1,720,963 research outputs found
Joseph J. Jova, Sol M. Linowitz, and Dr. Eduardo Frei to Attend Foreign Affairs Seminar
Get PDFNews release announcing Joseph J. Jova, Sol M. Linowitz, and Dr. Eduardo Frei will attend the Foreign Affairs Seminar at the University of Dayton
Sol M. Linowitz - Clip 2
No full textFrom the video archives of the Cornell Law School Heritage Project. The speaker is Sol Linowitz delivering the keynote address at the Law School\u27s centennial celebration. This conclusion to the talk focuses on the need for law and the legal profession to assure access to law and justice on the part of the poor and powerless.
Sol M. Linowitz (1913 - 2005) was an international lawyer, diplomat, and businessman. He graduated from Hamilton College Phi Beta Kappa in 1935 and was salutatorian of his class. At Cornell he served as editor of the Cornell Law Quarterly, was elected to the Order of the Coif, and graduated first in his class in 1938.
He co-founded Xerox and served as chairman of the board from 1960 to 1966.He also founded the International Executive Service Corps, a volunteer program that sends U.S. executives to provide managerial and technical expertise to developing countries. He wrote two books, The Betrayed Profession (1994), a critique of the legal profession, and The Making of a Public Man, A Memoir (1985).
He entered the world stage when President Johnson appointed him U.S. ambassador to the Organization of American States (OAS) (1966 - 1969). Later, President Carter asked him to co-negotiate the Panama Canal Treaties in 1977 and named him special ambassador to the Middle East. President Clinton awarded him the nation\u27s highest civilian honor, the Presidential Medal of Freedom, in 1988.
Sol Linowitz\u27s service to Cornell spanned more than three decades. He served as Trustee for nearly 30 years, he was a Presidential Councillor and served on many committees, and was also a member of the university\u27s Campaign Advisory Council. At the Law School he served on the Advisory Council, the Law School Campaign Steering Committee, and was president of the Law Association.
His distinguished career belied his humble background. The son of Russian immigrants, Sol Linowitz helped pay for his schooling by teaching violin. He also played with the Utica Symphony
Sol M. Linowitz - Clip 1
No full textFrom the video archives of the Cornell Law School Heritage Project. The speaker is Sol Linowitz,\u2738 delivering the keynote address at the Law School\u27s centennial celebration. The talk explores dehumanizing changes in the practice of law, the need for greater public understanding of law, and steps law schools might take to respond.
Sol M. Linowitz (1913 - 2005) was an international lawyer, diplomat, and businessman. He graduated from Hamilton College Phi Beta Kappa in 1935 and was salutatorian of his class. At Cornell he served as editor of the Cornell Law Quarterly, was elected to the Order of the Coif, and graduated first in his class in 1938.
He co-founded Xerox and served as chairman of the board from 1960 to 1966.He also founded the International Executive Service Corps, a volunteer program that sends U.S. executives to provide managerial and technical expertise to developing countries. He wrote two books, The Betrayed Profession (1994), a critique of the legal profession, and The Making of a Public Man, A Memoir (1985).
He entered the world stage when President Johnson appointed him U.S. ambassador to the Organization of American States (OAS) (1966 - 1969). Later, President Carter asked him to co-negotiate the Panama Canal Treaties in 1977 and named him special ambassador to the Middle East. President Clinton awarded him the nation\u27s highest civilian honor, the Presidential Medal of Freedom, in 1988.
Sol Linowitz\u27s service to Cornell spanned more than three decades. He served as Trustee for nearly 30 years, he was a Presidential Councillor and served on many committees, and was also a member of the university\u27s Campaign Advisory Council. At the Law School he served on the Advisory Council, the Law School Campaign Steering Committee, and was president of the Law Association.
His distinguished career belied his humble background. The son of Russian immigrants, Sol Linowitz helped pay for his schooling by teaching violin. He also played with the Utica Symphony
Honorary Degree Citation: Sol M. Linowitz
Get PDFDescription and accomplishments of the Doctor of Humane Letters recipient
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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