262,311 research outputs found
Simova etal (2023, GEB) Pollen type occurrence table
No full textSupplementary info to:
Simova I., Ordonez A., Storch D. (2023): The dynamics of the diversity-energy relationship during the last 21,000 years. Global Ecology and Biogeography.
Pollen type occurrence table for each site and each time bin, including environmental variables</p
In memoriam: PROF. DR. DUŠKA SIMOVA-TOŠIĆ (1934–2018)
No full textProfessor Dr Duška Simova-Tošić, retired full-professor of entomology at the Faculty of Agriculture, University of Belgrade, died on 19 June 2018.
In 1956, she graduated from the Faculty of Natural Sciences and Mathematics, Department of Biology, in Skopje. After completing her studies, she worked for one year as a curator-entomologist at the Natural History Museum in Skopje, and from 1958 to 1962 as an assistant at the Faculty of Natural Sciences and Mathematics, University of Skopje. From 1962, she was employed as an assistant at the Faculty of Agriculture of the University of Belgrade, where, after moving up through all academic teaching levels, she worked as an entomologist until her retirement on October 1, 1999. At the same faculty, she obtained her MSc, and subsequently PhD. She defended her master’s thesis, “Contribution to knowledge of the harmful fauna of Cecidomyiidae of Serbia”, in 1964, and in 1969, she defended her doctoral dissertation entitled “Cecidomyiidae of Serbia and the importance of some morphological characters for its determination”. She was elected assistant professor in 1971, associate professor in 1977, and full professor in 1982. In 1968, she specialized in nematology at the Nematology Laboratory in Wageningen in the Netherlands, and on study tours in the USSR (1972) and the Netherlands (1973 and 1976).
During her time at the Faculty of Agriculture in Belgrade she lectured on the subject of Special Entomology and Insect Ecology at the Department for the Protection of Plants and Food Products, and Entomology at the Department of Farming. During her postgraduate studies in entomology, she gave lectures in the fields of Insect Physiology, Insect Systems and Entomology. She also taught Entomology at the Faculties of Agriculture in Skopje and Novi Sad, and in high schools in Vršac and Zrenjanin. She had a reputation as a strict teacher, but one that was respected by her students. In 1999, she was awarded an honorary professorship of the University “Saints Cyril and Methodius” in Skopje.
She mentored dozens of master’s theses and doctoral dissertations at the Faculties of Agriculture at the universities of Belgrade, Novi Sad, Skopje and Zagreb.
Professor Duška Simova-Tošić was dedicated to the teaching of students, and, as author or co-author, she organized a number of teaching aids: “Insect Determination Charts” (1969), “Insect Collection Handbook” (1969), “Practicum of Special Entomology” (1975 and 1995), scripts and textbooks on General Entomology (1985, 1987) and Special Entomology (1985, 1987). For students of the Faculty of Environmental Sciences in Skopje she wrote the textbook “Environmental Entomology (Part I)”, Skopje (1987).
Her field of scientific interest was the study of gall midges (Cecidomyiidae), crane flies (Tipulidae and Limoniidae), and other species and groups of insects. Her main preoccupations were Cecidomyiidae and Tipulidae, which she studied from the aspect of systematics, taxonomy, development cycle, natural enemies, harmfulness and importance in plant production. Her work of many years within these taxonomic groups, which continued after her retirement, resulted in published monographs: “Crane Flies − Tipulidae (Diptera-Insecta)” in “Fauna of Macedonia III” (1977); “Tipulidae” (Insecta, Diptera) in “Fauna of Durmitor” (1987); “Atlas of Gall Midges (Diptera: Cecidomyiidae: Cecidomyiinae)” (2014), and as a special edition of the journal Acta entomologica Serbica, “Phytophagous Species of Gall Midges in Serbia, Diptera: Cecidomyiidae, Cecidomyiinae” (2016). Also, in agricultural entomology, she was the author of the chapter “Soybean Pests and Diseases” in the monograph “Soya − Production and Processing” (1995), and one of the authors of the Handbook on Quarantine and Pest Control (1980, Belgrade).
Depending on the subject of interest at a given time during her working life, Prof. Dr. Simova-Tošić took part in the realization of programs in several scientific research projects. She participated in scientific meetings and congresses at home and abroad. She developed strong scientific and professional cooperation with colleagues from all republics of ex-Yugoslavia and from abroad. However, her greatest scientific cooperation was with scientists studying Tipulidae and Cecidomyiidae from the former USSR, especially Ukraine, and from the Netherlands, Germany, England and Romania. Particular mention should be made of her close cooperation with the Czech entomologists Marcela Skuhravá and Václav Skuhravý, with whom she published a number of papers on the topic of Cecidomyiidae. The monograph “Cecidomyiidae Fauna in Europe and Asia 1955-2008” by Skuhravá and Skuhravý cites the results of Prof. Simova’s research on the number of established species of Cecidomyiidae, not only in Serbia, but also in all the republics of former Yugoslavia. Thanks to her dedicated work and exhaustive research, the fauna of Serbia’s gall midges is the best studied when compared to neighboring countries. Before retiring, Prof. Simova had established 283 species of gall midges in Serbia, but this was not the end of her activities and creative opus. After 2000, she published two monographs and eight scientific papers. According to the 2nd Annex to the knowledge of gall midges of Serbia published in 2008 in the journal “Bulletin of the Natural History Museum”, Belgrade, there are 19 species, 17 of which are new to Serbia, 5 to the fauna of gall midges of the Balkan Peninsula, and 4 are for the first time established for the former Yugoslav republics. With this data, and with another 24 species that have not been identified and for which it is reliably believed that they are new to science (as the author herself pointed out in her last paper), the total number of species that she identified during her life and work in Serbia was 326, among which there are invasive species, species that are new to the fauna of Serbia, new for the Balkan Peninsula and for Europe, and new to science. In addition to over a hundred scientific papers published in domestic and foreign journals and at domestic and foreign scientific conferences, Prof. Dr Duška Simova-Tošić has left behind a rich collection of insects and herbarium materials. During her lifetime, Prof. Simova deposited in and formally bequeathed to the Natural History Museum in Belgrade the collection “Diptera: Tipuloidea”, with a total of 146 species and 4143 specimens of Tipulidae, as well as a collection of herbaceous plants with Cecidomyiidae (“Herbarium cecidologicum Duška Simova”). The Limoniidae collection is kept at the Department of Entomology and Agricultural Zoology of the Institute of Phytomedicine at the Faculty of Agriculture, University of Belgrade.
At the Faculty of Agriculture in Belgrade, Prof. Simova was an active member of many management boards and she was Head of the Department of Entomology and Director of the Institute for the Protection of Plants and Food Products (today called Phytomedicine). She was a member of the Yugoslav Entomological Society and the Plant Protection Society of Serbia, and a very active member of the Entomological Society of Serbia, which awarded her with a special certificate of thanks as a meritorious member in 2008. She was a member of the editorial board of the journal “Acta entomologica Serbica”.
Prof. Simova was serious, hardworking, systematic, strict, authoritative, committed to her scientific and pedagogical work, recognized and respected by her colleagues and students, and, above all, modest. Despite all her obligations and engagements, Prof. Simova found the time to return to her hometown of Skopje, where she loved going as often as she could.
We who knew Prof. Simova remember working together and socializing, as well as her curiosity and zeal until the last day of her life. All that she gave to science remains as a permanent and valuable legacy for future generations of entomologists
Comparison between regional and local pulse-wave velocity data
No full textBackground Gold standard for pulse-wave velocity (PWV) measurement is determination of the carotid-femoral cfPWV, reflecting regional aortic PWV. Nevertheless, in several echocardiographic laboratories, PWV is measured locally, most commonly at the common carotid artery (CCA). The aim of this study was to compare regional and local PWV values in healthy volunteers. Methods The study population consisted of 22 prospectively enrolled healthy subjects, mean age 38.7 ± 11.1 years, 50% male. For regional PWV measurement, we evaluated cfPWV with a standard echo scanner. Regional PWV was measured at the CCA, with semiautomated dedicated software (MyLab, EsaOte, Italy). Results cfPWV and local PWV values correlated significantly with high Pearson correlation coefficient (0.62, P = 0.002). Mean regional cfPWV (9.29 ± 3.73 m/s), however, was significantly higher than mean local PWV value (5.96 ± 1.08 m/s) (P < 0.001). The difference persisted in the subgroup analysis using different cfPWV cutoff values (10, 9, 8, and 7 m/s), except for subjects with cfPWV ≤7 m/s, where regional and local PWV values were similar. Conclusion In a group of healthy volunteers, regional and local PWV values showed a good correlation. However, regional PWV was significantly higher than local PWV. These findings should be carefully taken into account when using this technique in the clinical setting
SIMOVA : Sistema mòbil de validació
No full textEl transport públic es un dels eixos més importants de la societat, i la seva digitalització a l'Area Metropolitana de Barcelona es més lenta del que s'habia previst. Desde 2014 Sóc Mobilitat està desenvolupant un sistema de validació sense contacte centralitzat que hauria d'estar en proves al 2015 i funcionant en 2016. Després de 8 anys d'enrederiment, a finals de 2021 ha començat una prova pilot on poc a poc van incorporant funcionalitats. Aquest Treball de Fi de Grau proposa la creació de SIMOVA, un sistema mòbil de validació per realitzar les validacions, compres, consultes i recàrregues de viatjes, mitjançant una pàgina web, i utilitzar una tarjeta sense contacte para viatjar, facilitant la vida als ciutadans.Public transport is one of the most important axes of society and its digitalization in the Metropolitan Area of Barcelona is slower than expected. Since 2014 the Sóc Mobilitat UTE has been developing a centralized contactless validation system that, in 2015 was meant to start the testing process, for it to be operational in 2016. After a long delay, in 2021, started the testing the functionalities gradually in phases. This TFG proposes to develop a system (Client-Server) to perform validations, purchases, queries and recharges to public transport through a website, and use a contactless card to travel, making life easier for citizens and digitalization something everyday.El transporte público es uno de los ejes más importantes de la sociedad, y su digitalización en el Área Metropolitana de Barcelona es más lenta de lo que se había previsto. Desde 2014 Sóc Mobilitat está desarrollando un sistema de validación sin contacto centralizado que debería estar en pruebas desde el 2015 y funcionando en 2016. Después de 8 años de retrasos, a finales 2021 comenzó una prueba piloto dónde poco a poco van incorporando funcionalidades. Este Trabajo de Fin de Grado propone la creación de SIMOVA, un sistema móvil de validación para realizar las validaciones, compras, consultas y recargas de viajes, mediante una página web, y utilizar una tarjeta sin contacto para viajar, facilitando la vida a los ciudadanos
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Author in Essay by I. A. Goncharov “Pepiniere”
No full textFeatures of the embodiment of the author’s position in the essay by I. A. Goncharov “Pepiniere” are considered. The relevance of the study is due to the poorly studied poetics of this work. A review of the scientific literature on relevant topics is performed. Methodological and theoretical definitions are given. The scientific novelty of the article is in the fact that for the first time attention is paid to artistic techniques that allow to identify the author's position in the specified literary text. The author of the article grounds her opinion from the fact that, despite the dominance of the subjective point of view, other characters’ views stand out in the work. It is concluded in the study that the text of the work represents a biographical author and author-creator. It was established that the position of the author-creator is expressed through the title, epigraphs, which are quotes, as well as through different points of view, including the author-character, the author-narrator, the characters of the work. The author of the article dwells in detail on different ways of expressing the points of view of the author-character and the author-narrator. It is proved that the point of view of the author-character and the author-narrator can intersect, they are interchanged. The author's development of the term comic “point of view” is presented in the article
Espai i identitat en l'obra de Jordi Pere Cerdà. Una geografia literària cerdaniana
No full textL'obra de l'autor nord-català Jordi Pere Cerdà (1920-2011) teixeix una cartografia literària que abasta tota dimensió espacial -real, imaginada i ficcional. Les prospeccions que assagen els seus texts es fonen en el medi natural i rural, canten a l'amor, als veïns i als éssers fantàstics del folklore català, es comprometen amb els refugiats encarant-se a tota frontera i, també, a tot abisme interior i exterior que oprimesca l'ésser. El mapatge cognitiu i literari que crea Cerdà sobrepassa qualsevol obstacle per construir espais oberts i possibles, en comunió amb l'altre. Partint d'una aproximació teòrica geocrítica, aquest treball d'investigació aprofundeix en diverses nocions sobre l'espacialitat lligades a un context convuls, ple de transformacions a nivell socioeconòmic, polític, cultural i lingüístic, el qual determinarà la vida d'un autor i d'un territori transfronterer com el de la Cerdanya i la Catalunya del Nord. En definitiva, la rica experiència vital de Jordi Pere Cerdà ens permet reflexionar sobre les relacions que vulguem establir entre els individus i amb el nostre hàbitat natural i cultural, a fi d'esdevenir membres actius que participen de la transformació dels espais que configuren les nostres identitats.The work of the North Catalan author Jordi Pere Cerdà (1920-2011) weaves a literary cartography which reaches all spatial dimensions -real, imagined and fictional. The prospections proved by their texts merge with the natural and rural environment, sing to love, neighbours and the fantastic beings of the Catalan folklore. Such prospections also commit themselves with the refugees facing every frontier and, also, facing all interior and exterior abyss that oppresses the being. The cognitive and literary mapping created by Cerdà overcomes any obstacle to construct opened and possible spaces, in communion with the other. Based on the theoretical approach called geocriticism, this research study delves into various notions about spatiality linked to a convulsive context, full of transformations at a socioeconomic, political, cultural and linguistic level; these transformations will determine the life of an author and a cross-border territory such as Cerdagne and Northern Catalonia. In short, the rich experience of Jordi Pere Cerdà allows us to reflect on the relationships we want to establish between individuals, as well as between human groups and our natural and cultural habitat, in order to become active members that participate in the transformation of the spaces that make up our identities.Programa de Doctorat en Llengües Aplicades, Literatura i Traducci
Els llibres d'il·lustració infantil i juvenil en l'Educació Artística. Un cas concret a partir de l’autora Olga de Dios
No full textTreball Final de Grau en Mestre o Mestra d'Educació Primària (Pla de 2018). Codi: MP1840. Curs acadèmic: 2021/2022El treball de fi de grau que aneu a veure a continuació, és un projecte que consisteix en com es poden
treballar a les aules de primària els llibres de l’autora i il·lustradora Olga de Dios. Tractant de treballar
el llibre com a objecte artístic a nivell elemental. A més, de presentar a l’autora i il·lustradora, donarla a conèixer i veure els valors que transmet, també llegiríem quatre de les seues obres a l’aula com
són: “Leotolda”, “En familia”, “Rana de Tres Ojos”, i “Pájaro Amarillo”. Tot açò sumat a la
realització d’un quadern de classe on es colorejaria alguns dels seus personatges de les obres seguint
pautes a nivell curricular. Realitzaríem també una eixida a la biblioteca municipal, on a banda de
rebre una educació no formal, ens facilitaria una mica el fet d’endinsar-nos al món de la il·lustració
infantil, on allí dins, el professional encarregat ens guiarà pels llibres que hi haurà a la biblioteca. I,
per a concloure, elaboraríem un llibre creat per l’alumnat on seguint unes pautes establertes per Olga
de Dios al seu llibre “Leotolda” buscaríem fer una retroalimentació intentant contactar amb ella.
D’aquesta manera tancaríem el cicle que vam començar donant-la a conèixer com a escriptora i
il·lustradora, i exploraríem on està el límit de la creativitat del propi alumnat.The final degree project you are going to see below is a project that looks at how books by author and
illustrator Olga de Dios can be worked on in primary school classrooms. Considering the book as an
artistic object at an elementary level. Besides presenting the author and illustrator, introducing her,
and seeing the values she transmits, we would also read four of her works in the classroom, such as:
"Leotolda”, "In the family", "Three-Eyed Frog", and "Yellow Bird.". All this, in addition to the
creation of a class notebook in which some of his characters from her work would be colored
following guidelines at the curricular level. We would also go out to the local library, where in
addition to receiving a non-formal education, it would make it a little easier for us to enter the world
of children's illustration, where inside, the professional in charge will guide us through the books
which will be in the library. And, to conclude, we would make a book created by the students, where
following some guidelines established by Olga de Dios in her book "Leotolda" we would look for
feedback by trying to contact her. In this way, we would close the cycle that we started by presenting
her as an author and illustrator, and we would explore where the limit of creativity of the students
themselves is
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