1,861 research outputs found
Maintaining authenticity: transferring patina from the real world to the digital to retain narrative value
No full textThis research is concerned with utilizing new technologies to harvest existing narrative, symbolic and emotive value for use in a digital environment enabling "emotional durability" (Chapman, 2005) in future design.
The projects discussed in this paper have been conducted as part of PhD research by Rosemary Wallin into 'Technology for Sustainable Luxury' at University of the Arts London, and visual effects technology research undertaken by Florian Stephens at University of West London.
Jonathan Chapman describes vast consumer waste being "symptomatic of failed relationships" between consumers and the goods they buy, and suggests approaches for designing love, dependency, and even cherishability into products to give them a longer lifespan. 'Failed relationships' might also be observed in the transference of physical objects to their virtual cousins. Consider the throwaway nature of digital photography when compared to the carefully preserved prints in a family album.
Apple often use a skeuomorphic (Hobbs, 2012) approach to user interface design, to digitally replicate the patina and 'value' of real objects. However, true transference of physical form and texture presumably occurs when an object is scanned and a virtual 3D model is created.
This paper presents three practice-based approaches to storing and transferring patina from an original object, utilizing high resolution scanning, photogrammetry, mobile applications and 3D print technologies. The objective is not merely accuracy, but evocation of the emotive data connecting the digital and physical realm.
As the human face holds experience in the lines and wrinkles of the skin, so the surface of an object holds its narrative. From the signs of the craftsman to the bumps and scratches that accumulate over the life of an item over time and generations, marks gather like evidence to be read by a familiar or a trained eye. According to the time and the culture these marks are read within, they will either add to or detract from its value. These marks can be captured via complex 3D modelling and scanning technologies, which allow detailed forms to be recreated as dense 3D wireframe, but the result is often unsatisfying. 3D greyscale surfaces can never fully capture the richness of patina. Authentic surfaces require other qualities such as colour, texture and depth, but there is something else - more difficult to define.
Donald A. Norman expands on the idea of emotion and objects by describing three 'levels’ of design "visceral, behavioural and reflective". Visceral is based on "look, feel and sound", behavioural is focused on an object’s use, and reflective is concerned with its message. New technology is commonly seen in terms of its ability to increase efficiency, but this research has longer-term objectives: to repair or even rebuild Chapman's 'broken relationships' and enable ‘emotionally durable' design.
The PhD that has formed the context for this paper examines the concept of luxury value, and how and why the value of patina has been replaced by fashion. Luxury goods are aspirational items often emulated in the bulk of mass production. If we are to alter behaviour around consumption, one approach might be to use technology to harvest patina as a way to retain emotional, symbolic and poetic value with a view to maintaining a relationship with the things we buy
Jeunesse: Lecture suivie
No full textI am delighted to have found this little paperback in a favorite bookshop in Paris. I look forward to using it myself. It brings two of his best illustrators to a pupil's book of Florian's fables. The colored illustrations are not the only help for those of us trying to understand a sometimes difficult author. There are vocabulary notes, comments, and -- especially -- a short discussion of each fable's moral. These discussions are pleasantly candid, as in this comment on "La taupe et les lapins": "La fable de Florian est peut-être moins claire qu'elle n'y paraȋt" (55). Great work on rendering the colored illustrations!Language note: FrenchFloria
Fables de Florian, Nouvelle Edition
No full textHere is a small edition, 3¼" x 5¼," of 162 pages. It seems to be identical to Bodemann #274, published by the same people two years earlier. As Bodemann notes in a very short description, the illustrations come as three panels per page. One panel often represents two fables. My favorites among these very small illustrations are "The Blind and the Lame" (18); "Two Bachelors" (48); "Owl and Pigeon" (83); and "Ass and Flute" (111). Do not miss the gigantic crocodile on 120! Illustrations occur facing these pages: 1, 12, 18, 29, 38, 48, 66, 83, 111, and 120. There is an AI at the back.This is a hardbound book (hard cover)Language note: FrenchNo Autho
Stephens (Walter). Les Géants de Rabelais : folklore, histoire ancienne, nationalisme. Traduit de l’anglais par Florian Preisig, (Études et Essais SUR LA Renaissance, 69) 2006
No full textBanderier Gilles. Stephens (Walter). Les Géants de Rabelais : folklore, histoire ancienne, nationalisme. Traduit de l’anglais par Florian Preisig, (Études et Essais SUR LA Renaissance, 69) 2006. In: Revue belge de philologie et d'histoire, tome 92, fasc. 3, 2014. Langues et littératures modernes Moderne taal en lettrekunde. pp. 964-965
Interview with Florian Bieber
No full textInterview with Florian Bieber, lecturer in East European Politics at the University of Kent in Canterbury, England. Interview conducted in Ithaca, NY on March 13, 2009. Dr. Bieber has worked in Belgrade (Serbia) and Sarajevo (Bosnia-Herzegovina) for the European Centre for Minority Issues and has taught at the Central European University, at the University of Sarajevo and at the University of Bologna. He is also the author of a book about Serbian nationalism, entitled Nationalism in Serbia from the Death of Tito to the Fall of Milosevic (Muenster: Lit Verlag, 2005, in German), and another book, Post-War Bosnia: Ethnic Structure, Inequality and Governance of the Public Sector (London: Palgrave, 2006). He?s at Cornell this spring semester of 2009 as the Luigi Einaudi Chair in European and International Studies.Bieber's current book project (01:30)
Bieber's reflections on the 20th anniversary of 1989 (02:00)
On Bieber's background in political science and history (03:19)
When interdisciplinarity works best (5:22)
On the "ghettoization" of the Balkans and its causes/possible solutions (6:30)
Unique contribution of our field to other fields (9:38)
Addressing the ongoing perception of a division of Europe into "East" and "West" (12:04)
On Bieber's interest in the study of nationalism (16:17)
Is there such a thing as "good nationalism"? (19:12)
On Bieber's "European" upbringing and early education (21:34)
Bieber on experiences/opportunities all Europeans should ideally have (24:56)
On the future of Southeastern Europe (26:17)1_ruh0kx6
Fables de Florian
No full textNouvelle édition, ornée de figures. This diminutive but complete edition (3¼ x 5¼) is not in Bodemann. The British Library seems to have an edition of Florian published by Genets Jeune in 1808. There are four illustrations here: The Cat and the Binoculars (56); The Children and the Partridges (122); The Savant and the Farmer (138); The Countryman and the River (182). There is an AI at the back. The first title-page lists 1821 as the publication date, but the second title-page has 1820.This is a hardbound book (hard cover)Language note: FrenchJean-Pierre Claris de Floria
Jakub Deml's Letters to Josef Florian
No full textTitle: The Letters of Jakub Deml to Josef Florian Author: Igor Pejchal Department: Institute of Czech Literature and Literary Theory Thesis Supervisor: Mgr. Daniela Iwashita, Ph.D. Key Words: correspondence, Jakub Deml, Josef Florian, Josef Ševčík, Otokar Březina, František Bílek, Pavla Kytlicová, Curia of Brno, Studium edition Abstract: The diploma thesis named The Letters of Jakub Deml to Josef Florian includes the edition of all the letters of the writer Jakub Deml (1878-1961). The correspondence from 1903 to 1935 includes 346 units and exploits 6 sources: the copies of letters done by Jaroslav Staněk, handwritten letters archived in Moravian Museum in Brno and LA PNP, Prague, letters addressed to Josef Florian as edited by Jiří Olič and hand-written originals possessed by two private owners. The edition of the collected letters is accompanied by a list of letters, an editorial note and translations of excerpts which are not in Czech. An accompanying study deals with the editorial history of these collected letters, the relationship of Jakup Deml and Josef Florian in the time of their collaboration and provides an outline of the future research tasks regarding this edition. The letters of Jakub Deml to Josef Florian are published in print in..
Selection of words and music from Little Jack Sheppard [music] : burlesque drama in three acts /
No full text11192 (Publisher number). "First produced at the Gaiety Theatre, on Boxing Night, 1885".; Pl. no.: 11192.; Also available online http://nla.gov.au/nla.mus-an9351596; MUS: N, GE 301/1/6/B.; Library's copy in fair condition. 1. If you take into your head / Florian Pascal -- 2. Winifred Wood / Florian Pascal -- 3. Fairy tale /Hamilton Clarke -- 4. Keep the ball a-rolling / W. Meyer Lutz -- 5. Chorus and march of Janissaries /Florian Pascal -- 6. Jonathan Wild / Arthur Cecil -- 7. Jack's alive 'o / W. Meyer Lutz -- 8. You mustn't believe all you hear / W. Meyer Lutz -- 9. Silver star / Florian Pascal -- 10. Leave the whole business to me / W. Meyer Lutz -- 11. Botany Bay -- 12. All nations /W. Meyer Lutz -- 13. All nations ( part 2).Little Jack Sheppard (Musical
Determination of the Fiber Orientation from low resolution Computer Tomography images using Neural Networks
No full textAuthor Florian Schininger, BScMasterarbeit Universität Linz 2023Arbeit gesperr
A discussion and improvement of Churchland's theory of connectionism
No full textauthor: Florian WundsamLiteraturverzeichnis: Seite 101-102Diplomarbeit University of Salzburg 202
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