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The architecture of Cracow bishop's palace in Kielce in the 17th century
No full textArtykuł ma na celu uporządkowanie dotychczasowego stanu badań, atrybucji oraz nową analizę formalno-genetyczną. W przypadku pałacu kieleckiego można zrekonstruować przebieg prac i ustalić nazwiska wykonawców. Budowniczymi oraz dekoratorami siedziby biskupów byli pracownicy warsztatów z ośrodka rzeźbiarskiego w Chęcinach oraz muratorów z dawnego województwa sandomierskiego i Krakowa. Źródłem inspiracji dla rozplanowania rezydencji był projekt Andrea Palladia na Villę Pisana w Montagnana. Należy odrzucić dotychczasowe propozycje by autorem projektu kieleckiego był Tomasz Poncino, na korzyść Giovanniego Trevana.he aim of the article is to organize the current state of research and attribution to carry out a new formal and genetic analysis. In the case of the palace in Kielce we can reconstruct the constructing works and determine the names of performers. Builders and decorators of the headquarters of bishops were employees of workshops from the sculpture centre in Chęciny and masons from the former province of Sandomierz and Cracow. he source of inspiration for the residence was the project of Villa Pisana in Montagnana by Andrea Palladio. Previous suppositions that the author of the project in Kielce was Tomasz Poncino must be rejected in favor of Giovanni Trevano
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
„Chętka mię napadła budować i pięknie mieszkać”. Stosunek Krzysztofa Opalińskiego (1611–1655) do architektury
Get PDFThe article discusses the attitude towards architecture of Krzysztof Opaliński, which has not been developed by researchers yet. The magnate ordered designs for his palaces in Włoszakowice and in Warsaw with Constante Tencalla, who probably also designed the parish church in Włoszakowice. Opaliński expressed his opinions on architecture in his own poems and in letters to his brother Łukasz, the alleged author of the first Polish-language architectural treatise. Opaliński\u27s views, partly coincident with those expressed in this treatise, were the result of reading French and Italian treaties and architectural templates, but also the work of Peter Paul Rubens Palazzo di Genova, published in 1622.W artykule omówiono nieopracowany jak dotąd przez badaczy stosunek Krzysztofa Opalińskiego do architektury. Magnat zamawiał projekty swoich pałaców we Włoszakowicach oraz w Warszawie u Constantego Tencalli, który zapewne projektował też kościół parafialny we Włoszakowicach. Swoje opinie na temat budownictwa Opaliński zawarł w pisanych przez siebie wierszach oraz w listach do swojego brata Łukasza, domniemanego autora pierwszego polskojęzycznego traktatu architektonicznego. Poglądy Opalińskiego, częściowo zbieżne z wyrażonymi w tym traktacie, były wynikiem lektury włoskich i francuskich traktatów i wzorników architektonicznych, ale też dzieła Petera Paula Rubensa Palazzo di Genova, wydanego w 1622 roku
“A craving urged me to build and live beautifully.” Krzysztof Opaliński's (1611-1655) attitude to architecture
No full textW artykule omówiono nieopracowany jak dotąd przez badaczy stosunek Krzysztofa Opalińskiego do architektury. Magnat zamawiał projekty swoich pałaców we Włoszakowicach oraz w Warszawie u Constantego Tencalli, który zapewne projektował też kościół parafialny we Włoszakowicach. Swoje opinie na temat budownictwa Opaliński zawarł w pisanych przez siebie wierszach oraz w listach do swojego brata Łukasza, domniemanego autora pierwszego polskojęzycznego traktatu architektonicznego. Poglądy Opalińskiego, częściowo zbieżne z wyrażonymi w tym traktacie, były wynikiem lektury włoskich i francuskich traktatów i wzorników architektonicznych, ale też dzieła Petera Paula Rubensa Palazzo di Genova, wydanego w 1622 roku.The article discusses the attitude towards architecture of Krzysztof Opaliński, which has not been developed by researchers yet. The magnate ordered designs for his palaces in Włoszakowice and in Warsaw with Constante Tencalla, who probably also designed the parish church in Włoszakowice. Opaliński expressed his opinions on architecture in his own poems and in letters to his brother Łukasz, the alleged author of the first Polish-language architectural treatise. Opaliński's views, partly coincident with those expressed in this treatise, were the result of reading French and Italian treaties and architectural templates, but also the work of Peter Paul Rubens Palazzo di Genova, published in 1622
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Buildings from the “Tarłów group” and Roman sacred architecture from the beginning of the seventeenth century
No full textThe subject of this article is the architecture of sacral buildings so far classified by scholars as one group of buildings (“the Tarłów
group”) with similar stylistic features, designed by an anonymous architect. A critical analysis of the current research material allows us
to limit their numbers to the parish church in Gołąb (1626–1634), the collegiate church in Klimontów (1643–1650), the parish churches
in Tarłów (before 1647) and Jedlińsk (before 1645), and the Rosary Chapel (c. 1642–1650) at the parish church in Kazimierz Dolny.
The church in Tarłów with its arrangement of vaults and lunettes seems to be reliant on the leading sacral architectural designs
created in the first half of the 17th century in Northern Italy and the Kingdom of Bohemia. Its colonnaded façade, which was the first of
its kind in Central Europe, repeated at least on the first floor the unrealized designs of the façade of the church of SS. Ambrogio e Carlo
al Corso in Rome, designed by Onorio Longhi and Martino Longhi the Elder. On the other hand, in the case of the side chapels of the
church in Jedlińsk and the Rosary Chapel, their columnar articulation refers to the completed or unrealized projects by leading late 16th-
and early 17th-century Italian architects such as Ottaviano Mascarino, Giovanni Maria Ricchini, Francesco da Volterra and Carlo Maderno.
The system of vaults in the Klimontów collegiate church and the Tarłów church recalls the churches of Our Lady of Victory in Prague
(1611–1613), St. James in Jičín (after 1628), and the Church of the Assumption of the Virgin Mary in Stará Boleslav (1620s–1630s).
The eclecticism of the spatial arrangement of the buildings and the staging of the façades and interiors prove a good knowledge
of early modern Italian architecture. In the absence of archival sources, it is at present difficult to identify their architect. However, the
builders of these structures were guild craftsmen operating in the former Sandomierz and Lublin provinces. An analysis of their working
methods links the Tarłów church to the mason Lorenzo Senes, the builder of the collegiate church in Klimontów and the Krzyżtopór
castle in Ujazd (1621–1644). In Tarłów and Kazimierz Dolny, Senes cooperated with the still anonymous Master of Tarłów, the author
of stucco and terracotta decorations
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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