171,193 research outputs found
Electre // tragédie en cinq actes en prose. // de Sophocle, et Euripide. // Mise en musique, par // Stanislas Champein. // Le poëme a été arrangé par mon fils et ma fille (manuscrit autographe)
No full textTitre uniforme : Champein, Stanislas (1753-1830). Compositeur. [Electre]Opéra en 5 actes. - Paraphé au début et à la fin. - Oeuvre non représentée d'après le testament autogr. de S. Champein du 3 mars 1813 (F-Pn / LA-Champein Stanislas-7). - Rôles : le Gouverneur (Fa 4), Oreste (Ut 4), Electre (Ut 1), Coriphée (Ut 1), Chrysothemis (Ut 1), Clitemnestre (Ut 1), Suite d'Oreste (Fa 4), Egiste (Ut 4), Castor (Ut 4). - Choeur : Ut 1 (2). - Vl 2, vla, fl 2, ob 2, cl 2, fag 2, cor 2, timp, vlc, cb. - Paginé par acte. - Mention au bas du f. 2 ajouté : " [à insérer] entre les pages 14 et 15 du 4e acte d'Electre"Présentation musicale : [Partition]Incipit : Illustre rejeton de ce roi (récitatif (Gouverneur))Incipit : Chère patrie, Dieux tutélaires (air (Oreste))Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssOpéras -- +* 1700......- 1799......+:18e siècle:Opéras -- +* 1800......- 1899......+:19e siècle
Réponse au discours qui a remporté le prix de l'Académie de Dijon, sur cette question: si le rétablissement des sciences & des arts a contribué à épurer les moeurs, par un citoyen de Genève
No full textPar le roi Stanislas et le père Joseph de Menoux, d'après BarbierSignatures : A-B⁸, C
C. Fabre. Le troubadour Pons de Chapteuil ; quelques remarques sur sa vie et sur l'esprit de ses poèmes. Le Puy, impr. Marchessou, 1907 (Extrait des Mémoires de la Société agricole et scientifique de la Haute-Loire, t. XIV)
No full textStronski Stanislas. C. Fabre. Le troubadour Pons de Chapteuil ; quelques remarques sur sa vie et sur l'esprit de ses poèmes. Le Puy, impr. Marchessou, 1907 (Extrait des Mémoires de la Société agricole et scientifique de la Haute-Loire, t. XIV). In: Annales du Midi : revue archéologique, historique et philologique de la France méridionale, Tome 19, N°76, 1907. pp. 547-551
Les Registres d'Alexandre IV. Recueil des bulles de ce pape publiées ou analysées d'après les manuscrits originaux des Archives du Vatican par C. Bourel de la Roncière, J. de Loye, P. de Cenival et A. Coulon, 1959
No full textGiet Stanislas. Les Registres d'Alexandre IV. Recueil des bulles de ce pape publiées ou analysées d'après les manuscrits originaux des Archives du Vatican par C. Bourel de la Roncière, J. de Loye, P. de Cenival et A. Coulon, 1959. In: Revue des Sciences Religieuses, tome 35, fascicule 2, 1961. p. 204
The flow structure behind vortex generators embedded in a decelerating turbulent boundary layer
No full textThe objective of the present work is to analyse the behaviour of a turbulent decelerating boundary layer under the effect of both passive and active jets vortex generators (VGs). The stereo PIV database of Godard and Stanislas [1, 2] obtained in an adverse pressure gradient boundary layer is used for this study. After presenting the effect on the mean velocity field and the turbulent kinetic energy, the line of analysis is extended with two points spatial correlations and vortex detection in instantaneous velocity fields. It is shown that the actuators concentrate the boundary layer turbulence in the region of upward motion of the flow, and segregate the near-wall streamwise vortices of the boundary layer based on their vorticity sign
Menzikoff et Foedor ou Le fou de Bérézoff , opéra en trois actes dédié à Sa Majesté la reine de Hollande[.] Paroles de Mr Lamartelière[,] musique de Stanislas Champein. Representé par les Comédiens ordinaires de l'Empereur le 30 janvier 1808 [...] Gravé par Huguet. Propriété de l'auteur. Enregistre à la Bibl.que imp.le
No full textTitre uniforme : Champein, Stanislas (1753-1830). Compositeur. [Menzikoff et Foedor ou Le fou de Bérézoff]Présentation musicale : [Partition]Appartient à l’ensemble documentaire : RISMImpOpéras-comiques -- +* 1800......- 1899......+:19e siècle
Mistica ruvida. L’esteriorità oikologica e Stanislas Breton
No full textStarting with Wittgenstein’s challenge: «We have got onto slippery ice where there is no friction and so in a certain sense the conditions are ideal, but also, just because of that, we are unable to walk. We want to walk so we need friction. Back to the rough ground!», the aim of this article is to propose a path towards Stanislas Breton’s proposal about mysticism that we will define as “rough”. By this adjective, we will point out that the French philosopher’s proposal about mysticism takes this experience out of the personal experience of the mysticism in order to seek a “rough ground” that offers mysticism itself the friction necessary for it to be a way of dwelling, and thus one of the possible ways in which what will be called “oikology” is declined. And if topology is a thought that under-stands every dimension of existence in the light of place and that finds its centre of gravity in place before temporality, an oikological thought will not merely speak of place but of the way one is in the place understood as oikos, dwelling. Oikology will then mean being in a place insofar as in this place one lives, grows, dwells. And if a topology privileges the spatial di-mension of philosophy, oikology privileges this dimension less in order to emphasise dwelling, so to speak, actively. Therefore, oikology will interro-gate space or place from the point of view of who in space lives, that is: “who” is dwelling. Given this sense of oikology, “rough mysticism” will grasp mysticism as an experience rooted in a ground in which one dwells and inhabits; or even, it will be one of the ways in which one experiences dwelling. And as unusual this proposal may seem, such a sense of “mysticism” is not without precedent, and in order to explain it Stanislas Breton offers important pointers to its clarification by showing that mysticism, as a mode of dwelling, is also and first and foremost an affaire of human experience. “Rough mysticism”, finally, is not a lemma that Breton uses. It is, however, an expression that he would legitimise and even authorise, given his proposal. A legitimacy that nevertheless needs to be motivated and, to this end, after having started precisely from a suggestion by Breton, 1– the traits of what will be called “non-rough mysticism” will be quickly set out, a mysticism that is the exceptional experience of the individual, 2– in order to move towards the proposal of an experience of oikological exteriority that 3– starting with Breton will finally allow us to motivate the rough reasons from which we have chosen to speak of “mysticism”
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
La messe de Stanislas et le modèle versaillais
No full textInternational audienceL’usage de la messe basse accompagnée de motets et de la messe solennelle chantée en polyphonie a été adopté à Lunéville, d'abord par Léopold puis par Stanislas, mais avec des variantes par rapport au modèle versaillais
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