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SULTAN I. ALÂEDDİN KEYKUBÂD DÖNEMİNDE DEVLET SEMBOLLERİ VE GELENEKLERİ
No full textOrtaçag Türk slâm devletlerinde hükümdarlar hâkim oldukları topluluklar veya devletler üzerindeki hükümranlıklarının belirtisi olarak bir takım semboller kullandıklarını görüyoruz. Hutbe, para, unvan ve lakaplar,hilat, çetr, bayrak, nevbet, otag, saray, taht, tac, çizme, kılıç, kemer, külah gibi maddi ve manevi unsurlardan olusan bu hâkimiyet sembollerini her Selçuklu sultanı Sultan I. Alâeddin Keykubâd da kullanmıstır. Bu arastırmamızın I. Bölümünde Sultan I. Alâeddin Keykubâd'ın kullanmıs
oldugu hâkimiyet sembollerini örnekleri ile birlikte açıklamayı hedefledik.
Arastırmamızın II. Bölümünü Sultan Keykubâd dönemi saray gelenekleri üzerine kurguladık. Türk slâm kültürü ile yogrulmus olan saray gelenekleri hükümdar merkezli olarak ortaya çıkmıs olup, hükümdarın
sahsında devleti içeride ve dısarıda büyük bir hasmet içerisinde gösterirken,toplumun rahat ve huzur içerisinde yasamasına saglayacak düzenin kurulması ve korunması maksadını güdüyordu. Bu maksat dogrultusunda
ortaya çıktıgını gördügümüz saray geleneklerinin Sultan I. Alâeddin Keykubâd'ın resmi ve özel yasantısının her noktasında bir anane olarak uygulama buldugunu tespit ettik.
Arastırmamızın son bölümü Sultan Keykubâd döneminde var olan askerî geleneklerin arastırılması üzerine plandık. Yapılan incelemeler sonrasında Türklerin slâmiyet'ten önce yasamıs oldukları Atlı-Göçebe
Kültürü çerçevesinde olusmus ve İslâmî motiflerin de içerisine serpilmis oldugu askeri geleneklerin, Sultan I. Alâeddin Keykubâd'ın hükümdarlıgı zamanında da devam etmis oldugunu gördük.We can see that the rulers of the Middle Age Turk Islam States have
used some various symbols as a sign of the domination on the societies they
uruled and the States. Every Seljukian Sultan, Sultan I. Alâeddin Keykubad
have used the sovereignty symbols consisting of corporal and moral
components such as throne, palace, crown, tent, boot, flag, umbrella, gift,
band, sword, belt, hat, which are Money, nickname, sermon. We have had
the aim of explaining the sovereignty symbols with their examples which
Sultan I. Alâeddin Keykubad have used on the first part of our research.
We have worked the second part of our research on the palace
traditions of Sultan Keykubad Period. These traditions that are the mixture of
Turk Islam Culture have appeared as the ruling centre and they have claimed
the State have been in a great pomp inside and outside in the name of the
ruler and it has the goal that the establishment of the organization which
provides to live the society comfortably and peacefully and protection. Hence,
we have determined that he palace traditions have the application in every
point of the official and private life of the Sultan I. Alaeddin Keykubad as a
custom.
We have planned the last part of our research on military traditions in
Sultan Keykubad period. After these investigations, we have seen that The
Turks have lived before Islamism and had 'mounted-nomad' culture and
military traditions which have spreaded in both Islamic patterns have
continued during the sovereignty of Sultan I. Alaeddin Keykubad, too
SULTAN I. ALÂEDDİN KEYKUBÂD DÖNEMİNDE DEVLET SEMBOLLERİ VE GELENEKLERİ
No full textOrtaçag Türk slâm devletlerinde hükümdarlar hâkim oldukları topluluklar veya devletler üzerindeki hükümranlıklarının belirtisi olarak bir takım semboller kullandıklarını görüyoruz. Hutbe, para, unvan ve lakaplar,hilat, çetr, bayrak, nevbet, otag, saray, taht, tac, çizme, kılıç, kemer, külah gibi maddi ve manevi unsurlardan olusan bu hâkimiyet sembollerini her Selçuklu sultanı Sultan I. Alâeddin Keykubâd da kullanmıstır. Bu arastırmamızın I. Bölümünde Sultan I. Alâeddin Keykubâd'ın kullanmıs oldugu hâkimiyet sembollerini örnekleri ile birlikte açıklamayı hedefledik. Arastırmamızın II. Bölümünü Sultan Keykubâd dönemi saray gelenekleri üzerine kurguladık. Türk slâm kültürü ile yogrulmus olan saray gelenekleri hükümdar merkezli olarak ortaya çıkmıs olup, hükümdarın sahsında devleti içeride ve dısarıda büyük bir hasmet içerisinde gösterirken,toplumun rahat ve huzur içerisinde yasamasına saglayacak düzenin kurulması ve korunması maksadını güdüyordu. Bu maksat dogrultusunda ortaya çıktıgını gördügümüz saray geleneklerinin Sultan I. Alâeddin Keykubâd'ın resmi ve özel yasantısının her noktasında bir anane olarak uygulama buldugunu tespit ettik. Arastırmamızın son bölümü Sultan Keykubâd döneminde var olan askerî geleneklerin arastırılması üzerine plandık. Yapılan incelemeler sonrasında Türklerin slâmiyet'ten önce yasamıs oldukları Atlı-Göçebe Kültürü çerçevesinde olusmus ve İslâmî motiflerin de içerisine serpilmis oldugu askeri geleneklerin, Sultan I. Alâeddin Keykubâd'ın hükümdarlıgı zamanında da devam etmis oldugunu gördük.We can see that the rulers of the Middle Age Turk Islam States have used some various symbols as a sign of the domination on the societies they uruled and the States. Every Seljukian Sultan, Sultan I. Alâeddin Keykubad have used the sovereignty symbols consisting of corporal and moral components such as throne, palace, crown, tent, boot, flag, umbrella, gift, band, sword, belt, hat, which are Money, nickname, sermon. We have had the aim of explaining the sovereignty symbols with their examples which Sultan I. Alâeddin Keykubad have used on the first part of our research. We have worked the second part of our research on the palace traditions of Sultan Keykubad Period. These traditions that are the mixture of Turk Islam Culture have appeared as the ruling centre and they have claimed the State have been in a great pomp inside and outside in the name of the ruler and it has the goal that the establishment of the organization which provides to live the society comfortably and peacefully and protection. Hence, we have determined that he palace traditions have the application in every point of the official and private life of the Sultan I. Alaeddin Keykubad as a custom. We have planned the last part of our research on military traditions in Sultan Keykubad period. After these investigations, we have seen that The Turks have lived before Islamism and had 'mounted-nomad' culture and military traditions which have spreaded in both Islamic patterns have continued during the sovereignty of Sultan I. Alaeddin Keykubad, too
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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