1,720,953 research outputs found
Kadrowanie egzystencji: Klara Nowakowska
Get PDFThe article discusses the works of Klara Nowakowska, including all published volumes of the poet. Interpretations of specific works, as well as overall analyses present poems of Nowakowska as cropped images which in the imperfect way are reflecting reality. The article’s author stress the meaning of the specific variety of the short poetic form used by poet. Parallel, analysis includes the poetic record of experiencing the place.The article discusses the works of Klara Nowakowska, including all published volumes of the poet. Interpretations of specific works, as well as overall analyses present poems of Nowakowska as cropped images which in the imperfect way are reflecting reality. The article’s author stress the meaning of the specific variety of the short poetic form used by poet. Parallel, analysis includes the poetic record of experiencing the place
Silent poems. The image and the subject against the backdrop of ecopoetics
No full textThe paper aims to show the ecopoetic potential of minimalist poems, in which the lyrical subject remains out of sight. The text discusses poetic techniques of drawing a bare picture of reality, which have the capacity to enact a novel, non-anthropocentric approach to non-human nature. The author combines interpretive practice with the concept of ecopoetics and literary genology
Milczące wiersze. Obraz i podmiot na tle ekopoetyki
Get PDFThe article discusses the ecopoetic potential inherent in small lyrical forms which employ a peculiar technique of showing the “picture” of the external world. The poetics of the “silent poems” consists in concealing the presence of the subject and presenting the reader with a bare fragment of reality, which in the analyzed instances involve non-human nature. The author, examining the pieces by Jacek Gutorow, Bartosz Suwiński and Klara Nowakowska, outlines a poetic form in which the equivalence of each element of nature displaces the anthropocentric vision of the world. The study sets out from the old Japanese genre of haiku and Anglo-American imagism. The concept of ecopoetics, suggested by Julia Fiedorczuk and Gerardo Beltrán provide the core context for these deliberations.The paper aims to show the ecopoetic potential of minimalist poems, in which the lyrical subject remains out of sight. The text discusses poetic techniques of drawing a bare picture of reality, which have the capacity to enact a novel, non-anthropocentric approach to non-human nature. The author combines interpretive practice with the concept of ecopoetics and literary genology
Barriers and Possibilities – Haiku Poetry in Poland
No full textArtykuł stanowi omówienie adaptacji haiku w Polsce. Autorka ukazuje problemy dotyczące recepcji i przekładu japońskiej miniatury oraz wątpliwości w rozumieniu istoty gatunku. W drugiej części pracy wskazane zostają możliwości twórczego wykorzystania haiku w celu osiągnięcia nowych efektów artystycznych. Analizie poddane zostały m.in. utwory Jadwigi Stańczakowej, Ryszarda Krynickiego, Leszka Engelkinga.This article discusses haiku adaptations in Poland. The author deals with problems related to the reception and translation of Japanese miniatures, as well as doubts about the way the genre is understood. In the second part of her work we find indications of the possibilities of using haiku to achieve new creative effects. This includes an analysis of works by Jadwiga Stańczakowa, Ryszard Krynicki and Leszek Engelking
Ars poetica as the Art of Survival: an Interpretation of Urszula Kozioł’s Poem “Tysiąc i jedna noc” (A Thousand and One Nights)
No full textW artykule zinterpretowany został wiersz Urszuli Kozioł Tysiąc i jedna noc, pochodzący z debiutanckiego arkusza Gumowe klocki (1957). Interpretacja uwypukla autotematyczny aspekt utworu i akcentuje znaczenie odwołania do baśni (postać Szeherezady). Sztuka tworzenia jest przedstawiona jako sztuka przetrwania, próba porządkowania chaosu i zrozumienia rzeczywistości pomimo świadomości śmierci. W omówieniu wiersza wyeksponowana zostaje właściwa mu ambiwalencja: podkreślenie wagi słowa przy jednoczesnym dystansie wobec jego gloryfikacji. Autorka artykułu porusza problem potrzeby i wszechobecności narracji.The article offers an interpretation of Urszula Kozioł’s Tysiąc i jedna noc (A Thousand and One Nights), originally released as part of the poet’s debut, Gumowe klocki (Rubber Blocks, 1957). This interpretation highlights the self-referential aspect of the work and accents the meaning of its references to the tale of Scheherezade. The act of creation is presented as the art of survival, and attempt to order chaos and understand reality in spite the awareness of death. In the discussion of the poem, its inherent ambivalence is brought into relief: its emphasis on the importance of the word and simultaneous distance toward the word’s glorification. The author considers the problem of the need for and ubiquity of narrative
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The smallest poems. Short forms in Polish poetry atfer 1989
Get PDFWydział Filologii Polskiej i KlasycznejCelem pracy jest dowartościowanie małej formy poetyckiej jako znaczącego środka artystycznego wyrazu. Tytułowa formuła „wiersze najmniejsze” określa nie tylko słowną lapidarność tekstu – „mniejszościowość” miniatury zostaje ukazana jako przestrzeń dla treści uwypuklających doświadczenie inności, poszukiwania alternatywnych form wyrazu, odmiennych sposobów percepcji. W rozprawie analizie zostały poddane polskie małe formy poetyckie publikowane po roku 1989, m.in. poezja Krystyny Miłobędzkiej, Urszuli Kozioł, Julii Szychowiak oraz internetowe projekty poetyckie. Pierwszy rozdział stanowi przedstawienie rysu teoretycznego i historycznego miniatury na gruncie polskim. W tej odsłonie pracy refleksji poddany został sam termin „mała forma poetycka” oraz jego implikacje. Kolejne rozdziały opierają się na metodzie hermeneutycznej połączonej z socjologią literatury i poetyką kulturową. Rozdział drugi i trzeci poświęcone są relacji małej formy i sztuk wizualnych oraz zależności miniatury i nowych mediów. Dwa ostatnie rozdziały skoncentrowane zostały na gatunkowości małej formy: czwarta odsłona rozprawy stanowi analizę tradycyjnych gatunków miniatury oraz gatunków własnych; rozdział piąty poświęcony został refleksji nad zjawiskiem polskich realizacji japońskiego haiku.The aim of the work is to appreciate a short poetic form as a significant means of artistic expression. The title formula "the smallest poems" defines not only the verbal conciseness of the text - the "minority" of the miniature is shown as a space for content that highlights the experience of being different, looking for alternative forms of expression, and different ways of perception. The dissertation analyzes short Polish poetic forms published after 1989, incl. poetry by Krystyna Miłobędzka, Urszula Kozioł, Julia Szychowiak and internet poetry projects. The first chapter presents the theoretical and historical outline of the miniature in Poland. In this part of the work, the very term "short poetic form" and its implications are subject to reflection. The following chapters are based on the hermeneutic method combined with the sociology of literature and cultural poetics. The second and third chapters are devoted to the relationship between short form and visual arts as well as the relationship between miniature and new media. The last two chapters focused on the genre of the short form: the fourth part of the dissertation is an analysis of traditional miniature genres and own genres; the fifth chapter is devoted to reflection on the phenomenon of Polish realizations of Japanese haiku
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