323,036 research outputs found
PERAN SUROSO DALADI HADISISWOYO DALAM PERKEMBANGAN KARAWITAN GAYA SURAKARTA
Full text linkPeran Suroso Daladi Hadisiswoyo dalam Perkembangan Karawitan Gaya
Surakarta. Skripsi 2013, Kolin Nirwa Dewi, NIM: 09111128, S-1 Jurusan
Karawitan, Institut Seni Indonesia, Surakarta.
Skripsi ini merupakan upaya untuk mengungkap sosok Suroso Daladi
Hadisiswoyo sebagai seniman dan pendidik di bidang karawitan. Sebagai seniman
Daladi lebih banyak berkiprah sebagai vokalis, sementara sebagai pendidik dai
berperan sebagai pengajar tembang. Penelitian ini berusaha menjawab dua
pertanyaan utama yaitu : mengapa Suroso Daladi Hadisiswoyo masih berperan
dalam perkembangan karawitan di Surakarta, dan bagaimana peran dan kontribusi
Suroso Daladi Hadisiswoyo dalam mengembangkan karawitan di Surakarta.
Tujuan dari penelitian ini antara lain mengetahui peran-peran Suroso Daladi
Hadisiswoyo dalam perkembangan karawitan di Surakarta, serta mengetahui
peranan dan kontribusi Suroso Daladi Hadisiswoyo terhadap perkembangan
karawitan di Surakarta. Penulisan ini menggunakan landasan pemikiran yang
berhubungan dengan telaah historis atau disebut dengan pendekatan biografi.
Untuk mengungkap hal tersebut penulis mengandalkan data dari
narasumber dan informan yang berhubungan dengan topik penelitian ini. Untuk
menjelaskan peranan Suroso Daladi Hadisiswoyo dalam perkembangan karawitan
gaya Surakarta digunakan konsep peranan sosiologi untuk menelusuri peranan
Suroso Daladi Hadisiswoyo melalui riwayat hidup, riwayat pendidikan, sebagai
pengajar dan lain sebagainya. Selanjutnya untuk mengungkap pandangan atau
kontribusi Suroso Daladi Hadisiswoyo dalam pandangannya terhadap
perkembangan karawitan gaya Surakarta digunakan konsep sikap.
Hasil dari penelitian ini menunjukan bahwa Suroso Daladi Hadisiswoyo
sebagai seniman yaitu dalam bidang vokal tembang dengan segala kemampuan
yang Ia miliki telah mendedikasi kehidupannya untuk kesejahteraan dan
kelestarian perekembangan karawitan gaya Surakarta. Proses pembentukan
sebagai seniman khususnya seniman pendidikan tidak luput dari berbagai faktor
yang mempengaruhinya yaitu faktor dari lingkungan dan pengalaman-pengalaman
dalam dunia seni
Taenia solium Cysticercosis, Irian Jaya, Indonesia
Full text linkCenters for Disease Control and Prevention, Toni, Wandra ; Akira, Ito ; Hiroshi, Yamasaki ; Thomas, Suroso ; Sri S. Margono, Emerging Infectious Diseases, 9(7), 2003, 884-885.
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EVALUASI KINERJA SIMPANG BERSINYAL PADA PERSIMPANGAN JALAN RADEN PANJI SUROSO-JALAN SUNANDAR PRIYO SUDARMO- JALAN LAKSDA ADI SUCIPTO KOTA MALANG
Full text linkThe growth of a region is accompanied by increasing development in the transportation sector and the need for improvements in the road infrastructure sector so that transportation can run smoothly. An intersection is defined as an area where two or more roads join or intersect, including roadside facilities for traffic movement within it, making the intersection a point of conflict and a place of congestion..
This signalized intersection in Malang City connects Jalan Raden Panji Suroso-Jalan Sunandar Priyo Sudarmo-Jalan Laksda Adi Sucipto, which experiences very high and irregular queues during peak hours. The study will be conducted using the 2023 Indonesian Road Capacity Guidelines (PKJI) with data analysis including capacity calculations, saturation levels, queue lengths, and delays. Through this research, we can find out the results of the capacity volume level of Jalan Raden Panji Suroso-Jalan Sunandar Priyo Sudarmo–Jalan Laksda Adi Sucipto. The results of the existing condition analysis show that the signalized intersection has a degree of saturation (DJ) for Jl. Raden Panji Suroso-Jl. Sunandar Priyo Sudarmo (U-S) of 1.01 and Jl. Laksda Adi Sucipto (T-B) of 1.03 during the afternoon peak hour and the average delay of the intersection is 52.2. Meanwhile, the results of the analysis of the signalized intersection with a design life of 5 years have a degree of saturation (DJ) for Jl. Raden Panji Suroso-Jl. Sunandar Priyo Sudarmo (U-S) of 0.99 and Jl. Laksda Adi Sucipto (T-B) of 1.03 during the afternoon peak hour and the average delay of the intersection is 79.5. The alternative handling carried out is an evaluation of the 5-year plan life improvement with changes in improvements (signal phase improvement to 3 phases, addition of traffic signs and restrictions on heavy vehicle operating hours showing that the signalized intersection has a degree of saturation (DJ) for Jl. Raden Panji Suroso-Jl. Sunandar Priyo Sudarmo (U-S) of 0.84 and Jl. Laksda Adi Sucipto (T) of 0.83 and (B) of 0.81 during the afternoon peak hour and the average delay at the intersection is 39.9. The decrease in the degree of saturation value in handling this signalized intersection can reflect better intersection performance
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author's address:
No full textCan archives of audiovisual TV interviews be used to make authors more visible to students, and thereby reduce the learning gap between native and non-native language speakers in college classes? We examined students in a college course who learned about one scholar's ideas through watching an audiovisual TV interview (i.e., visible author format) and about another scholar's ideas through reading a formal text description (i.e., invisible author format). For the invisible author, native language speakers scored significantly higher than the non-native language speakers on a corresponding exam question (i.e., a cognitive measure), generated more words on the exam question (i.e., a motivational measure), and mentioned the author's name more often in answering the exam question (i.e., an affective measure). For the visible author, the groups did not differ on any of these measures. These findings provide evidence for the idea that making the author visible through audiovisual TV interviews can eliminate the learning gap between native and non-native language speakers. 3 Universities around the world serve students who are non-native speakers of th
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
Full text linkAbstract
The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
The construction of Karen Karnak: The multi-author-function
No full textThis thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
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