1,721,195 research outputs found
Ekonometrika terapan : teori dan aplikasi dengan SPSS [cd]/ Suliyanto
No full textxx, 311 hal.: tab.; 28 cm
Ekonometrika terapan : teori dan aplikasi dengan SPSS [cd]/ Suliyanto
No full textxx, 311 hal.: tab.; 28 cm
Ekonometrika terapan : teori dan aplikasi dengan SPSS/ Suliyanto
No full textxx, 311 hal.: tab.; 28 cm
Ekonometrika terapan : teori dan aplikasi dengan SPSS/ Suliyanto
No full textxx, 311 hal.: tab.; 28 cm
Ekonometrika terapan : teori dan aplikasi dengan SPSS/ Suliyanto
No full textxx, 311 hal.: tab.; 28 cm
KAJIAN TINDAK TUTUR EKSPRESIF DALAM NASKAH DRAMA SACUWILING ATI LAN WENGI KARYA SULIYANTO
Full text linkABSTRACT Meika Anjani. C0113033. 2017. Kajian Tindak Tutur Ekspresif dalam Naskah Drama Sacuwiling Ati lan Wengi Karya Suliyanto. Skripsi: Department of Regional Literature Faculty of Cultural Sciences Sebelas Maret University of Surakarta. The research discusses the acts of expressive speech contained in the drama script entitled Sacuwiling Ati lan Wengi by Suliyanto. The problems discussed in the research are the form of marker and intention of expressive speech acts. The purposes of the research are to describe the form of markers and intent expressive speech acts in the drama script. The type of the research is descriptive qualitative with a pragmatic approach. Data and sources of data in the research are written data containing conversations or speeches containing expressive speech act contained in a drama script entitled Sacuwiling Ati lan Wengi by Suliyanto. Methods and techniques of data collection used in the research are method referred to the technique of speaking free each other and techniques of note. Analysis of data by using the padan method with pragmatic padan technique. The research uses formal and informal presentation methods for data analysis. The result of data analysis are: (1) the form of expressive speech acts marker in drama script entitled Sacuwiling Ati lan Wengi by Suliyanto are segmental marker in form of word, phrase, clause, and sentence. Suprasegmental marker form which are a dot (.), question mark (?), and exclamation mark (!). Of all the forms of the markers were found 21 expressive speech acts, are ESA grateful, ESA praised, ESA apologized, ESA refused, ESA blamed, ESA quipped, ESA criticized, ESA taunted, ESA complained, ESA approved, speech act to express a sense pleasure, to expressed guilt, to expressed nervesness, to expressed surprise, to expressed compassion, to expressed laziness, to expressed sadness, to expressed surprise or surprise, anger expressing, to expressed fears, and expressed a sense of disappointment. (2) The intent of expressive speech acts present in the drama script entitled Sacuwiling Ati lan Wengi by Suliyanto there are 21, that is grateful, praising, apologizing, rejecting, blaming, insinuating, criticizing, mocking, complaining, approving, to expressing pleasure, to expressing guilt, to expressing nervousness, speech acts to express a sense of wonder, to expressing compassion, to expressing laziness, to expressing sadness, to expressing shock or surprise, to expressing anger, to expressing fear, and expressed a sense of disappointment. Keyword : Expressive speech acts, the drama script entitled Sacuwiling Ati lan Wengi by Suliyant
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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