1,720,958 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Becoming Machinic Virtuosos: Guitar Hero, Rez, and Multitudinous Aesthetics

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    Media scholars Nick Dyer-Witheford and Greg de Peuter view digital play as a complex, conflicted site on the terrain of global capital; although seemingly “one-dimensional” diversions in many instances, video games also constitute a space where the virtual can be actualized and where radical subjectivities can be collaboratively improvised (2005; forthcoming). Drawing from Dyer-Witheford’s and de Peuter’s work, my paper explores a gaming trend that has not yet been critically examined – the incorporation by recent titles of musical performance. The wildly popular Guitar Hero and the lesser known but critically acclaimed Rez serve as examples of digital-musical play; my paper argues that both games offer virtual “lines of flight,” however humble. But in order to critically analyze these ludic-aesthetic works, I first attempt to synthesize and develop what I call “machinic virtuosity.” According to autonomist Marxist theorists Paolo Virno, Michael Hardt and Antonio Negri, the virtuoso (or “immaterial labourer”) is the paradigmatic worker of late capitalism (or “Empire”). As these thinkers argue, the qualitative shift to Empire’s mode of production is the moment when, theoretically, work becomes political. And yet, capital’s axiomatic of exchange remains as a sort of postmodern disciplinarian of virtuosity. A machinic virtuoso, then, to borrow a term from Gilles Deleuze and Felix Guattari, might be one that aesthetically subverts or “de-territorializes” Empire’s capture of human creativity. With “machinic virtuosity” in mind I proceed to explicate Guitar Hero and Rez, two video games that explicitly engage with immaterial labour and performance under Empire. Guattari has pondered the possible sources of subversive art in late capitalism: “[Virtual machines] are not easily found at the usual marketplace for subjectivity and maybe even less at that for art; yet they haunt everything concerned with creation, the desire for becoming-other” (Chaosmosis 92). Can Guattari’s “virtual machines” be found at Wal-Mart? As I will show, they can

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Buzzing Lines of Flight: A Survey of My Own Private Soundscape

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    This audio-essay explores the relationship between soundscape recordings and property. Three field recordings of the author’s family fruit farm examine the emplacement and territorialization of sound but also the means by which certain signals might dislocate the discourses of ownership; stereo recordings of the acreage have been displaced by a more connective topology, courtesy of the beehives. The accompanying essay deploys an auto-ethnographic approach to reflect upon how sound recording practice can negotiate foundational ideologies within late capitalist culture

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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