5,475 research outputs found

    Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper

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    Includes bibliographical references.This dissertation analyses and compares the narrative strategies in J.M. Coetzee’s Summertime and Marlene van Niekerk’s Die sneeuslaper and considers the implications of these strategies for the authors’ exploration of the ethics of writing. Much has been written about the literary oeuvres of both Coetzee and Van Niekerk, including studies of the translations of Van Niekerk’s Afrikaans novels into English. There are few “interlingual” comparative studies of contemporary works in Afrikaans and English, however, and certainly none to my knowledge which compares the work of Coetzee and Van Niekerk. My contribution to the conversation about Coetzee’s and Van Niekerk’s work, but also to an increasingly multilingual and interconnected South African literary criticism, will be a comparison of one recent work by each of these two authors, written in English and Afrikaans respectively. I draw on the theories of Bakhtin, Barthes and Levinas to consider the ethical dimension of texts in which “double-voicedness”, a questioning not only of existence, but of the self is fore grounded in the content and narrative structure; where there is a shift in focus from the author to the reader (“the birth of the reader”) and “utterances” are made with the response of “the other” in mind

    Geology of the Selk crater region on Titan from Cassini VIMS observations

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    International audienceObservations of Titan obtained by the Cassini Visual and Infrared Mapping Spectrometer (VIMS) have revealed Selk crater, a geologically young, bright-rimmed, impact crater located similar to 800 km north-northwest of the Huygens landing site. The crater rim-crest diameter is 90 km; its floor diameter is similar to 60 km. A central pit/peak, 20-30 km in diameter, is seen; the ratio of the size of this feature to the crater diameter is consistent with similarly sized craters on Ganymede and Callisto, all of which are dome craters. The VIMS data, unfortunately, are not of sufficient resolution to detect such a dome. The inner rim of Selk crater is fluted, probably by eolian erosion, while the outer flank and presumed ejecta blanket appear dissected by drainages (particularly to the east), likely the result of fluvial erosion. Terracing is observed on the northern and western walls of Selk crater within a 10-15 km wide terrace zone identified in VIMS data; the terrace zone is bright in SAR data, consistent with it being a rough surface. The terrace zone is slightly wider than those observed on Ganymede and Callisto and may reflect differences in thermal structure and/or composition of the lithosphere. The polygonal appearance of the crater likely results from two preexisting planes of weakness (oriented at azimuths of 21 degrees and 122 degrees east of north). A unit of generally bright terrain that exhibits similar infrared-color variation and contrast to Selk crater extends east-southeast from the crater several hundred kilometers. We informally refer to this terrain as the Selk "bench." Both Selk and the bench are surrounded by the infrared-dark Belet dune field. Hypotheses for the genesis of the optically bright terrain of the bench include: wind shadowing in the lee of Selk crater preventing the encroachment of dunes, impact-induced cryovolcanism, flow of a fluidized-ejecta blanket (similar to the bright crater outflows observed on Venus), and erosion of a streamlined upland formed in the lee of Selk crater by fluid flow. Vestigial circular outlines in this feature just east of Selk's ejecta blanket suggest that this might be a remnant of an ancient, cratered crust. Evidently the southern margin of the feature has sufficient relief to prevent the encroachment of dunes from the Belet dune field. We conclude that this feature either represents a relatively high-viscosity, fluidizedejecta flow (a class intermediate to ejecta blankets and long venusian-style ejecta flows) or a streamlined upland remnant that formed downstream from the crater by erosive fluid flow from the west-northwest

    "The day of the great writer is gone for ever": Author surrogacy in Martin Amis’s Money and J.M. Coetzee’s Summertime.

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    This study focuses on the use of author surrogacy in the novels Money: A Suicide Note by Martin Amis and Summertime: Scenes from Provincial Life by J.M. Coetzee. It addresses the connection between their use of author surrogacy and their comments on what scholars classify as the postmodern cultural condition. Both authors have written themselves into their novels with a different purpose but both used strikingly similar themes to incorporate this purpose, although the stress on these themes varies. Authorial power, the distinction between the real and the imagined, and the fading line between high- and lowbrow culture are examples of the topics discussed in this study with regards to author surrogacy and the postmodern cultural condition. This study concludes that, through their use of author surrogacy, J.M. Coetzee mainly aims to critique, while Martin Amis satirises postmodern culture. Keywords: Amis, author surrogacy, authorial power, Coetzee, fact-fiction distinction, high- and lowbrow culture, postmodern cultural condition

    A Companion to the Works of J.M. Coetzee

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    Studies on the author J.M. Coetze

    O doświadczeniu obcości języka w twórczości J.M. Coetzeego. Słowo wstępne

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    The present foreword refers to the address delivered by J.M. Coetzee on the occasion of conferring upon him by the University of Silesia the doctor honoris causa degree. Particular attention is paid to his thoughts on the role of English in the world of today. The author of the foreword shows that reflection on language in general and its role in moulding one’s identity in present in the Nobel laureate’s works, including his most recent novels. Further into the foreword, the author briefly discusses text reprinted in Śląskie Studia Polonistyczne: the already mentioned address by J.M. Coetzee, the conversation with the Author, and an article devoted to his works written by Robert Kusek.The present foreword refers to the address delivered by J.M. Coetzee on the occasion of conferring upon him by the University of Silesia the doctor honoris causa degree. Particular attention is paid to his thoughts on the role of English in the world of today. The author of the foreword shows that reflection on language in general and its role in moulding one’s identity in present in the Nobel laureate’s works, including his most recent novels. Further into the foreword, the author briefly discusses text reprinted in Śląskie Studia Polonistyczne: the already mentioned address by J.M. Coetzee, the conversation with the Author, and an article devoted to his works written by Robert Kusek

    O doświadczeniu obcości języka w twórczości J.M. Coetzeego : słowo wstępne

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    The present foreword refers to the address delivered by J.M. Coetzee on the occasion of conferring upon him by the University of Silesia the doctor honoris causa degree. Particular attention is paid to his thoughts on the role of English in the world of today. The author of the foreword shows that reflection on language in general and its role in moulding one’s identity in present in the Nobel laureate’s works, including his most recent novels. Further into the foreword, the author briefly discusses text reprinted in Śląskie Studia Polonistyczne: the already mentioned address by J.M. Coetzee, the conversation with the Author, and an article devoted to his works written by Robert Kusek

    Skin-Friction Measurements on Mathematically Generated Roughness in a Turbulent Channel Flow

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    Engineering systems are affected by surface roughness, however, predicting frictional drag has proven to be challenging. The present work takes a systematic approach by generating and manufacturing surfaces roughness where surface statistics, such as rms, skewness and power-spectral density can be controlled. The frictional drag on these surfaces is measured in a turbulent channel flow facility

    Autobiography as Autrebiography: the Fictionalisation of the Self in J.M. Coetzee’s Boyhood: Scenes from Provincial Life

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    J.M. Coetzee’s Boyhood remains a fundamentally ambivalent work, generically speaking. The author seems unwilling to choose between autobiography and fiction. Whatever truth is attained may, in the last resort, be best expressed as a fiction of the truth

    Literature review on the images of the nurse and nursing in the media

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    This study concentrates on the images of the nurse and nursing seen most commonly in the media and attempts to trace the images back to their origins and to explain their continued use, despite the rapidly changing role of the nurse in today's world. The images have been derived mostly from the historical roots of nursing and sometimes as a reaction to the increasing influence of the feminist movement. The author takes a look at the four main images of the nurse seen in the media, which are the ministering angel, the battleaxe, the naughty nurse and the doctor's handmaiden and then goes on to take a brief look at the other images commonly perpetuated by the media. The author summarizes the probable effects of the media stereotypes on nurses themselves and the service they provide and also takes a look at attempts to dispel these stereotypes
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