are investigated from the aspect of a
journalist. Peyami Safa has had reported his remarks, opinions and thoughts about
the subjects interesting culture such as art, literature, language and education
particularly in his columns and offered solutions to determined problems. This study
is going to investigate the cultural issues of a period besides the opinions of the
author concerning culture. The journalism of Peyami Safa, as he conveyed the
problems having an essential place in culture and opinion world in his columns and
discussed them as scientific studies, should be examined within the scope of
Opinion Journalism. In this study, in which historical and chronologic methods are
applied, the subjects that Safa put emphasis on frequently have been determined
and analyzed
Objective reality in the digital age
This paper explores the complexities of objective reality in the digital era, using André Bazin’s theory of realism as a lens. As digital advancements, such as deepfakes and immersive technologies, blur the boundaries between the tangible and virtual, they prompt a re-evaluation of Bazin’s principles on the ‘ontology of the photographic image’. The study critically examines how these digital innovations both challenge and enrich Bazin’s notions of unmediated representation, underscoring the need for a contemporary dialogue on the implications of digital technologies for our understanding of truth and reality
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The liminal narrative in temporal reality of sequential art forms
Peyami Safa'nın romanlarında İstanbul
Cumhuriyet döneminin önemli ve önde gelen yazarlarından Peyami Safa (1899-1961) Mütareke yıllarından itibaren ilk eserlerini verir. Çocukluk yıllarından hayatının sonuna kadar yazdıklarıyla geçimini sağlayan Peyami Safa, gazeteci ve romancı olarak tanınır. Hayatının hemen her döneminde yaşadığı maddi sıkıntılar, hastalıklar, ölümler ve fikir cereyanları onu yazmaya iter. Yazdıkça kendini geliştirerek yıllar geçse de edebî değeri eksilmeyen romanlar yazar. Server Bedii takma adı başta olmak üzere farklı isimlerle yazdığı romanları olsa da Türk edebiyatında en çok bilinenleri Peyami Safa adıyla yazdıklarıdır. Yazarın kimi romanlarında Türkiye’nin farklı şehirlerinden bahsedilse de hemen hepsinde olaylar İstanbul’da geçer. Özellikle psikolojik tahlillerin ağırlıkta olduğu romanlarında kapalı mekânlara yer verilmekle beraber İstanbul romandaki değerini korur. Birinci Dünya Savaşı, Mütareke yılları, Millî Mücâdele, İkinci Dünya Savaşı ve sonrasının İstanbul’una dair unsurlara romanlarında yer veren Peyami Safa, şehri çeşitli yönleriyle ele alır. İstanbul kimi zaman bir dekor olsa da çoğunlukla şehrin muhtelif semtleri, tarihî unsurlar, mimarî yapılar ve konaklama, ulaşım ve haberleşme, yabancılar, sosyal hayat ve eğlence, resmî kurumlar, alışveriş yerleri, mağazalar, dükkânlar ve savaş yılları romanlarında yer alır. Bunlar roman kişileriyle bağlantılı olarak verilir ve mekân ile insan ayrılmaz bir bütünü oluşturur. Bu tezin amacı, Türk romanının zirve isimlerinden Peyami Safa’nın romanlarına çeşitli yönlerden yansıyan İstanbul’u, tarihi, sosyal ve kültürel açıdan değerlendirerek, medeniyetler şehri İstanbul’a ve Türk edebiyatına katkı sağlamaktır.Peyami Safa (1899-1961) who is one of the important and prominent writers of the Republican era, gave his first works from the Armistice years. Peyami Safa, who earns his keep by writing from the childhood until the end of his life, known as journalist and novelist. In almost every period of his life, the financial troubles, diseases, deaths and some idea movements prompted his to writing. Improved himself by writing, Safa writes novels that do not lose in value over the years. Although he wrote novels with different names, Servet Bedii is one of his nicknames that he especially used in novels. However, his best-known works in Turkish literature are the works that written under the name of “Peyami Safa.” Even though author mentions some of his novels about different cities of Turkey, almost all of the events takes place in Istanbul. Especially in the novels where psychological analyzes are predominant, Istanbul preserves its value as well. Peyami Safa, who has included some of the elements related to World War I, Armistice years, National War, World War II and war after Istanbul in his novels, handles the city from various aspects. Although Istanbul is sometimes as a decoration, it is mostly takes places that the city's various districts, historical and foreign elements, architectural structures and accommodation, transportation and communication, social life and entertainment, official institutions, shopping places, stores and war years in his novels. These elements are given in connection with the novel people, and the place and the people form an inseparable whole. The aim of this thesis is to evaluate and contribute to Istanbul as the city of civilizations which is reflected in various aspects of the novels of Peyami Safa, in terms of historical, social and cultural elements
Religion and social opinion according to Peyami Safa
Bu tezin, veri tabanı üzerinden yayınlanma izni bulunmamaktadır. Yayınlanma izni olmayan tezlerin basılı kopyalarına Üniversite kütüphaneniz aracılığıyla (TÜBESS üzerinden) erişebilirsiniz.Sosyal Bilimler Enstitüsü, Felsefe ve Din Bilimleri Ana Bilim DalıÖZET Peyami Safa Türk toplumunun yetiştirdiği önemli bir yazar, gazeteci ve fikir adamıdır. Peyami Safa gerek çeşitli yerlerde yayınlanan yazılarında, gerekse romanında sık sık toplumun içinde bulunduğu ahlâkî çöküş ve sosyal buhran ve bunların fert üzerindeki etkileri üzerinde durmuştur. Zaman zaman, bu çöküşe örnek vererek sebeplerini ortaya koyarken, bazen de toplum için bu çöküş ve buhranda çıkış yollarının neler olabileceği üzerinde durmuştur. Peyami Safa içinde bulunduğumuz sosyal buhran ve çöküntünün sebepleri olarak, körü körüne bir Batı taklitçiliğini, sözde modernleşme çabalan sonucunda ortaya çıkan kültürel yozlaşmayı, millî ve manevî değerden uzaklaşılmasını, din düşmanlığı ve yobazlığının neden olduğu Allahsızlaşma ve dinsizleşme eğilimleri olduğunu ifade etmektedir. Peyami Safe bu nedenle eserlerinde sık sık toplumun kültür yapışım ortaya koyan din, dil, tarih, san'at, dünya görüşü, edebiyat gibi unsurlar hakkında görüşlerini ortaya koyarak, toplumumuzu içine düştüğü çöküntüden haberdar ederek, ancak din, ahlâk ve millî değerlere önem vererek bu çöküntüden kurtulunacağına dikkati çekmeye çalışmıştır.SUMMARY Peyami Safa was an important author, journalist and intellectual in Turkish society. Peyami Safe always has said about society's moral decay and it's effects on people. Sometimes, he has explained the causes of this moral decay with examples and he has clarified the solutions to finish the collapse in his novels. Peyami Safa has said that the causes of moral decay were imitation of West World, cultural degeneration, dirninishing of national and spiritual things and atheism. That's why, Peyami Safa always has expressed his idea about religion, language, history, art and literature. He has tried to explain the moral decay to the society and he has advised to give importance to the religion, moral and nationals values
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