200,593 research outputs found

    Atteone; Attivo

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    L’Enciclopedia Giordano Bruno è costituita da 1200 voci. Simonetta Bassi ne ha redatte 70, per un totale di pp. 147 formate ciascuna da due colonne

    Voix féminines, voix du terroir dans la poésie valdotaine du XXème siècle

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    During the XXth century, in the context of Aosta Valley French literary production, we can notice a conspicuos presence of feminine personalities, that critics have defined in terms of "poetic matriarchy". It's precisely this flourishing of lyrical female voices that is the matter of Simonetta Valenti's essay, in which the critic tries to sketch out the lines of evolution of poetical sensibility in Aosta VAlley, between the end of XIXth century and the XXth century

    Baudelaire, o la nostalgia dell'Assoluto

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    The publication of "Les Fleurs du Mal" (1857) by Charles Baudelaire marks in France the end of the great season of Romanticism and inaugurate a new cultural and stylistic sensibility. It is precisely this poetic novelty, revealed even by the structure of Baudelaire's masterpiece, that Simonetta Valenti tries to illustrate and to explain in the present essay

    Considerazioni introduttive : linguaggi di misura e limiti della sovranità economica

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    Il contributo mira a mostrare l''utilizzo di una serie di strumenti tipici della teologia e della scienza bassomedievale nell''ambito della riflessione sui limiti del potere sovrano nella sfera economica, con un''attenzione particolare al ricorso ai cosiddetti linguaggi di misura

    La patente perfetta : i privilegi accordati ai Simonetta dagli Sforza

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    Nel 1455 i duchi di Milano concedono ai membri della famiglia Simonetta un privilegio di cittadinanza di singolare ampiezza. La stessa posizione dei Simonetta all'interno della segreteria ducale spiega questa anomalia: la patente può essere considerata come un limite superiore dei possibili privilegi, utile per illuminare il senso e la ragione delle concessioni di cittadinanza e di esenzione fiscale.The 1455 privilege for the members of Simonetta family has a peculiar extent and contains an abundance of concessions. The position of the family as head of the chancery of the Sforza dukes explain the anomaly. The "patente" is therefore a bright exemple of the consequences and reasons of this kind of privileges

    Quichuana simonetta Hull, Cotype 1946

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    <i>QUICHUANA SIMONETTA</i> HULL, 1946: 5 <p>According to Hull (1946), the type material of this species consists of three females, the holotype plus two paratypes, all of them from Huanoabamba (misspelled as ‘Huanoabama’ in the original description), Peru, 1500 m a.s.l. Hull (1946) states that one paratype and the holotype were returned to the VMNH, whereas the other paratype was retained by him. We studied images of the paratype retained by Hull, which is in the collection of the CNC.</p> <p> <i>Diagnostic features</i></p> <p>Female</p> <p>Hull (1946) provides a detailed description of this species, and illustrates the head in lateral and frontal views in figures 3 and 7, respectively. On the basis of the images examined: the face is shiny black with light-yellow hairs, and has a central and two lateral stripes outlined with white pollinosity (the lateral stripes do not reach the mouth edge); basoflagellomere is black, slightly concave ventrally, elongate; bf = 2.3 (in the original description is stated that ‘the third [antennal] segment is nearly two and a half times as long as wide’); medial pollinose stripes on the scutum are faintly visible (state uncertain because of the poor condition of the paratype examined); femora extensively black, except for the dark-red apex of the metafemur; basal half of the meso- and metatibia dark red; at least metabasotarsomere dark red dorsally; wings conspicuously dark-brown pigmented on most of the anterior half; terga I–III are nearly parallel sided, and tergum I has a moustache arrangement of golden yellow hairs.</p> <p>Male</p> <p>Unknown.</p> <p> <i>Material examined</i></p> <p> <i>Paratype:</i> 1f, <i>Quichuana simonetta</i> Hull, Cotype <i>simonetta</i> Hull, Huanoabamba, C. Peru, 1500 m, Coll. Fassl, CNC Diptera 46338 (CNC). The specimen was examined on the basis of five images made by J. Skevington: dorsal overall view, two lateral overall views and two anterior views of the face.</p> <p> <i>Range</i></p> <p>Peru.</p> <p> <i>Taxonomic notes</i></p> <p> According to Hull (1946), <i>Q. simonetta</i> is a medium size species (11 mm) with ‘abdomen broader than usual in <i>Quichuana</i> ’. On the basis of the images examined, this is an exaggeration under the definitions of abdomen width used here (see ‘Material and methods’). Thus, <i>Q. simonetta</i> fits into the group of species with slender abdomens.</p> <p> Hull (1946) states that <i>Q. simonetta</i> is similar to <i>Q. knabi</i>, but, in fact, it is more similar to <i>Q. sylvicola</i>. On the basis of similarities between <i>Q. simonetta</i> and <i>Q. sylvicola</i>, the former species could be a junior synonym of the latter species, which is also Peruvian. However, a lack of material, with only one specimen per species examined, and the following gross differences, prevent us from formally proposing this synonymy: wing with a conspicuously darkpigmented area in <i>Q. simonetta</i>, but almost hyaline in <i>Q. sylvicola</i>; tergum IV extensively covered with light-yellow hairs in <i>Q. simonetta</i>, but with a large area covered with short, posteriorly directed, black hairs in <i>Q. sylvicola</i>.</p>Published as part of <i>Ricarte, Antonio, Marcos-García, M. Ángeles, Hancock, E. G. & Rotheray, Graham E., 2012, Revision of the New World genus Quichuana Knab, 1913 (Diptera: Syrphidae), including descriptions of 24 new species, pp. 72-131 in Zoological Journal of the Linnean Society (Zool. J. Linn. Soc.) (Zool. J. Linn. Soc.) 166 (1)</i> on page 114, DOI: 10.1111/j.1096-3642.2012.00842.x, <a href="http://zenodo.org/record/5408533">http://zenodo.org/record/5408533</a&gt

    Due nuovi ritratti imperiali a Olbia

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    The author examines two marble portraits, a male and a female one; they are eaten away and without archaeological context. Thanks to comparison with the other imperial portraits, is possible to recognize Domitianus and Domitia or Iulia Titi

    Selbststerben und Ganzwerdung. Alfred Döblins große Romane. Bern, Berlin, Frankfurt a. M., New York, Paris, Wien: Lang, 2003

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    Die Untersuchung befasst sich mit Alfred Döblins großen Romanen: Berlin Alexanderplatz, Wallenstein, November 1918. Die Verfasserin liest Döblins Werk vor einem neuen Hintergrund: Nicht die Einordnung als Roman der Metropole (Berlin Alexanderplatz) bzw. als historische Romane (Wallenstein, November 1918) ist Ausgangspunkt der Analyse, sondern die hermetische Tradition und die Tiefenpsychologie Carl Gustav Jungs. Im Mittelpunkt der Interpretation steht somit die Entwicklung der individuellen Persönlichkeitsstruktur der literarischen Gestalten als formierendes Prinzip der Romane. Deren zentrale Achse wird im Individuationsprozess – im Sinne Jungs – der Romanfiguren aufgespürt, der um die Grenzerfahrung des Selbst-Sterbens und der Ganzwerdung kreist. Im Prozess des Selbst-Sterbens setzen sich Döblins Protagonisten mit den destruktiven Aspekten der eigenen Person auseinander, legen das alte Ich ab und öffnen sich neuen Erfahrungen. Indem Döblins Figuren in sich eine neue Ganzheitsdimension des Seins aufspüren, entdecken sie gleichzeitig die Welt als terra incognita. Auf diesem Hintergrund gewinnt Döblins Bildsprache an Relevanz: Die dichten, belebenden Bilder fangen den Individuationsprozess ein und vermitteln dem Leser neue Erfahrungen, welche auch ihn herausfordern, über sich selbst hinauszugehen
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