1,392 research outputs found
Die Technik des Geschichten-Zeichnens. Zur Methode und zur abschließenden therapeutischen Wende
No full textDas Entwicklungsalter ist häufig durch Probleme der Somatisierung psychischer Schwierigkeiten und Konflikte gekennzeichnet: Anorexie, Enuresis, Enkopresis und anhaltende Verstopfung. Die in diesem Beitrag vorgestellte Technik des Geschichten-Zeichnens wurde entwickelt, um die narrativ-dialogische Beziehung im psychodiagnostischen und psychotherapeutischen Kontext des Entwicklungsalters zu entwickeln und zu unterstützen. Es handelt sich dabei um ein projektives zeichnerisches Verfahren, das von Giancarlo Trombini beginnend in den 1970er-Jahren gestützt auf seine Ausbildung in Gestaltpsychologie und Psychoanalyse an der Universität Bologna entwickelt wurde und seither von ihm, Elena Trombini und ihren Kollegen weiterentwickelt und auch in anderen Anwendungsfeldern eingesetzt wurde.
Der vorliegende Beitrag vertieft anhand einer frühen Fallgeschichte des Geschichten-Zeichnens zentrale Aspekte dieser Technik. Er geht zudem der Frage nach, ob sich auch bei der Therapie im Entwicklungsalter die bei Therapien mit Erwachsenen festgestellte abschließende therapeutische Wende nach dem Kriterium der Versöhnung der Zeitperspektiven feststellen lässt (siehe dazu den Phänomenal-Beitrag Trombini & Stemberger 2020)
Audiomobiles, Sculptures and Conundrums
No full textRoberto Gerhard was a pioneer of electronic music in England creating a number of substantial concert, theatre and radio works from as early as 1954. Gerhard’s electronic music is one of the richest repositories for understanding the development of the composer’s late compositional technique. Apart from the Symphony no.3, ‘Collages’, none of Gerhard’s electronic music is published. This paper will discuss aspects of Gerhard’s electronic music, focusing on Audiomobiles (1958-59) and Sculptures (1963)
Reconciliation of Time Perspectives as a Criterion for Therapy Completion
No full textGiancarlo Trombini, the main author of this article, has demonstrated in a series of empirical studies based on treatment examples from psychoanalytic psychotherapy that the development of relational dynamics in therapy can be assessed in an objectively verifiable way using a phenomenological criterion based on the narrative content of each session. This criterion is the comparison between the manifest dream and the subsequent associations (MDAC; Trombini, 2010, 2014, 2015).
This is a contribution to the reflexive pole of analytic psychotherapy, which is, after all, characterized by a constant oscillation between the pole of reflection and the pole of a “dreaming reception.” The present contribution continues this research with the treatment of the concluding phase of therapy, which is related to certain turning points in the processes of change in therapy (Di Chiara, 2003)
Who is making our feelings
No full textZusammenfassung: „Du machst mich wütend“ – „Du machst mich glücklich“: In solchen Formulierungen offenbart sich – meist ganz unbemerkt, aber umso wirksamer – eine ganze Welt voll merkwürdiger Beziehungen und Machtverteilungen. Andrzej Żuczkowski geht im ersten Teil dieses Beitrags den Hintergründen und theoretischen Erklärungen für diese eigentümliche Welt nach, ausgehend von Erinnerungen an seine erste Begegnung mit diesem Thema im Rahmen seiner früheren transaktionsanalytischen Ausbildung. Seine Analyse stützt sich vor allem auf Überlegungen und Befunde des belgischen Experimental-Psychologen Albert Michotte (1881–1965), dessen Name untrennbar mit der Erforschung der „phänomenalen Kausalität“ verbunden ist, sowie des Gestaltpsychologen Wolfgang Metzger. Gerhard Stemberger geht anschließend auf die Sichtweise ein, die in der Gestalttheoretischen Psychotherapie das Verständnis und den Umgang mit den Phänomenen der naiven Gefühls-Kausalität bestimmt.Abstract: You make me angry" - "You make me happy": In formulations like these, a whole world of strange relationships and power distributions is revealed - usually completely unnoticed, but all the more effectively. In the first part of this article, Andrzej Żuczkowski explores the background and theoretical explanations for this peculiar world, starting from memories of his first encounter with this topic in the context of his training in transactional analysis in earlier years. His analysis now is based primarily on the considerations and findings of the Belgian experimental psychologist Albert Michotte (1881-1965), whose name is inseparably linked to the study of "phenomenal causality", and of the German Gestalt psychologist Wolfgang Metzger. In the concluding chapters Gerhard Stemberger goes on to discuss the viewpoint that determines the understanding and handling of the phenomena of naïve emotional causality in Gestalt Theoretical Psychotherapy.reviewedpublishedVersio
Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment
No full textThis research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment
Curriculum Vitae: Em. O. Univ.-Prof. Dr. Gerhard Botz
No full textThe appendix of this HSR Supplement 28 contains a curriculum vitae and list of publications for the Supplement's author, Gerhard Botz
Interview with Dr. Gerhard Falk
No full textDr. Gerhard Falk was a professor at State University College at Buffalo and retired in late 2016. He taught criminology, sociology of religion, juvenile delinquency, and the treatment of offenders. He is the author of 24 books and 42 journal articles. He has been awarded the New York State Research Foundation\u27s Award for Scholarship; the Buffalo State College President\u27s Award for Creativity; and The New York State University Chancellor\u27s Award for Excellence.https://digitalcommons.buffalostate.edu/bsc_oral_history/1016/thumbnail.jp
An Overview of Mind-Wandering According to Boggi’s Approach andInterests,
No full textInternational audienceIn this paper, through the lens of psychoanalysis and Gestalt psychology, we analyze and discuss mind-wandering as a mental dilemmatic phenomenon that is always considered in a continuum between two poles, pathology and normality. These lenses are the same ones used by Boggi to treat her main themes: the self, the human subjectivity, gender and sexuality, family and socialization, language and ideology, as well as the genealogy of femininity, cultural identities and forms of political domination. We used Lou Andreas Salomè and Anna Freud as tools and links for describing the early work of psychoanalysis; treating women in psychoanalysis; connecting femininity and mind-wandering and going towards a more contemporaneousapproach. Thus, we considered the Gestalt psychological view on this phenomenon and Stemberger presents the concepts and findings of Gestalt psychological multiple-field approach in understanding mind-wandering and related phenomena and briefly underlines its potential
An Overview of Mind-Wandering According to Boggi’s Approach andInterests,
No full textInternational audienceIn this paper, through the lens of psychoanalysis and Gestalt psychology, we analyze and discuss mind-wandering as a mental dilemmatic phenomenon that is always considered in a continuum between two poles, pathology and normality. These lenses are the same ones used by Boggi to treat her main themes: the self, the human subjectivity, gender and sexuality, family and socialization, language and ideology, as well as the genealogy of femininity, cultural identities and forms of political domination. We used Lou Andreas Salomè and Anna Freud as tools and links for describing the early work of psychoanalysis; treating women in psychoanalysis; connecting femininity and mind-wandering and going towards a more contemporaneousapproach. Thus, we considered the Gestalt psychological view on this phenomenon and Stemberger presents the concepts and findings of Gestalt psychological multiple-field approach in understanding mind-wandering and related phenomena and briefly underlines its potential
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