306,756 research outputs found

    E. L. Stoddard, approximately 1860-1869

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    Carte-de-visite portrait of Edward Lothrop Stoddard (Norwich University Class of 1865), approximately 1860-1869, from a disassembled Alpha Sigma Pi photograph album; signed on back: "E L. Stoddard Α. Σ. Π.

    INTERVIEW WITH ROGER E. STODDARD

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    Roger E. Stoddard will retire in December 2004 as Curator of Rare Books in the Harvard College Library after four decades of service in the Houghton Library. To commemorate this event, Stoddard curated an exhibition in Spring 2004 titled “RES Gestae: Libri Manent: A Curator’s Choice of Books Purchased for the Houghton Library from 1965 to 2003,” which explored many of the collecting areas he pursued at Harvard. Acquisitions for Historical Collections, a symposium in the curator’s honor, was also held at Harvard in March 2004.1 Born and raised in New England, Stoddard attended Brown University and received his bachelor’s . . .</jats:p

    Stoddard, James E. interview

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    Oral history interview with James Stoddard. Interview conducted by Andrew D. Ortiz in Orlando, Florida on June 14, 2017

    Second Series. Cottage Duetts, a popular Collection of Melodies, arranged for TWO Performers on the Piano Forte. Evergreen Waltz.

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    da capopiano four-hands2182Johns Hopkins University, Levy Sheet Music Collection, Box 040, Item 088Composed by I.T. Stoddard. Arranged by J.E. Muller.Lith. by E. Weber & Co. Baltimor

    Second Series. Cottage Duetts, a popular Collection of Melodies, arranged for TWO Performers on the Piano Forte. Evergreen Waltz.

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    da capopiano four-hands2182Johns Hopkins University, Levy Sheet Music Collection, Box 040, Item 088Composed by I.T. Stoddard. Arranged by J.E. Muller.Lith. by E. Weber & Co. Baltimor

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Ningaui yvonneae Kitchener, Stoddard & Henry 1983

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    Ningaui yvonneae Kitchener, Stoddard & Henry, 1983 Aust. J. Zool. 31(3): 366, figs 1–2, table 1. (1 June 1983). Common name. Southern Ningaui. Current name. Ningaui yvonneae Kitchener, Stoddard & Henry, 1983; following Jackson & Groves (2015). Paratypes. (3, by original designation). All are males, all skulls, all bodies in alc.: M.11429, [collected 24 March 1980 by D. Black] Wentworth, [89 miles N] (32°47'S 141°32'E), NSW; M.12160, subadult, Tarawi Station, [65 km N of Rufous River, SW of Broken Hill] (33°26'S 141°09'E), NSW, [collected 1 May 1981 by B. Miller]; M.12161, Round Hill [Nature Reserve], 33°01' S 146°11'E, NSW, [collected 16 May 1981 by J. Brickhill and A. B. Rose]. Comments. Holotype in WAM, type series includes 42 paratypes. The type locality is the Mt Manning area, Western Australian Goldfields district.Published as part of Parnaby, Harry E., Ingleby, Sandy & Divljan, Anja, 2017, Type Specimens of Non-fossil Mammals in the Australian Museum, Sydney, pp. 277-420 in Records of the Australian Museum 69 (5) on page 309, DOI: 10.3853/j.2201-4349.69.2017.1653, http://zenodo.org/record/523780

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Fairy Tales by Three American Nineteenth-Century Writers : Richard Henry Stoddard, Horace E. Scudder, and Elizabeth Stoddard

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    Fairy Tales by Three American Nineteenth-Century Writers: Richard Henry Stoddard, Horace E. Scudder, and Elizabeth StoddardIn the antebellum US, the predominant modes in American children’s literature were didacticism and moralism, and although translations of the Grimms’s and Hans Christian Andersen’s fairy tales were available, many American authors and publishers regarded fairy tales as unsuitable for the modern needs of a new nation. Nevertheless, there were American writers who, inspired by Andersen’s tales, actually fought for the fairies and published fairy tales in the 1850s, 60s, and 70s: the poet and editor Richard Henry Stoddard published Adventures in Fairyland in 1853; the man of letters and editor Horace E. Scudder Seven Little People and Their Friends in 1862, Dream Children in 1864, and Stories from My Attic in 1869; and the short-story writer and novelist Elizabeth Stoddard Lolly Dinks’s Doings in 1874. It could indeed be argued that these writers were instrumental in bringing about as well as recording important shifts in attitude in and towards American children’s literature during these three decades. Although, or rather precisely because, their literary exploits reached far beyond children’s literature, they helped establish it as a significant literary realm: after the Civil War, American children’s literature was considered worthy of the imaginative efforts of the best American writers, of reviews in prestigious journals, and of publication in quality periodicals. In this paper, I will explore a few of the nineteenth-century American fairy tales in terms of didacticism, imagination, and nation building.</p

    I will be waiting for you dear, always [first line of chorus]

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    strophic with choruspiano and voiceads on inside front and on back covers for Shapiro, Bernstein & Co. stockJohns Hopkins University, Levy Sheet Music Collection, Box 154a, Item 077aBook and Lyrics by Harry L. Cort and George E. Stoddard. Music by Harold Orlob.John Cort offers the successful musical comedy Listen Lester. Staged by Robert Marks
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