1,721,140 research outputs found
Citizen piece on the Harvey Prager controversy. The author, Susan Clark Abbot
No full textCitizen piece on the Harvey Prager controversy. The author, Susan Clark Abbott, is executive director of the Hospice of Maine in Portland, and takes exception with the judicial system and the media for implying that caring for the terminally ill is similar to a prison sentence
Oral history interview with Susan Clark Thayer (SOH-036)
Full text linkSusan Clark Thayer, Associate Dean Emeritus, discusses her career at Suffolk University as both director of the Ballotti Learning Center and associate dean of the College of Arts and Sciences. The interview covers her role in the creation of the Ballotti Learning Center in 1982 and her work as associate dean in developing assessment programs, managing accreditation and strategic planning for the College. She also discusses her early life and career, her time as a graduate student at Suffolk University and the challenges of establishing herself in the workforce as a woman in the 1960s and 1970s. The interview concludes with a discussion of her passion for educational support, her contributions to the field of developmental education and her post-retirement activities.https://dc.suffolk.edu/soh/1025/thumbnail.jp
Up in the Air - Susan Clark and Nanda Duhe
No full textSpeakers: Susan Clark, Nanda Duhe, Vincent UherContents include: On "Up in the Air," Vincent Uher talks to Dr. Susan Clark and Nanda Duhe about the Equal Rights Amendment
Ezra and Susan Clark\u27s home
No full textBlack and white photograph of Ezra and Susan Clark\u27s home in Farmington, Utah
Jimmy Purifoy and Susan Clark in a Joint Senior Recital
Full text linkThis is the program for the joint senior recital of pianist Jimmy Purifoy and soprano Susan Clark. Pianist Lois Kirkpatrick assisted Clark. This recital took place on April 17, 1975, in the Mabee Fine Arts Center\u27s Recital Hall
Susan Clark and Greg Hardin in a Junior Voice Recital
Full text linkThis is the program for the junior voice recital of soprano Susan Clark and baritone Greg Hardin. Pianist Gennie Eldridge assisted Clark, and pianist Cannon Lamont accompanied Hardin. This recital took place on April 16, 1974
Review of Slow Democracy: Rediscovering Community, Bringing Decision Making Back Home by Susan Clark and Woden Teachout (White River Junction, VT: Chelsea Green Publishing, 2012).
No full textReview of Slow Democracy: Rediscovering Community, Bringing Decision Making Back Home by Susan Clark and Woden Teachout (White River Junction, VT: Chelsea Green Publishing, 2012)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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