1,721,042 research outputs found
Técnica e humanismo na poesia de Michel Deguy
Full text linkCe travail propose une lecture de l'oeuvre du poète et penseur Michel Deguy du point de vue de sa perception des problèmes de la technique. L'analyse du parcours de cette question nous montre que le thème de la nature se retracte dans ses textes à la mésure où le poète ouvre la voie d'une mise en question des différentes figures du progrès technologique, en soulignant des complicités géopolitiques, culturelles et poétiques. Même si elles se font remarquer tout au long de la trajectoire poétique et théorique de Deguy, ces figures sont singulièrement présentées dans le volume Le spleen de Paris (2001), titre qui expose la racine baudelairienne du sujet. Dans ce texte, les ponctuations sur le problème de la circulation urbaine (voitures, piétons, cyclistes) gagnent une dimension politico-poétique, et leur rhétorique aide à comprendre la façon par laquelle l'auteur présente l'enjeu humaniste de la poésie.O trabalho analisa a obra do poeta e teórico Michel Deguy, do ponto de vista de sua leitura dos problemas da técnica no contemporâneo. Ao retomar o percurso da questão na obra do autor, vemos que o tema da natureza se retrai paulatinamente, dando espaço a um questionamento sobre as diversas figuras do progresso técnico e levantando problemas geopolíticos, culturais e poéticos. Apesar de aparecem ao longo de quase toda sua obra, essas figuras estão singularmente apresentadas no livro O spleen de Paris (2001), título que expõe significativamente a raiz baudelariana do assunto. Nesse livro, as observações sobre o problema do tráfego urbano (carros, pedestres, ciclistas) ganham dimensão político-poética e sua retórica ajuda a entender o modo pelo qual o autor apresenta o sentido humanista da poesia.This paper investigates the work of poet and theorist Michel Deguy from the point of view of his understanding of the question of technique in the contemporary world. Retracing Deguy's steps, it notes that nature as a topic gradually recedes into the background, thus opening the way to the scrutiny of divers figures of technical progress, which then lead to the emergence of geopolitical, cultural and poetical issues. Even though they appear virtually throughout his work, these figures are to be found most forcefully in Le spleen de Paris (2001), a title that significantly points to the roots of the subject in Baudelaire. There, urban traffic (cars, pedestrians, bikers) acquire a political-poetical dimension and its rhetoric helps one grasp the fashion in which the author conceives of the humanist sense of poetry.Conselho Nacional do Desenvolvimento Científico e Tecnológico (CNPq)UnespCNPqUnes
Responda, cadáver: o discurso da crise na poesia moderna
Full text linkLa poésie moderne regrette la perte de son harmonie avec l espace social; elle se présente comme manifestation marginalisée dans la culture, dénonçant la subordination du mystère poétique à la technocratie et à l acumullation, au primat d une autre vision du langage. Ce faisant, elle construit au fond un discours de la crise, une manière d être dans le monde, exprimé génération après génération, indépendemment de la vérité sociologique de cette crise. Il ne s agit pas de mettre en suspicion la dramaticité des déchirures et des ruptures historiques qui ont eu lieu depuis Baudelaire, mais, à partir des poèmes de Les Fleurs du Mal et des fragments de Mon coeur mis à nu, de comprendre la constitution d un trait important du discours poétique moderne.Dando por perdida a suposta harmonia de sua relação com o espaço social, mostrando-se marginalizada culturalmente, lamentando a subordinação do mistério poético à tecnocracia e à acumulação, à predominância de uma outra visão de linguagem, articulando com isso um discurso da crise, a poesia dá forma a um certo modo de estar no mundo, expresso geração após geração, independentemente da verdade sociológica dessa crise. Não se trata de questionar a dramaticidade dos traumas e rupturas históricos que tiveram lugar desde Baudelaire, mas de compreender, a partir de poemas de Les Fleurs du Mal e de fragmentos de Mon coeur mis à nu, a constituição de um traço forte do discurso poético moderno.Acknowledging the loss of its supposed harmony with social space, showing itself as culturally marginalized, regretting the subordination of poetic mystery to technocracy and accumulation, to the primacy of another conception of language, articulating thereby a discourse of crisis, poetry shapes a certain way of being in the world, expressed generation after generation, independently of the sociological truth of this crisis. It is not a matter of challenging the dramatic nature of historical traumas and ruptures that took place since Baudelaire, but of understanding, from the poems in The Flowers of Evil and of fragments of Mon Coeur mis à nu, the constitution of a strong mark of modern poetic discourse.Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)UnespCNPqUnes
A dignidade e o ridículo da poesia: autoria, história e destinação em Le Spleen de Paris
Full text linkResumo Leituras tradicionais de textos de Le Spleen de Paris, como as de Jean Starobinski e Walter Benjamin, dão destaque para a figura do bufão e para a atitude burlesca. Nessas análises, os poemas em prosa baudelairianos são vistos como testemunhos travestidos de uma experiência biográfica e histórica. O presente artigo procura apontar os inconvenientes da associação mecânica entre autor histórico e sujeito poético, colocando em primeiro plano elementos da obra de Baudelaire que levariam a considerar de outro modo a ideia do “declínio” do gênero poético
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Máquinas desejantes e presente histórico: as crônicas de Clarice Lispector
No full textPretendemos, no presente trabalho de tese, retomar aspectos da literatura de Clarice Lispector que permaneceram, apesar dos anos, obscuros. Para tanto, selecionamos como corpus de estudo a coletânea de crônicas publicadas pela autora, no Jornal do Brasil, entre agosto de 1967 e dezembro de 1973. Essas crônicas estão reunidas no livro A descoberta do mundo (1999). Nas décadas de 60 e 70, suas obras foram consideradas alienadas do processo histórico. Essa questão é revista por Clarice quando escreve para o jornal. Nas crônicas, essa problemática traz, para a economia do texto, uma figura aparentemente alheia: a figura da empregada. Essa figura encena as estratégias utilizadas pela autora para responder ao presente histórico.The objective of this thesis is to re-examine aspects of the literature of Clarice Lispector which, despite the passage of time, have remained obscure. For this purpose we selected as a corpus for study the collection of chronicles published by the author in the Jornal do Brasil, from August 1967 to December 1973. These chronicles are collected in the book A descoberta do mundo (1999). In the 1960s and 70s, Lispector´s work was considered to be distant from the historical process. This question is re-examined by Lispector herself in her writing for the newspaper. In the chronicles, this problematic area brings, for the economy of the text, an apparently inappropriate character: that of the domestic servant. This character acts out the strategies utilised by the author to respond to the historical present.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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