2,059 research outputs found
sj-docx-1-whe-10.1177_17455057231213735 – Supplemental material for Some key questions: Pregnancy intention screening by community health workers
No full textSupplemental material, sj-docx-1-whe-10.1177_17455057231213735 for Some key questions: Pregnancy intention screening by community health workers by Stephanie St Clair, Susan Dearden, Lauren Clark and Sara E Simonsen in Women’s Health</p
sj-docx-2-whe-10.1177_17455057231213735 – Supplemental material for Some key questions: Pregnancy intention screening by community health workers
No full textSupplemental material, sj-docx-2-whe-10.1177_17455057231213735 for Some key questions: Pregnancy intention screening by community health workers by Stephanie St Clair, Susan Dearden, Lauren Clark and Sara E Simonsen in Women’s Health</p
Una figura del dialogo interculturale nella Venezia primosecentesca: la «bella Hebrea» Sara Copio Sullam
No full textIl saggio si propone di ragionare sul significato che la figura di una scrittrice quale Sara Copio Sullam viene ad assumere in relazione a panorami sempre più ampî ed articolati: la Venezia del primo Seicento, il contemporaneo «milieu» letterario italiano, la misura e la qualità della sopravvivenza di essa nelle età successive, in cui si moltiplicano le voci e le opinioni, prima schierate nelle opposte fazioni dei detrattori e dei sostenitori, quindi ricomposte sotto la topica insegna della «femme savante».
Ripercorrendo le fasi ed i momenti della sua attività letteraria, la si trova innanzi tutto coltivare la poesia in lingua italiana, secondo l’esempio dell’altro fondamentale esponente del dialogo interculturale ed interreligioso nella Venezia del primo Seicento, il rabbino Leon Modena.
Seguendo la naturale attitudine ad un dialogo con l’altro da sé, in senso religioso, culturale, umano, Sara elegge quale destinatario privilegiato un letterato cattolico dalla poetica «moderato–barocca», il genovese Ansaldo Cebà, con cui intesse una corrispondenza che possiamo ricostruire soltanto a partire dalle «Lettere [...] scritte a Sarra Copia», e da quelle rivolte dall’autore ad altri destinatarî (raccolte entrambe stampate nel 1623).
Coinvolta suo malgrado in una polemica teologica sull’immortalità dell’anima con l’ecclesiastico Baldassare Bonifacio; ed in un’altra moralistico–letteraria con il suo precettore Numidio Paluzzi e con il pittore Alessandro Berardelli, Sara risponde sul duplice piano trattatistico e poetico, smentendo le accuse rivoltele di non essere l’autrice dei proprî scritti, accuse che accompagnano anche la sua (s)fortuna critica.
Al saggio fa séguito un’Appendice riportante alcuni brani della «Risposta» del Bonifacio al «Manifesto» di Sara (opere ambedue edite nel 1621), annotati e commentati.The essay reflects on the significance of a writer such as Sara Copio Sullam in relation to gradually more extensive and complex contexts: early–seventeenth–century Venice, the contemporary Italian literary «milieu», and the extent and quality of its survival in later periods, with their increasing variety of voices and opinions, first lined up in opposing factions of detractors and supporters, and then brought together under the «tópos» of the «femme savante».
Throughout her literary career, her main activity was that of cultivating poetry in the Italian language, after the example of another fundamental exponent of intercultural and inter–religious dialogue in early–seventeenth–century Venice, the Rabbi Leon Modena.
In accordance with her natural attitude of dialogue with what was other then herself, whether religiously, culturally or humanly, Sara’s most frequent correspondent was a Catholic man of letters with a “restrained baroque” poetics, the Genoese Ansaldo Cebà, whose correspondence with her can only in part be reconstructed from the «Lettere [...] scritte a Sarra Copia», and those written by the author to other recipients (both sets collected and printed in 1623).
Involved despite herself in a theological controversy on the immortality of the soul with the priest Baldassare Bonifacio, and in a moralistic–literary controversy with her tutor Numidio Paluzzi and the painter Alessandro Berardelli, Sara responded both in verse and prose, denying the accusation that she was not the author of her own writings, an accusation that was also levelled at her as a critic.
The essay is followed by an Appendix containing extracts from Bonifacio’s «Risposta» to Sara’s «Manifesto» (both works published in 1621), with notes and commentary
Sara Brown
No full textSara E. Brown is the Executive Director of Chhange, the Center for Holocaust, Human Rights & Genocide Education. Brown holds the first Ph.D. in comparative genocide studies from Clark University\u27s Strassler Center for Holocaust and Genocide Studies. She has presented at an array of professional conferences around the world, published pieces in academic journals, news outlets, and edited volumes, and currently serves on the Advisory Board for the International Association of Genocide Scholars.
Brown has worked and conducted research in Rwanda since 2004, served as a project coordinator in refugee camps in Tanzania, worked in refugee resettlement in Texas, and researched conflict globalization and conflict in Israel. Prior to coming to Chhange, she developed and managed post-secondary education programming for USC Shoah Foundation. She has designed and taught courses on human rights, mass violence, and history at San Diego State University, Mt San Jacinto Community College, and Worcester State University. Brown served as an academic consultant for Aegis Trust in Rwanda and as the scholarly advisor on the Genocide against the Tutsi in Rwanda for Chhange\u27s museum-quality exhibit, Journeys Beyond Genocide: The Human Experience.
She is the author of Gender and the Genocide in Rwanda: Women as Perpetrators and Rescuers and the co-editor of the forthcoming Routledge Handbook on Religion and Genocide.https://commons.erau.edu/genocide-bios/1059/thumbnail.jp
Educación indígena: balance y perspectivas. Antropología. Boletín Oficial del Instituto Nacional de Antropología e Historia. Num. 70 Nueva Época (2003) abril-junio
No full textAcevedo, María Luisa, Íñigo Aguilar, Sara Molinari, et al., Etnografía y educación en el estado de Oaxaca, México, INAH (Científica, 268), 1993.Acevedo, María Luisa, Íñigo Aguilar, Luz Ma. Brunt y Sara Molinari, Educación interétnica, México, INAH (Científica, 320), 1996.Aguilar, Íñigo; El problema de la educación indígena. El caso del estado de Oaxaca, 3 vols., México, INAH (Científica, 235, 236 y 237), 1991.Aguirre Beltrán, Gonzalo; Regiones de refugio, México, Instituto Nacional Indigenista, 1973.López Morales, Alberto; "Más de 35,000 Oaxaqueños de diversos grupos étnicos viven en condiciones infrahumanas en el Valle de San Quintín", en El Universal, 23 de septiembre de 1994.Oficina de representación para el desarrollo de los pueblos indígenas de la Presidencia de la República, “Programa Nacional para el desarrollo de los pueblos indígenas. 2001-2006”, México, 2001.Secretaría de Educación Pública, Coordinación General de Educación Intercultural Bilingüe, “Convocatoria para elaborar el nuevo modelo educativo para el fortalecimiento de la diversidad”, México, SEP, 28 de junio de 2002
Life in Data”—Outcome of a Multi-Disciplinary, Interactive Biobanking Conference Session on Sample Data
No full text©Sara Y. Nussbeck et al. 2016; Published by Mary Ann Liebert, Inc. This Open Access article is distributed under the terms of the Creative Commons Attribution Noncommercial License (http://creativecommons.org/licenses/by-nc/4.0/) which permits any noncommercial use, distribution, and reproduction in any medium, provided the original author(s) and the source are credited. The article attached is the publisher's pdf.NHM Repositor
Sara Hartland-Rowe : What Are Days For?
No full textCatalogue to accompany Hartland-Rowe’s exhibition based on the theme: “What are days for?” Quinton’s analysis of the iconography used in the artist’s narrative paintings highlights the biblical, literary and mythological sources of the imagery. The author also compares the human figures, animals and plant forms represented to the backgrounds of medieval woven tapestries. Mandel provides detailed descriptions of various elements of the exhibition, and suggests that Hartland-Rowe’s paintings are a form of storytelling. Figurative, narrative and symbolic aspects of the works are considered in relation to medieval, renaissance and modernist painting. Includes a brief artist’s statement. List of works. Biographical notes. 26 bibl. ref
Antonio Vicente Seraphim Pietroforte, e a vida masoquista
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.Esta dissertação de mestrado tem como objeto principal três livros do escritor Antonio Vicente Seraphim Pietroforte, publicados entre 2007 e 2011. A partir da leitura de Amsterdã SM (2007), Irmão noite, irmã lua (2008) e Sara sob céu escuro (2011), o que se pretende é demonstrar o quanto, na obra de Pietroforte, a escrita de um erotismo voltado para práticas não convencionais da sexualidade, particularmente o sadomasoquismo, abrem-se para uma leitura da obra em que figuram temas como a referencialidade, o erotismo enquanto prática ritual e, mais importante, a ascensão de um conceito de vida masoquista. A partir da análise que Gilles Deleuze realiza em seu livro Sacher-Masoch: o frio e o cruel, lendo o universo da escrita do escritor austríaco ao mesmo tempo em que afasta sua literatura da de Sade, a quem por muito tempo serviu de complemento, surge uma ideia de que as práticas do masoquismo, muito mais do que reguladas pela instância do contrato, são parte de um processo de ritualização da sexualidade e, em última análise, da própria vida do escritor, que viveu muito daquilo que ecoa em sua escrita. Na obra de Pietroforte, igualmente, o relato das experiências ligadas ao masoquismo imiscui-se na literatura, e o próprio texto coloca-se a serviço da eroticidade do ato de escrever, uma vez que esconde mais que revela, forçando o leitor a penetrar o texto de forma a conseguir extrair dele as referências que a todo o momento apontam para a rede de leituras costurada pelo autor em seus livros. O texto de Pietroforte se abre para uma leitura do conceito de vida masoquista na cultura brasileira, e de suas implicações na formação de uma noção de entre-lugar na literatura nacional. O tema do masoquismo é frequente em nossas letras, desde o século XIX; está dado em autores como José de Alencar, Machado de Assis, Adolfo Caminha, e de igual maneira em Dalton Trevisan e Glauco Mattoso, apenas para firmar alguns exemplos.Abstract : This Master?s Thesis has as main object three books from the writer Antonio Vicente Serphim Pietroforte, published between 2007 and 2011. From the reading of Amsterdã SM (2007), Irmão noite, irmã lua (2008) and Sara sob céu escuro (2011), what is sought to demonstrate is how much, in Pietroforte?s work, the writing of an eroticism turned to non-conventional practices of sexuality, particularly sadomasochism, opens itself up to a reading of the work in which such themes as referentiality, eroticism as a ritual practice and, more importantly, the rise of a concept of masochistic life figure. From the analysis that Gilles Deleuze performs in his book Coldness and Cruelty, in which he reads the written universe of the Austrian author at the same time trying to fend his literature from that of Sade, to which he Sacher-Masoch had for a long time served as a mere complement, an idea is born that the practices of masochism, much more than regulated by the contract instance, are part of a process of ritualization of sexuality and lastly of the author?s own life, who lived much of that which echoes in his writings. In Pietroforte?s work, similarly, the narrative of sadomasochism-related experiences merges itself with his literature and the text puts itself in service of the eroticity of the writing act, once it hides more than reveals, thus forcing the reader to penetrate the text in order to extract from it the references that the whole time point to the reading net sewed by the author in his books. Pietroforte?s text opens itself up to a reading of the concept of masochistic life in Brazilian culture and of its implications in the formation of a notion of a national in-between. The subject of masochism is frequent in Brazilian literature, ever since the 19th century: it is given in authors such as José de Alencar, Machado de Assis and Adolfo Caminha, as well as in Dalton Trevisan and Glauco Mattoso, only to firm up some examples
L'ETICA NELLA FINANZA E L'UTILIZZO DEGLI STRUMENTI FINANZIARI DERIVATI: PROFILI ECONOMICI, GIURIDICI E PSICOLOGICI
No full textPARTENDO DA UNA ANALISI STORICA DELL'UTILIZZO DEGLI STRUMENTI FINANZIARI DERIVATI L'AUTORE PASSA, POI, AD UN'ANALISI ECONOMICA, GIURIDICA E PSICOLOGICA AFFINCHE' SI POSSA REALIZZARE CORRETTAMENTE LA LORO APPLICAZIONE.FROM AN HISTORICAL ANALYSIS OF THE USE OF DERIVATIVE FINANCIAL INSTRUMENTS THE AUTHOR PASS , THEN , TO ECONOMIC ANALYSIS , LEGAL AND PSYCHOLOGICAL ORDER ' PROPERLY MAY MAKE THEIR APPLICATION
Autonormazione e prospettive autopoietiche della gestione della penalità
No full textLo scritto si propone di fornire un contributo allo studio dell’autonormazione, quale fenomeno tipico del pluralismo giuridico contemporaneo che ormai non risparmia neppure il diritto penale, tradizionalmente più resistente alle contaminazioni normative extra-statuali. Muovendo dalle molteplici definizioni formulate nell’ambito della dottrina anglosassone e dopo aver identificato i macro-caratteri distintivi dell’autonormazione, se ne propone l’inquadramento come l’attività di controllo sociale, performata in contesti collettivi e organizzati, decentrati rispetto a quello statale, in cui si riscontra la tendenziale coincidenza tra creatori e destinatari della norma, la specializzazione del contenuto e l’applicazione segregata. Dopo averne tracciato l’eziologia seguendo un percorso interdisciplinare, illustrati i costi e i benefici esibiti dal diritto riflessivo, l’articolo delinea la rilevanza dell’autonormazione per la scienza penale, che viene investita dal fenomeno nelle sue diverse componenti. Infine, cogliendo l’autonormazione come strategia criminal-preventiva alternativa rispetto al diritto penale statuale, si staglia un orizzonte in cui la razionale assimilazione del diritto riflessivo nell’ordinamento penale consentirebbe di dare corpo non solo al principio di sussidiarietà c.d. orizzontale, ma anche alla clausola di extrema ratio penalistica.This paper aims at giving a contribution to the study of Self-Regulation, as a typical phenomenon of contemporary legal pluralism, which does not spare Criminal Law, which is traditionally more resistant to cross-country regulatory contaminations. Starting from the definitions offered by the Anglo-Saxon legal theory and after identifying its distinctive features, the Author reframes Self-Regulation as a form of social control, performed in collective and organized contexts (separated from the central State), where creators and recipients of the norms tend to coincide, characterized by its specialization, and its segregated application. After reviewing its etiology through an interdisciplinary approach and illustrating the costs and benefits of Reflexive Law, the Author outlines its relevance in the Theory of Criminal Law. In conclusion, a new scenario unfolds: if Self-Regulation were to be considered as an alternative strategy of crime prevention, the rational assimilation of Reflexive Law in the criminal law system would substantiate both the principle of the so-called horizontal subsidiarity and the extrema ratio clause
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