2,895 research outputs found
Two-level methods: The hp-version on triangular elements
No full textIn this chapter we report on the paper [111] by Heuer, Leydecker, and Stephan, which analyses a two-level additive Schwarz method for the hp-version on triangular elements applied to the hypersingular integral equation on a screen G
Ouch That Hurt! A Visual EP and Documentary
No full textThis culminating experience project consisted of a visual and collaborative Extended Play (referred to as “EP” henceforth) and a documentary of the process of creating a visual EP in its entirety. The most important part of the author’s culminating experience was a finished EP of three original songs. The author created visuals for each song, using a variety of different sources learned during her time at Berklee. The EP featured all original music written by the author and was a collaboration between instrumentalists, recording engineers, mixing and mastering engineers from Berklee. Additionally, each song featured a different analog or digital emulation synthesizer in order to expand the author\u27s knowledge of music technology and of music history in the synth pop genre. The author chose to do an EP for her culminating experience project in order to expand her personal artistry, continue working on her songwriting, production and engineering, learn about new synthesizers, and to capture the entire process in an educational documentary in order to show how an EP is created from start to finish.https://remix.berklee.edu/graduate-studies-production-technology/1270/thumbnail.jp
Wave field synthesys sound reproduction system using a distributed mode panel
No full textAbstract not available for EP 1336323 (A2)Applied Science
Inter rater reliability of recovery capital: Assessment of a clinician rated measure
No full textThis study investigated the inter rater reliability for the Clinician Recovery Capital Measure as a tool to assess recovery capital for clients with alcohol and other drug problems. The sample consisted of 15 women (M = 40.07 years, SD = 10.79 years) and 6 men (M = 47.83 years, SD = 13.57 years), who had at least a three year degree or equivalent in a relevant field plus professional/practical experience with mental health clients. Assessment of inter rater reliability required participants to code standardised case notes using the Clinician Recovery Capital Measure. Data were analysed for total recovery capital as well as the subcategories of social, human, cultural and physical capital. Use of the Intra Class Correlation Coefficient (ICC) demonstrated excellent levels of inter rater reliability for total recovery capital ICC = 0.909, social capital ICC = 0.884, human capital ICC = 0.775, cultural capital ICC = 0.857, and physical capital ICC = 0.975. These ICC results demonstrate that the Clinician Recovery Capital Measure can be reliably coded by a range of mental health practioners in an Australian clinical context. This study is an important step in the development of the clinician recovery capital measure and the process of operationalising recovery.
Keywords: AOD, Australian, clinician, inter rater reliability, intra class correlation, recovery capital, substance misuse, CRC
Europan Identity and Culture: Imagining a European Pavilion
No full textThe European Pavilion (EP) program is an initiative of the European Cultural foundation; since its first ideation in 2020 the EP has developed a series of events, supporting artistic and research activities involving several other institutions and individuals. Initially sparked by the idea of adding a European Pavilion at the Venice Biennale, the EP developed into an independent program that aims at becoming established as “a new cultural reference” for the European public sphere and at “driving the debate on the future of Europe”. In this chapter I will present an analysis of its rationale, actors and outcomes so far, in the framework of current debates on how a European identity and imaginary are emerging, in discourse and practice, as a new layer, or perhaps type, of cultural allegiance (and repertoire) along with local, national, regional and global. Through a detour to the Venice Biennale exhibition park, the presentation considers the pavilion’s role as a mapping device for the representation of collective identities and the creation of repertoires or canons indicative of both dominant paradigms and struggles for access, inclusivity and de-centering
Simultaneous decomposition of two EP matrices with applications
No full text[EN] We find a simple canonical form for EP complex matrices A and B under simultaneous unitary equivalence.The first author is supported by Project UPV. PAID-06-12 (Ref. SP2012047). The second author is supported by the Guangxi Natural Science Fundation (2013GXNSFAA019008), the Key Project of Education Department of Guangxi (201202ZD031), National Science Foundation of China (11361009), and Science Research Project 2013 of the China-ASEAN Study Center (Guangxi Science Experiment Center) of Guangxi University for Nationalities.Benítez López, J.; Liu, X. (2014). Simultaneous decomposition of two EP matrices with applications. Electronic Journal of Linear Algebra. 27:407-425. https://doi.org/10.13001/1081-3810.1627S4074252
EP - Kyan Palmer
No full textabstract: "EP \u2014 Kyan Palmer" is a compilation of three songs, "Hit List," "Queen Cobra," and "Burn Mona Lisa" all written and recorded by Barrett student, Kyan Palmer. The project explores the process involved in creating recorded music and exposes the vulnerability and self-reflection in writing a song. The following depicts the thought process that came about in the creation of each song from the lyrics, to the vocals, to the production. This paper depicts a journal-like writing style outlining the various events that took place while creating EP \u2014 Kyan Palmer. The bulk of this Thesis/Creative Project was the written, produced, and recorded music attached in the appendix. With that said, the following document is intended to be reflective rather than scholarly and acts as an accompaniment to the audio recordings and video entries
Hammock, An EP and Visuals about Ego and Success
No full textThis project seeks to produce a musical universe in the form of an Extended Play (EP) with seven songs and accompanying visuals. The EP is a concept album that is centered on themes of ego and success. This album blends rock, electronic, hip-hop, and storytelling. This project was recorded and mixed in the Berklee Valencia studios. First, a template was made for each part of the story and visual themes, and then the songs were recorded instrument by instrument. All the sounds, visuals, samples and music are original creations by the author of the project Michael Dodson. The author learned how to design sounds and visuals to represent thematic elements in the music. In the future, he will create a live show based around the EP. The show will feature live composing and live visuals.https://remix.berklee.edu/graduate-studies-production-technology/1294/thumbnail.jp
Please Rewind: An Instrumental EP
No full textThis project is an instrumental EP, consisting of five tracks which the author wrote, produced and mixed. The goal for the project was to create a complete project that would serve to showcase the author’s abilities as a musician, sound designer and engineer, in order to assist in the search for career opportunities after graduation. The project combined modern Hip Hop influences, with the author’s love for 1980’s era film soundtracks and their synth heavy scores, into a blend that highlights the music the author is passionate about, and how he can contribute to its creation.https://remix.berklee.edu/graduate-studies-production-technology/1176/thumbnail.jp
Producing Progressive Rock : Havu – EP Record
No full textThis bachelor’s thesis studies progressive rock, a genre of rock music. The media part of this thesis consists of Havu’s EP record which was released independently by the artist.
The thesis begins with a look into the brief history of progressive rock music and its evolution through the decades. Additionally, the thesis examines the instruments and their uses in the genre.
The second part of the thesis investigates the methods of producing progres-sive rock music and illustrates the whole production process behind Havu’s EP record from pre-production to mixing and mastering. The emphasis on the production part is on examining the methods of combining elements from different eras.
The last section analyses the learning process through the author’s experiences. It explains what the author learnt and how this information could be helpful in the future productions.Havu - EP Recor
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